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'A gripping page-turner' Sunday Times 'Beautifully written and compelling' Sabine Durrant 'Satisfyingly creepy' Sunday Mirror The loss of her mother has left Kali McKenzie with too many unanswered questions. But while clearing out Elena's art studio, she finds a drawer packed with postcard each bearing an identical one-line message from a Canadian gallery owner called Susannah Gillespie: thinking of you. Who is this woman and what does she know about Elena's hidden past? Desperate to find out, Kali travels with her toddler, Finn, to Susannah's isolated home on a remote British Columbian island, a place of killer whales and storms. But as bad weather closes in, Kali quickly realises she has made a big mistake. The enigmatic Susannah refuses to talk about the past, and as Kali struggles to piece together what happened back in the 1970s, Susannah's behaviour grows more and more erratic. Most worrying of all, Susannah is becoming increasingly preoccupied with little Finn . . . PRAISE FOR LUCY ATKINS 'Wonderfully skilled' Sarah Perry 'Sly, witty and gripping' Naomi Alderman 'Wholly beguiling' Mick Herron 'Highly intelligent' Sarah Vaughan 'Beguiling, brilliantly creepy' Claire Fuller
“Twists that’ll just take your breath away. A salty, stormy and seductive read.” —Mario Giordano, author of Auntie Poldi and the Vineyards of Etna Finisterre Island, off the coast of Maine, is beautiful and remote—the kind of place tourists love to visit. But not everyone is welcome. A dilapidated Victorian house has become home to a group of squatters and junkies, and strangers have a habit of bringing trouble. A young boy disappeared during the summer, and though he was found safely, the incident stirred suspicion among locals. Now another child is missing. Summoned to the island by a cryptic text, Hester Thursby discovers a community cleaning up from a devastating storm—and uncovers a murder. Soon Hester begins to connect the crime and the missing children. And as she untangles the secrets at the center of the small community, she finds grudges and loyalties that run deep, poised to converge with a force that will once again shake her convictions about the very nature of right and wrong . . . “Intense. . . . Hill is adept at building compassion for his characters in a tight-knit social web while implicating them in dark thoughts and actions. He remains a writer to watch.” —Publishers Weekly
»One of the Missing« is a short story by Ambrose Bierce, originally published in 1888. AMBROSE BIERCE [1842-1914] was an American author, journalist, and war veteran. He was one of the most influential journalists in the United States in the late 19th century and alongside his success as a horror writer he was hailed as a pioneer of realism. Among his most famous works are The Devil's Dictionary and the short story »An Occurrence at Owl Creek Bridge.«
One of the most original, moving and beautifully written non-fiction works of recent years, The Missing marked the acclaimed debut of one of Britain's most astute and important writers.In a brilliant merging of reportage, social history and memoir, Andrew O'Hagan clears a devastating path from the bygone Glasgow of the 1970s to the grim secrets of Gloucester in the mid 1990s.'A triumph in words.' Independent on Sunday'The Missing, part autobiography, part old-fashioned pavement-pounding, marks the most auspicious debut by a British writer for some time.' Gordon Burn, Independent'A timely corrective to the idea that nothing profound can be said about now.' Will Self, Observer Books of the Year'His vision of modern Britain has the quality of a poetic myth, with himself as Bunyan's questing Christian and the missing as Dantesque souls in limbo.' Blake Morrison, Guardian
NEW YORK TIMES BESTSELLER • In the sixth novel of the renowned Thursday Next series, “geeky humor jostles with genuine insight” (Milwaukee Journal Sentinel) as Thursday embarks on another adventure in her alternate reality of literature-obsessed England. [One of Our Thursdays Is Missing] is jam-packed with spot-on parody, puns, and wry observations about words and genres that will delight literary-minded fans.”—Los Angeles Times Thursday Next is back! . . . Or at least one of her is. It is a time of unrest in the BookWorld. Only ace literary detective Thursday Next can avert a devastating genre war. Then, a week before the peace talks, Thursday vanishes. But all is not yet lost. Living at the quiet end of speculative fiction is the written Thursday Next, who labors to keep her own small series from the grim specter of being remaindered. Now she must answer the call, save the BookWorld, evade capture, and find the actual Thursday! With her clockwork butler Sprockett and her Designated Love Interest Whitby Jet in tow, written Thursday reluctantly agrees to undertake an investigation for Jurisfiction—only to realize that she must journey up the mysterious Metaphoric River and visit the RealWorld to find the answers. Don’t miss any of Jasper Fforde’s delightfully entertaining Thursday Next novels: THE EYRE AFFAIR • LOST IN A GOOD BOOK • THE WELL OF LOST PLOTS • SOMETHING ROTTEN • FIRST AMONG SEQUELS • ONE OF OUR THURSDAYS IS MISSING • THE WOMAN WHO DIED A LOT
