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Gifted harpist Edna Phillips (1907–2003) joined the Philadelphia Orchestra in 1930, becoming not only that ensemble's first female member but also the first woman to hold a principal position in a major American orchestra. Plucked from the Curtis Institute of Music in the midst of her studies, Phillips was only twenty-three years old when Leopold Stokowski, one of the twentieth century's most innovative and controversial conductors, named her principal harpist. This candid, colorful account traces Phillips's journey through the competitive realm of Philadelphia's virtuoso players, where she survived--and thrived--thanks to her undeniable talent, determination, and lively humor. Drawing on extensive interviews with Phillips, her family, and colleagues as well as archival sources, One Woman in a Hundred chronicles the training, aspirations, setbacks, and successes of this pioneering woman musician. Mary Sue Welsh recounts numerous insider stories of rehearsal and performance with Stokowski and other renowned conductors of the period such as Arturo Toscanini, Fritz Reiner, Otto Klemperer, Sir Thomas Beecham, and Eugene Ormandy. She also depicts Phillips's interactions with fellow performers, the orchestra management, and her teacher, the wily and brilliant Carlos Salzedo. Blessed with a nimble wit, Phillips navigated a plethora of challenges, ranging from false conductors' cues to the advances of the debonair Stokowski and others. She remained with the orchestra through some of its most exciting years from 1930 to 1946 and was instrumental in fostering harp performance, commissioning many significant contributions to the literature. This portrait of Phillips's exceptional tenure with the Philadelphia Orchestra also reveals the behind-the-scenes life of a famous orchestra during a period in which Rachmaninoff declared it "the finest orchestra the world has ever heard." Through Phillips's perceptive eyes, readers will watch as Stokowski melds his musicians into a marvelously flexible ensemble; world-class performers reach great heights and make embarrassing flubs; Greta Garbo comes to Philadelphia to observe her lover Leopold Stokowski at work; and the orchestra encounters the novel experience of recording for Walt Disney's Fantasia. A colorful glimpse into a world-class orchestra at the height of its glory, One Woman in a Hundred tells the fascinating story of one woman brave enough and strong enough to overcome historic barriers and pursue her dreams.
"Francesca Tolot is the most extraordinary make-up artist of our time . . . The images in this book speak volumes about the intimacy of the camera and the willingness of one woman to show all the many, exciting parts of herself." --Beyonc Knowles Makeup artist Francesca Tolot has worked with Hollywood's top stars (including Elizabeth Taylor) and for all the major magazines. But for 20 years she has had a special relationship with one model: the exquisite, chameleon-like Mitzi Martin. One Woman, 100 Faces celebrates the unique collaboration between Martin, Francesca, and photographer Alberto Tolot. In breathtaking images, it captures both Francesca's amazing artistry and Martin's stunning transformations over the years. Embodying and intimately interpreting 100 different forms, moods, and identities--by turns innocent, graceful, feminine, raw, sexual, and mysterious--Mitzi's appearance morphs completely, even magically, with every turn of the page. Features a foreword by Beyonc Knowles
"I have spent most of my life in New Jersey, but the blood of a geisha courses through me yet." If Kiki Takehashi's life is dramatically different from that of her reserved Japanese-American mother, it is light-years away from that of her grandmother, whom she knows only through old family stories. Kiki has recently become engaged to Eric, a handsome, successful New York City lawyer. But at the same time she is haunted--quite literally--by the memory of her friend Phillip, killed the previous year in a mountaineering accident. Kiki has never met her grandmother Yukiko, for whom she is named. Still, thoroughly American though she is, she feels a secret kinship with her. Kiki is swept up by the story of this strong, proud, passionate woman who, against all odds, in a time and place far different from her own, was sold by her impoverished family, became a famous geisha, and found the love that has so far eluded the rest of the Takehashi women. Lyrical, haunting, and stunningly evocative, One Hundred and One Ways introduces a powerful and exciting new voice in contemporary fiction.
Bestselling author Travis Hunter returns with a stunning new novel about family, success, and just how far a man will go to protect those he loves. Dallas Dupree is a one woman man. A handsome and successful teacher, he is both worshipped and envied in his Atlanta neighborhood and chooses to live and raise his daughter, Aja, in the ghetto where he grew up rather than desert his roots. The only problem is that the one woman for him—his beloved Yasmin—passed away giving birth to his daughter. Now Dallas struggles through a string of empty relationships, unable to commit his heart because no woman can measure up to Yasmin. However, when Dallas plays with the wrong woman, he finds the consequences may cost him much more than he can afford. Dallas’s sister Carmen has issues of her own. All of her life she has struggled with a weight problem that had caused a lack of self esteem. Now she is an affluent doctor who lives in the suburbs with her handsome new husband, Sterling. When a family crisis forces her to take in her wayward niece, she realizes that the picture perfect world she worked so hard to create is an illusion. Their older brother, Priest, is pretty secretive about how he makes his money—and he does make a lot of it. He has been a father figure to both Dallas and Carmen, but now that they are all grown up, they want nothing to do with their shady older brother. But when Dallas and Carmen are in trouble, they turn to the one person who has always been there for them—and learn there is more to Priest than meets the eye.
