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This talented author's first Superromance is one you won't want to miss! Jeff Buchanan never knew why Mickey York walked out on him the day of their wedding. At first he was hurt—he and Mickey had been best friends since childhood, and were as close as two people could be. Then he was angry, and finally anger turned to concern as time went by and there was no word of Mickey. But he never stopped loving her. Now, ten years later, she's back, and he's determined to get an explanation. But Mickey's still guarding her secret. Is she also guarding her heart? One more rodeo—one more chance?
A memoir about fatherhood, family, and what it means to be a man in America. Winner of Pushcart’s 2019 Editor’s Book Award Five years into fatherhood, Calvin Hennick is plagued by self-doubt and full of questions. How can he teach his son to be a man, when his own father figures abandoned him? As a white man, what can he possibly teach his biracial son about how to live as a black man in America? And what does it even mean to be a man today, when society’s expectations of men seem to change from moment to moment? In search of answers, Calvin takes his young son on the road, traveling across the country to the annual rodeo in his small Iowa hometown. Along the way, a stop at the Baseball Hall of Fame turns into an impromptu lesson about racism and segregation. In Niagara Falls, a day of arcade games and go-karts unexpectedly morphs into a titanic struggle between father and son. A stop in Chicago rips the scars off of old wounds. And back in Iowa, Calvin is forced to confront the most difficult question of all: What if his flaws and family history doom him to repeat the mistakes of the past? In this unforgettable debut memoir, Calvin Hennick holds a mirror up to both himself and modern America, in an urgent and timely story that all parents, and indeed all Americans, need to read.
All it takes is one night to change a cowboy’s life… Barrel racer Celia Lawson knows better than to tangle with bull rider Kyle Gilchrist. The sexy cowboy’s love ‘em and leave ‘em ways have earned him a reputation on the rodeo circuit, and he’s always seen her as his best friend’s kid sister. But after one wild, tequila-fueled night, Celia wakes up to find out she’s gotten herself hitched—to a man she never should have married! When Celia insists on an annulment, Kyle has no good reason to say no—except he isn’t ready to let go of his new bride. But then Kyle inherits a sprawling Wyoming ranch, and seizes the opportunity to enlist Celia’s help. She agrees to lend a hand—with two conditions: He has to get up to speed as a rancher within six months; then they’ll get a divorce. And their marriage will be in name only. Kyle gives in to Celia’s demand, yet he's ready to prove to her he has what it takes to turn their one night rodeo into a lifetime of love….
Out of nowhere, Walker Cody swoops in and saves Paula Olsen's toddler son from a dog bite. Before she can properly thank him, the handsome Iraq War veteran fades into the crowd. Walker's in training to retake his World Champion Bulldogger title. The practice rides are bruising, but still don't knock thoughts of a certain beautiful young widow and her little boy out of his head. And Paula's shocked to realize she has a bad case of Pervasive Walkeritis. Survivors' guilt and ghosts from their pasts stand between them. Walker's need to prove himself on the rodeo circuit runs deeper than bragging rights. But can Paula risk her healing heart on a troubled man who deliberately puts himself in danger?
W.K. Stratton chronicles one season of the pro rodeo and bull-riding tours, tracing the history of the rodeo and profiling some of its greatest riders and ropers.
Most armadillos are happy scratching sand and eating, but Bo longs for adventure. And adventure Bo gets, the day Harmony Jean breaks in her brand-new chili-pepper-red cowboy boots by the banks of Can Creek. Peering out across the creek bed, Bo is sure he's spotted a rip-roarin', rootin'-tootin', shiny red armadillo! Bo's off and running after his new friend--right down to the Curly H Rodeo. There Bo gets to do all the things he's dreamed of doing: he rides a bronc, eats red-hot chili peppers, and even tries the two-step. Bo is ready to follow his pal off into the sunset, but he is about to discover his new friend is no ordinary armadillo. Jan Brett turns her considerable storytelling talents toward the Texas countryside in this warm and funny story of an armadillo on his own. Luckily, Ma Armadillo and her boys are searching for Bo in the borders to bring him back home.