Winner of the Global Humanities Translation Prize The Tale of the Missing Man (Dastan-e Lapata) is a milestone in Indo-Muslim literature. A refreshingly playful novel, it explores modern Muslim life in the wake of the 1947 partition of India and Pakistan. Zamir Ahmad Khan suffers from a mix of alienation, guilt, and postmodern anxiety that defies diagnosis. His wife abandons him to his reflections about his childhood, writing, ill-fated affairs, and his hometown, Bhopal, as he attempts to unravel the lies that brought him to his current state (while weaving new ones). A novel of a heroic quest gone awry, The Tale of the Missing Man artfully twists the conventions of the Urdu romance, or dastan, tradition, where heroes chase brave exploits that are invariably rewarded by love. The hero of Ahtesham’s tale, living in the fast-changing city of Bhopal during the 1970s and ’80s, suffers an identity crisis of epic proportions: he is lost, missing, and unknown both to himself and to others. The result is a twofold quest in which the fate of protagonist and writer become inextricably and ironically linked. The lost hero sets out in search of himself, while the author goes in search of the lost hero, his fictionalized alter ego. New York magazine cited the book as one of “the world's best untranslated novels.” In addition to raising important questions about Muslim identity, Ahtesham offers a very funny and thoroughly self-reflective commentary on the modern author’s difficulties in writing autobiography. The Global Humanities Translation Prize is awarded annually to a previously unpublished translation that strikes the delicate balance between scholarly rigor, aesthetic grace, and general readability, as judged by a rotating committee of Northwestern faculty, distinguished international scholars, writers, and public intellectuals. The Prize is organized by the Global Humanities Initiative, which is jointly supported by Northwestern University’s Buffett Institute for Global Studies and Kaplan Institute for the Humanities.
Jonah and Chip have barely adjusted to the discovery that they are actually the missing children of history when a time purist named JB sends them, along with Katherine and Alex, hurtling back in time to 1483. JB promises that if they can fix history, they can all return to their present-day lives. Now Chip and Alex have to reclaim their true identities—as the king and prince of England. But things get complicated when the four discover that according to the records, the princes were murdered. How can they fix history if it means that Chip and Alex will die? Margaret Peterson Haddix is the author of Found, the bestselling Shadow Children series, Uprising, Running Out of Time, and many more
After helping Chip and Alex survive 15th-century London, Jonah and Katherine are summoned to help another missing child, Andrea, face her fate. Andrea is really Virginia Dare, from the Lost Colony of Roanoke. Jonah and Katherine are confident in their ability to help Andrea fix history, but when their journey goes dangerously awry, they realize that they may be in over their heads: They’ve landed in the wrong time period. Andrea doesn’t seem that interested in leaving the past. And even worse, it appears that someone has deliberately sabotaged their mission....
History, mystery, and science collide in a new series for middle-grade readers, perfect for fans of The Mysterious Benedict Society and Lemony Snicket! Jordan Stratford imagines an alternate 1826, where Ada Lovelace (the world’s first computer programmer) and Mary Shelley (author of Frankenstein) meet as girls and form a secret detective agency! Lady Ada Byron, age eleven, is a genius. Isolated, awkward and a bit rude—but a genius. Mary Godwin, age fourteen, is a romantic. Adventurous, astute, and kind, Mary is to become Ada’s first true friend. And together, the girls conspire to form the Wollstonecraft Detective Agency—a secret constabulary for the apprehension of clever criminals. Their first case involves a stolen heirloom, a false confession, and an array of fishy suspects. But it’s no match for the deductive powers and bold hearts of Ada and Mary. Mystery fans will love this tween girl riff on Sherlock Holmes and John Watson. History buffs will be delighted to see all the real figures who play a role in this story and appreciate the extensive backmatter that helps separate truth from fiction. Parents and educators hoping to promote the STEM fields for girls will be thrilled to have a series where two girls use math, science, and creative analytical thinking to solve crimes. But most especially--emerging readers will love this series filled with humor, action, intrigue and wonderful artwork from Kelly Murphy.