'The One Woman: A Story of Modern Utopia' is a novel by Thomas Dixon Jr. The story begins with Reverend Joseph Gordon, a preacher in New York City, clashing with church elders because of his socialist views. Despite being a socialist, his best friend, Mark Overman, is a millionaire Wall Street banker. Meanwhile, Gordon grows apart from his wife, Ruth, who disapproves of his politics. After he starts a relationship with Kate Ransom, a wealthy female parishioner, he divorces his wife. Kate Ransom donates a million dollars for him to start a new church and thus get rid of the disapproving church elders. The new church is called the "Temple of Man".
"Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a 'dramatic reversal.' [This book presents a] portrait of contemporary American life and how we got here, through the lens of the single American woman, covering class, race, [and] sexual orientation, and filled with ... anecdotes from ... contemporary and historical figures"--
After her mother's mysterious death, a young woman is summoned to the floating city of Sky in order to claim a royal inheritance she never knew existed in the first book in this award-winning fantasy trilogy from the NYT bestselling author of The Fifth Season. Yeine Darr is an outcast from the barbarian north. But when her mother dies under mysterious circumstances, she is summoned to the majestic city of Sky. There, to her shock, Yeine is named an heiress to the king. But the throne of the Hundred Thousand Kingdoms is not easily won, and Yeine is thrust into a vicious power struggle with cousins she never knew she had. As she fights for her life, she draws ever closer to the secrets of her mother's death and her family's bloody history. With the fate of the world hanging in the balance, Yeine will learn how perilous it can be when love and hate -- and gods and mortals -- are bound inseparably together.
Through the richly intertwined narratives of two women from different generations, Ashley Hay, known for her “elegant prose, which draws warm and textured portraits as it celebrates the web of human stories” (New York Times Book Review) weaves an intricate, bighearted tale of the many small decisions—the invisible moments—that come to make a life. “Readers who loved the quiet introspection of Anita Shreve’s The Pilot’s Wife and Elizabeth Strout’s Olive Kitteridge will enjoy the detailed emotional journeys of Hay’s characters. Their stories will linger long after the final page is turned” (Library Journal). When Elsie Gormley falls and is forced to leave her Brisbane home of sixty-two years, Lucy Kiss and her family move in, eager to make the house their own. Still, Lucy can’t help but feel that she’s unwittingly stumbled into an entirely new life—new house, new city, new baby—and she struggles to navigate the journey from adventurous lover to young parent. In her nearby nursing facility, Elsie traces the years she spent in her beloved house, where she too transformed from a naïve newlywed into a wife and mother, and eventually, a widow. Gradually, the boundary between present and past becomes more porous for her, and for Lucy—because the house has secrets of its own, and its rooms seem to share with Lucy memories from Elsie’s life. Luminous and deeply affecting, A Hundred Small Lessons is a “lyrically written portrayal” (BookPage, Top Pick) of what it means to be human, and how a place can transform who we are. It’s about a house that becomes much more than a home, and the shifting identities of mother and daughter; father and son. Above all else, this is a story of the surprising and miraculous ways that our lives intersect with those who have come before us, and those who follow.
In The Most Powerful Woman in the Room Is You, Lydia Fenet takes you on her twenty-year journey from intern to managing director and global head of strategic partnerships at Christie’s Auction House. Lydia shares the revolutionary sales approach she has crafted over the years that has not only shaped her career, but helped her raise more than half a billion dollars for nonprofits around the world. This is an approach that will empower you to sell your way to success in business and in life. For example, you’ll learn how to create your own “Strike Method” or signature move to help you feel confident entering any situation. Combining case studies and personal stories, Lydia also shares tips from some of the most powerful and successful women in business, fashion, journalism, sports, and the arts. This book will show you how to take your career to the next level, whether it’s overcoming your fear of asking for something or bridging a wage gap. Lydia has been there and come back more powerful than ever. Inspiring and encouraging, Lydia’s hard-won advice will help you walk into any room with the confidence of a leader and motivate others to find their voice as well. Get ready to embrace your natural strengths, map your career, and take ownership of your life.
From one of Australia’s most celebrated authors comes a powerful mother-daughter drama that explores the fault lines between love and control, pairing the claustrophobic intensity of Room and My Year of Rest and Relaxation with the youthful angst of Freshwater. Sixteen and pregnant, Karuna finds herself trapped in her mother’s Melbourne public housing apartment for one hundred days awaiting the birth of her child—and her mother’s next move in a shocking power struggle over who will raise the baby. To fill the seemingly endless hours of her imprisonment, she writes to her unborn child, determined that her baby will know the truth, no matter what happens. Karuna’s pregnancy is the result of a heady act of independence, lust, and defiance that happened in a moment of freedom from her overprotective mother. In reaction to her daughter’s recklessness, Karuna’s mother locks her inside their apartment to her to make sure she can’t get into any more trouble. While postpartum confinement is a tradition in many cultures, is Karuna’s an act of love—or emotional abuse? As the birth approaches, Karuna and her mother repeatedly trip the fault lines between love and control. And somehow, despite their battles, Karuna recognizes her mother’s love in even the strangest of behaviors. At times tense and unnerving, One Hundred Days illuminates the pain, confusion, and thrill of growing up and the overwhelming desire of adults to protect the children they