The lure of cowgirls and cowboys has hooked the American imagination with the lure of freedom and adventure since the turn of the twentieth century. The cowboy and cowgirl played in the imagination and made rodeo into a symbolic representation of the Western United States. As a sport that is emblematic of all things “Western,” rodeo is a phenomenon that has since transcended into popular culture. Rodeo’s attraction has even spanned oceans and lives in the imaginations of many around the world. From the modest start of this fantastic sport in open fields to celebrate the end of a long cattle drive or to settle a friendly “who’s the best” bet between neighboring ranches, rodeo truly has grown into an edge-of-the-seat, money-drawing, and crowd-cheering favorite pastime. However, rodeo has diverse history that largely remains unaccounted for, unexamined, and silenced. In Gender, Whiteness and Power in Rodeo Tracey Owens Patton and Sally M. Schedlock visually explore how race, gender, and other issues of identity complicate the mythic historical narrative of the West. The authors examine the experiences of ethnic minorities, specifically Latinos, American Indians, and African Americans, and women who have continued to be marginalized in rodeo. Throughout the book, Patton and Schedlock questioned the binary divisions in rodeo that exists between women and men, and between ethnic minorities and Whites—divisions that have become naturalized in rodeo and in the mind of the general public. Using iconic visual images, along with the voices of the marginalized, Patton and Schedlock enter into the sometimes acrimonious debate of cowgirls and ethnic minorities in rodeo.
Yee–hah! It's rodeo time! Bareback bronc riding, barrel racing, calf roping, the livestock show, the fiddling contest, and don't forget lunch –– how are Katie and Cameron going to fit it all in and still have time to help their uncle, Cactus Joe, with chores? By making a schedule, of course. But making a schedule and sticking to it turn out to be two very different things!
The triumphant true story of the native Hawaiian cowboys who crossed the Pacific to shock America at the 1908 world rodeo championships Oregon Book Award winner * An NPR Best Book of the Year * Pacific Northwest Book Award finalist * A Reading the West Book Awards finalist "Groundbreaking. … A must-read. ... An essential addition." —True West In August 1908, three unknown riders arrived in Cheyenne, Wyoming, their hats adorned with wildflowers, to compete in the world’s greatest rodeo. Steer-roping virtuoso Ikua Purdy and his cousins Jack Low and Archie Ka’au’a had travelled 4,200 miles from Hawaii, of all places, to test themselves against the toughest riders in the West. Dismissed by whites, who considered themselves the only true cowboys, the native Hawaiians would astonish the country, returning home champions—and American legends. An unforgettable human drama set against the rough-knuckled frontier, David Wolman and Julian Smith’s Aloha Rodeo unspools the fascinating and little-known true story of the Hawaiian cowboys, or paniolo, whose 1908 adventure upended the conventional history of the American West. What few understood when the three paniolo rode into Cheyenne is that the Hawaiians were no underdogs. They were the product of a deeply engrained cattle culture that was twice as old as that of the Great Plains, for Hawaiians had been chasing cattle over the islands’ rugged volcanic slopes and through thick tropical forests since the late 1700s. Tracing the life story of Purdy and his cousins, Wolman and Smith delve into the dual histories of ranching and cowboys in the islands, and the meteoric rise and sudden fall of Cheyenne, “Holy City of the Cow.” At the turn of the twentieth century, larger-than-life personalities like “Buffalo Bill” Cody and Theodore Roosevelt capitalized on a national obsession with the Wild West and helped transform Cheyenne’s annual Frontier Days celebration into an unparalleled rodeo spectacle, the “Daddy of ‘em All.” The hopes of all Hawaii rode on the three riders’ shoulders during those dusty days in August 1908. The U.S. had forcibly annexed the islands just a decade earlier. The young Hawaiians brought the pride of a people struggling to preserve their cultural identity and anxious about their future under the rule of overlords an ocean away. In Cheyenne, they didn’t just astound the locals; they also overturned simplistic thinking about cattle country, the binary narrative of “cowboys versus Indians,” and the very concept of the Wild West. Blending sport and history, while exploring questions of identity, imperialism, and race, Aloha Rodeo spotlights an overlooked and riveting chapter in the saga of the American West.