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Fifteen-year-old Dashti, sworn to obey her sixteen-year-old mistress, the Lady Saren, shares Saren's years of punishment locked in a tower, then brings her safely to the lands of her true love, where both must hide who they are as they work as kitchen maids.
The Arab world's greatest folk stories re-imagined by the acclaimed Lebanese novelist Hanan al-Shaykh, published to coincide with the world tour of a magnificent musical and theatrical production directed by Tim Supple
Vanessa's husband Paul dies suddenly and tragically on their regular Sunday morning swim. How will she cope with her dilapidated house, her teenage children, the patients who depend on her? Will therapy help? Why do mysterious white feathers start appearing in unexpected places? Beautifully written and honestly relayed, Vanessa uses her professional skills to explore the many questions posed by unanticipated death, and to try to find a way forwards. "This book is about a period of great loss in my life, a time when the tables were completely turned on me. I was a qualified therapist who suddenly found myself needing psychological therapy. I was a trained researcher who became my own research subject, as I tried to make sense of what was happening to me. I was an experienced manager who now struggled to manage the events taking place in my own life. Yet, throughout all this turmoil, my patients were always there, in the background, reminding me that there are many different ways to deal with loss and trauma and search for a way forwards." Vanessa Moore Originally published as One Thousand Days and One Cup of Tea.
One of the world's great folk story-cycles adapted for the stage by leading theatre maker Tim Supple, from the stories written by the seminal Lebanese novelist Hanan al-Shaykh. This unique edition will unlock the ancient tales for a new generation of readers and performers. Written by Arabic writers from tales gathered in India, Persia and across the great Arab Empire, the One Thousand and One Nights are the never-ending stories told by Shahrazad night after night, under sentence of death, to the king Shahrayar who has vowed to marry a virgin every night and kill her in the morning. Shahrazad prolongs her life by keeping the King engrossed in a web of stories that never ends - a fascinating kaleidoscope of life, love and destiny. The tales that unfold are erotic, violent, supernatural and endlessly surprising. The web of tales woven by Shahrazad were exoticised and bowdlerised in the West under the title of the Arabian Nights. This adaptation unearths the true character of One Thousand and One Nights as it is in the oldest Arabic manuscripts. In turns erotic, brutal, witty, poetic and complex, the tales tell of love and marriage, power and punishment, rich and poor, and the endless trials and uncertainties of fate. The great cities and thriving trade routes of the Islamic world provide the setting for these stories that employ supernatural mystery and intense realism to portray the deep and endless drama of human experience.
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The second volume of this accurate translation of the wonderful and enchanting tales of the Arabian nights.
The distinguished Middle Eastern author Raja Alem grew up in Mecca at a time when the holy city was on the cusp of changing from medieval to modern. In this vanished Mecca, vividly brought to life again in My Thousand and One Nights, women hold center stage—especially Jummo, the wildly passionate daughter of the Water Carriers’ Sheik. This faraway time and setting become compellingly real as we follow the intimate drama of Jummo’s life, the tragic arc of her affair with her childhood sweetheart and her lifelong love for the mysterious Sidi Wadhana, a more-than-human emissary from the Netherworld. Jummo’s world, veiled and invisible to outsiders until this telling of her story, has the feel of the true center of an Arabia that has come to us in many exotic and threatening disguises. Jummo’s Mecca is a different world, with different narrative strategies, but the dramatic problems are universal: how lethal is love, how dangerous are woman? And how sensual is the yearning for immortality?