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"I'm a big fan of Arnold Schwab's poems -- devilishly clever, and revealing, to say the least! As a ninety year old myself who hangs on to his sexuality, I give a cheer to another ninety year old who refuses to allow himself to be neutered by society's ageist prejudices and writes about his sexuality. I can't praise enough these skilful, entertaining poems that invite us to peer in through his bedroom window -- and there's plenty going on there!" -Edward Field "I love reading Arnold Schwab's poetry, and you will too. Witty, bracing, sexy, elegant, self-deprecating, but always honest, his verse covers a full range of human experience with a kind eye and understanding heart. As a craftsman in the art of poetry, he's stingy with words, choosing only the fittest. Lucky reader, see for yourself." -Leslie B. Mittleman Emeritus Professor of English, CSULB "If A. E. Housman were alive in the past three decades, he would have welcomed Arnold Schwab's keenly crafted and frank observations on life as an aging gay man. Literate, ironic, humorous, and at times poignant, these poems are a welcome addition to the canon of 21st-century poetry. Readers of any sexual orientation will find something in them to cherish and relate to." -Clifton Snider "While most writers are past their creative momentum in their eighties, Arnold Schwab's pen does not run dry. Well into his nineties he continues to write poems with news that stays news, contemplating among other themes loves that might have been, and recording underexplored frontiers of gay experience in old age. Saturated with ever present irony and humor paired with self-knowledge and expert skills, Schwab's use of vocabulary, rhyme, and meter creates a generous legacy that contributes to our knowledge of the gay human condition from youth to advanced old age. The range of themes in this collection is as impressive as the span of decades and the cultural changes it addresses." -James Benedict, PhD
Poems.
A Selected Prose represents the most wide-ranging collection to date of Robert Duncan's essays and talks and is a companion volume to the Selected Poems (1993). Editor Robert J. Bertholf has taken three core essays from Fictive Certainties (1985), an earlier prose collection that was limited to works written after 1955; to these have been added a variety of Duncan's writings on contemporary artists and such fellow poets as Ezra Pound, Marianne Moore, Louis Zukofsky, Charles Olson, Robert Creeley, Denise Levertov, and Jack Spicer. Included as well are "Rites of Participation", an excerpt from the still unpublished "H.D. Book"; a long meditation on Edmond Jabes' The Book of Questions, and a revised version of Duncan's controversial and provocative essay of 1944, "The Homosexual in Society".
This book examines the literary impact of famed British poet, Barry MacSweeney, who worked at the forefront of poetic discovery in post-war Britain. Agitated equally by politics and the possibilities of artistic experimentation, Barry MacSweeney was ridiculed in the press, his literary reputation only recovering towards the end of his life which was cut short by alcoholism. With close readings of MacSweeney alongside his contemporaries, precursors, and influences, including J.H. Prynne, Shelley, Jack Spicer, and Sylvia Plath, Luke Roberts offers a fresh introduction to the field of modern poetry. Richly detailed with archival and bibliographic research, this book recovers the social and political context of MacSweeney’s exciting, challenging, and controversial impact on modern and contemporary poetry.
"The Astonishment Tapes is the edited transcript of revealing autobiographical audiotapes recorded by the groundbreaking poet Robin Blaser, a founding member of the Berkeley contingent of the San Francisco Renaissance in New American Poetry"--
Translation--from both a theoretical and practical point of view--articulates differing but interconnected modes of circulation in the work of writers originally from different geographical areas of transatlantic encounter, such as Europe, Latin America, North America, and the Caribbean. After Translation examines from a transnational perspective the various ways in which translation facilitates the circulation of modern poetry and poetics across the Atlantic. It rethinks the theoretical paradigm of Anglo-American "modernism" based on the transnational, interlingual and transhistorical features of the work of key modern poets writing at both sides of the Atlantic--namely, the Portuguese Fernando Pessoa; the Chilean Vicente Huidobro; the Spaniard Federico García Lorca; the San Francisco-based poets Jack Spicer, Robert Duncan, and Robin Blaser; the Barbadian Kamau Brathwaite; and the Brazilian brothers Haroldo and Augusto de Campos.
“An extraordinary collection . . . Like the work of Emily Dickinson and W. B. Yeats, Spicer’s poems still seem to come from somewhere else.” —Publishers Weekly (starred review) Winner of the Northern California Independent Booksellers Award for Poetry (2009) Winner of the American Book Award (2009) In 1965, when the poet Jack Spicer died at the age of forty, he left behind a trunkful of papers and manuscripts and a few copies of the seven small books he had seen to press. A West Coast poet, his influence spanned the national literary scene of the 1950s and ’60s, though in many ways Spicer’s innovative writing ran counter to that of his contemporaries in the New York School and the West Coast Beat movement. Now, more than forty years later, Spicer’s voice is more compelling, insistent, and timely than ever. During his short but prolific life, Spicer troubled the concepts of translation, voice, and the act of poetic composition itself. My Vocabulary Did This to Me is a landmark publication of this essential poet’s life work, and includes poems that have become increasingly hard to find and many published here for the first time. “One of the most important volumes of poetry published in the past 50 years. The poems are simply wonderful, and Spicer’s mature work is some of the best ever written by an American.” —Ron Silliman, author of N/O “You finish My Vocabulary Did This to Me feeling you’ve come in contact with an original artist and a genuine one . . . You also finish the book thinking that these poems are ready to find a new audience.” —Dwight Garner, The New York Times
The first biography of poet Jack Spicer (1925-1965), a key figure in San Francisco’s gay cultural scene and in the development of American avant garde poetries.
Focuses on some of the most popular writers of the last forty years. One of the few books to explore the role of women and gender in the Beat movement.