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Sarajevo, 28 June 1914: The story of the assassination that changed the world. A historical account of the assassination of Archduke Franz Ferdinand. Using newly available sources and older material, David James Smith brilliantly reinvestigates and reconstructs the events which subsequently determined the shape of the twentieth century. Young Gavrilo Princip arrived at the Vlajnic pastry shop in Sarajevo in Bosnia-Herzegovina on the morning of 28 June 1914. He was greeted by his fellow conspirators in the plot to kill Archduke Franz Ferdinand. The Archduke, next in line to succeed as Emperor of Austria, was beginning a state visit to Sarajevo later that morning. Ferdinand was not a very popular character - widely thought of as bad-tempered and arrogant and perhaps even deranged. To the young students he embodied everything they loathed about imperial oppression. They planned to kill him at about 11 o'clock as he paraded down Appel Quay to the town hall in his open top car. What happened in those few hours - leading as it did to the First and Second World Wars - is as compelling as any thriller.
In The Assassination of the Archduke, Greg King and Sue Woolmans offer readers a vivid account of the lives - and cruel deaths - of Franz Ferdinand and his beloved Sophie. Combining royal biography, romance, and political assassination, the story unfolds against a backdrop of glittering privilege and an Imperial Court consumed with hatred, taking readers from Bohemian castles to the horrors of Nazi concentration camps in a compelling, fascinating human drama. As moving as the fabled romance of Nicholas and Alexandra, as dramatic as Mayerling, Sarajevo resonates with love and loss, triumph and tragedy in a vibrant and powerful narrative. It lays bare the lethal circumstances surrounding that fateful Sunday morning in 1914, examining not only the Serbian conspiracy that killed Franz and Sophie and sparked the First World War but also insinuations about the hidden powers in Vienna that may well have sent them to their deaths. With a Foreword from the Archduke's great-granddaughter, Princess Sophie von Hohenberg, and drawing on a wide variety of unpublished sources and with unique access to previously restricted Hungarian and Czech archives, including Sophie's diaries and family papers, King and Woolmans have written the most comprehensive account of this momentous event available in English. In doing so, they offer readers an intriguing and startlingly revisionist look at this most famous of Archdukes, his family, and their momentous collision with destiny in 1914.
Young Drasko is happy working with his father in the Sarajevo market. Then war encroaches. Drasko must run the family flower stand alone. One morning, the bakery is bombed and twenty-two people are killed. The next day, a cellist walks to the bombsite and plays the most heartbreaking music Drasko can imagine. The cellist returns for twenty-two days, one day for each victim of the bombing. Inspired by the musician's response, Drasko finds a way to help make Sarajevo beautiful again. Inspired by real events of the Bosnian War, award-winning songwriter and storyteller John McCutcheon tells the uplifting story of the power of beauty in the face of violence and suffering. The story comes to life with the included CD in which cellist Vedran Smailović accompanies McCutcheon and performs the melody that he played in 1992 to honor those who died in the Sarajevo mortar blast.
Some trips are chosen, others choose you. When tragedy strikes Bill Carter's life he finds himself drawn to a war zone. In the modern heart of darkness, the besieged city of Sarajevo, we meet a man rebuilding the ruins of his former self in the most unlikely of places. Carter joins a maverick aid organization, 'The Serious Road Trip', and dodges snipers to deliver food and supplies to those the UN can't reach. He makes friends with the artistic community of Sarajevo and fights alongside them for survival in a place where food and water are scarce, where you meet death every day, but crucially where life, love and laughter ring out all the same. Carter takes his journey one surreal step further and enlists the help of major rock band U2.The ensuing events go no small way to influencing the course of the war and Western awareness of it.
One of the 25 Books That Inspired the World (1989–2014), World Literature Today A remarkable and bracing collection of “classic anti-war writing” from a Croatian writer whose piercing prose recalls Kurt Vonnegut and Aleksander Hemon (Richard Flanagan, Booker Prize–winning author) Miljenko Jergović’s remarkable debut collection of stories, Sarajevo Marlboro, earned him wide acclaim throughout Europe. In “melancholy, dreamlike” prose, the stories in Sarajevo Marlboro “recall Alan Lightman's Einstein's Dreams and Italo Calvino's Invisible Cities, but Jergovic’s book is the strongest of the three” (Maud Newton). Croatian by birth, Jergović spent his childhood in Sarajevo and chose to remain there throughout most of the war. These stories are distinctly of the material world, and they are shaped by Jergović’s deeply personal vision, subterranean humor, and a razor-sharp understanding of the fate of the city’s young Muslims, Croats, and Serbs—the minute details of their interior lives in the foreground, the killing zone in the background.
