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The year is 1951, and just as the recently born State of Israel takes its first toddling steps toward the future, a young Jewish woman in Morocco watches as her mother's last breath reduces her into a thing of the past. Amid her sorrow and mourning, Tamar Ben Zaken must now sacrifice her goals and ambitions in order to care for her father and siblings. To make matters worse, their secure and privileged life may be coming to an end at the hands of political and social changes that threaten the peaceful coexistence between Moroccan Jews and Muslims, who are outraged by Israel's establishment. But when Tamar's father marries a superficial woman, Tamar flees to live with her cousin in the big city of Marrakesh. While there, she studies at a prestigious French school for women, and meets Daniel, the love of her life. But Daniel harbors a secret that threatens their hopes and dreams of building a family... Inspired by actual events, One Moroccan Woman sets interpersonal drama against the backdrop of political, social, and religious volatility. Experience tragedies, challenges, and triumphs of the human spirit, as Tamar discovers that fate has a plan she could've never written for herself.
“Charles Cumming has breathed new life into the spy novel.” —Ben Macintyre, bestselling author of A Spy Among Friends Published in the UK as The Man Between In this gripping contemporary thriller, reminiscent of the classic Casablanca, a successful spy novelist is drawn into a real-life espionage plot when he’s ordered to find a mysterious fugitive on the alluring but deadly streets of Morocco. Renowned author Kit Carradine is approached by an MI6 officer with a seemingly straightforward assignment: to track down a mysterious woman hiding somewhere in the exotic, perilous city of Marrakesh. But when Carradine learns the woman is a dangerous fugitive with ties to international terrorism, the glamour of being a spy is soon tainted by fear and betrayal. Lara Bartok is a leading figure in Resurrection, a violent revolutionary movement whose brutal attacks on prominent right-wing public figures have spread hatred and violence across the world. Her disappearance ignites a race between warring intelligence services desperate to find her—at any cost. But as Carradine edges closer to the truth, he finds himself drawn to this brilliant, beautiful, and profoundly complex woman. Caught between increasingly dangerous forces who want Bartok dead, Carradine soon faces an awful choice: to abandon Lara to her fate, or to risk everything trying to save her.
Tells the stories of 25 women who practice textile traditions with an inspiring energy, pride, fortitude while contributing substantially to their family's income!
Providing new information on women's participation in the Moroccan independence movement, Voices of Resistance offers a rare opportunity to hear Moroccan women speak freely about their personal lives. Each woman is introduced in terms of her family background and personal style, and the interviews are given texture and context by references to Moroccan history and popular culture, including contemporary songs and poems. These women are storytellers, and they lived through stirring times. Their active struggle against French colonialism also challenged and redefined traditional Moroccan ideas about women's roles in society. The narratives reconstruct the little-known history of Moroccan feminism and nationalism, and probe the lives of a remarkable group of Islamic women whose voices have never been heard until now.
Includes glossary and interview with the author.
Beginning in the 1980s and gathering force in the last decade of the twentieth century, Moroccan women writers have become the latest group of Middle Eastern women to break their silence by writing both fiction and non-fiction. The Myth of the Silent Woman examines representative French-language texts from Moroccan women writers. Suellen Diaconoff situates these works in a discourse of social justice and reform, arguing that they contribute to the emerging national debate on democracy and help to create new public spaces of discourse and participation. In novels and short stories, essays and memoirs, including one powerful text by a dissident and former political prisoner, these authors contest hegemonic systems of thought and practice, reappraise traditional spaces and limits, shatter taboos and transgress borders. In so doing, they profoundly undermine easy assumptions about Arab women, feminism, and democracy, while boldly challenging the stereotype of the silent woman.
Leila Abouzeid, whose novel Year of the Elephant has gone through six reprintings, has now translated her childhood memoir into English. Published in Rabat in 1993 to critical acclaim, the work brings to life the interlocking dramas of family ties and political conflict. Against a background of Morocco's struggle for independence from French colonial rule, Abouzeid charts the development of personal relationships, between generations as well as between husbands and wives. Abouzeid's father is a central figure; as a strong advocate of Moroccan nationalism, he was frequently imprisoned by the French and his family forced to flee the capital. Si Hmed was a public hero, but the young daughter's memories of her famous father and of the family's plight because of his political activities are not so idyllic. The memoir utilizes multiple voices, especially those of women, in a manner reminiscent of the narrative strategies of the oral tradition in Moroccan culture. Return to Childhood may also be classified as an autobiography, a form only now gaining respect as a valid literary genre in the Middle East. Abouzeid's own introduction and Elizabeth Fernea's foreword discuss this new development in Arabic literature.
This text is an original investigation in the complex relationship between women, gender, and language in a Muslim, multilingual, and multicultural setting. Moroccan women's use of monolingualism (oral literature) and multilingualism (code-switching) reflects their agency and gender-role subversion in a heavily patriarchal society.
Based on extensive fieldwork, Women of Fes shows how Moroccan women create their own forms of identity through work, family, and society. The book also examines how women's lives are positioned vis-à-vis globalization, human rights, and the construction of national identity.
This "wonderful and enchanting" memoir tells the revelatory true story of one Muslim girl's life in her family's French Moroccan harem, set against the backdrop of World War II (The New York Times Book Review). "I was born in a harem in 1940 in Fez, Morocco..." So begins Fatima Mernissi in this illuminating narrative of a childhood behind the iron gates of a domestic harem. In Dreams of Trespass, Mernissi weaves her own memories with the dreams and memories of the women who surrounded her in the courtyard of her youth -- women who, without access to the world outside, recreated it from sheer imagination. A beautifully written account of a girl confronting the mysteries of time and place, gender and sex, Dreams of Trespass illuminates what it was like to be a modern Muslim woman in a place steeped in tradition.