A Finalist for the National Book Critics Circle Award For fans of Aleksandar Hemon's fiction, The Book of My Lives is simply indispensable; for the uninitiated, it is the perfect introduction to one of the great writers of our time. Aleksandar Hemon's lives begin in Sarajevo, a small, blissful city where a young boy's life is consumed with street soccer with the neighborhood kids, resentment of his younger sister, and trips abroad with his engineer-cum-beekeeper father. Here, a young man's life is about poking at the pretensions of the city's elders with American music, bad poetry, and slightly better journalism. And then, his life in Chicago: watching from afar as war breaks out in Sarajevo and the city comes under siege, no way to return home; his parents and sister fleeing Sarajevo with the family dog, leaving behind all else they had ever known; and Hemon himself starting a new life, his own family, in this new city. And yet this is not really a memoir. The Bookof My Lives, Hemon's first book of nonfiction, defies convention and expectation. It is a love song to two different cities; it is a heartbreaking paean to the bonds of family; it is a stirring exhortation to go out and play soccer—and not for the exercise. It is a book driven by passions but built on fierce intelligence, devastating experience, and sharp insight. And like the best narratives, it is a book that will leave you a different reader—a different person, with a new way of looking at the world—when you've finished. A Kirkus Reviews Best Nonfiction Book of 2013
The heroic role of the city's multiethnic daily newspaper during the siege of Sarajevo.
Sarajevo Under Siege offers a richly detailed account of the lived experiences of ordinary people in this multicultural city between 1992 and 1996, during the war in the former Yugoslavia. Moving beyond the shelling, snipers, and shortages, it documents the coping strategies people adopted and the creativity with which they responded to desperate circumstances. Ivana Maček, an anthropologist who grew up in the former Yugoslavia, argues that the division of Bosnians into antagonistic ethnonational groups was the result rather than the cause of the war, a view that was not only generally assumed by Americans and Western Europeans but also deliberately promoted by Serb, Croat, and Muslim nationalist politicians. Nationalist political leaders appealed to ethnoreligious loyalties and sowed mistrust between people who had previously coexisted peacefully in Sarajevo. Normality dissolved and relationships were reconstructed as individuals tried to ascertain who could be trusted. Over time, this ethnography shows, Sarajevans shifted from the shock they felt as civilians in a city under siege into a "soldier" way of thinking, siding with one group and blaming others for the war. Eventually, they became disillusioned with these simple rationales for suffering and adopted a "deserter" stance, trying to take moral responsibility for their own choices in spite of their powerless position. The coexistence of these contradictory views reflects the confusion Sarajevans felt in the midst of a chaotic war. Maček respects the subjectivity of her informants and gives Sarajevans' own words a dignity that is not always accorded the viewpoints of ordinary citizens. Combining scholarship on political violence with firsthand observation and telling insights, this book is of vital importance to people who seek to understand the dynamics of armed conflict along ethnonational lines both within and beyond Europe.
Logavina Street was a microcosm of Sarajevo, a six-block-long history lesson. For four centuries, it existed as a quiet residential area in a charming city long known for its ethnic and religious tolerance. On this street of 240 families, Muslims and Christians, Serbs and Croats lived easily together, unified by their common identity as Sarajevans. Then the war tore it all apart. As she did in her groundbreaking work about North Korea, Nothing to Envy, award-winning journalist Barbara Demick tells the story of the Bosnian War and the brutal and devastating three-and-a-half-year siege of Sarajevo through the lives of ordinary citizens, who struggle with hunger, poverty, sniper fire, and shellings. Logavina Street paints this misunderstood war and its effects in vivid strokes—at once epic and intimate—revealing the heroism, sorrow, resilience, and uncommon faith of its people. With a new Introduction, final chapter, and Epilogue by the author
Kin is a dazzling family epic from one of Croatia's most prized writers. In this sprawling narrative which spans the entire twentieth century, Miljenko Jergović peers into the dusty corners of his family's past, illuminating them with a tender, poetic precision. Ordinary, forgotten objects - a grandfather's beekeeping journals, a rusty benzene lighter, an army issued raincoat - become the lenses through which Jergović investigates the joys and sorrows of a family living through a century of war. The work is ultimately an ode to Yugoslavia - Jergović sees his country through the devastation of the First World War, the Second, the Cold, then the Bosnian war of the 90s; through its changing street names and borders, shifting seasons, through its social rituals at graveyards, operas, weddings, markets - rendering it all in loving, vivid detail. A portrait of an era.