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You need only one best friend, Daniel Musgrove figures, to make it through high school alive. After his family moves to Mississippi just before his junior year, Daniel finds fellow outsider Tim Cousins. The two become inseparable, sharing a fascination with ridicule, The Sonny and Cher Comedy Hour, and Arnita Beecham, the most bewitching girl at Minor High. But soon things go terribly wrong. The friends commit a small crime that grows larger and larger, and threatens to engulf the whole town. Arnita, the first black prom queen in the history of the school, is injured and wakes up a different person. And Daniel, Tim, and their families are swept up in a shocking chain of events. "There is nothing small about Childress's fine novel. It's big in all the ways that matter -- big in daring, big in insight, and big-hearted. Really, really big-hearted." -New Orleans Times-Picayune
Carol George offers a micro-history of Neshoba County, Mississippi: a place that has decided to break its silence and confront a past of racial injustice and violence.
After fifty years of guilt over his brother’s brutal murder in Civil Rights–era Mississippi, Warren Williams decides to renew his fight to bring the men responsible to justice. His efforts put him face-to-face with one of the murderers, Earl Olsen, in a remote Ontario town where a contest of wits will end in death.
Presents a children's counting picture book in poetry and prose based upon the history, heritage, and industry of Mississippi.
Collects photographs of Mississippians that Welty took in the 1930s when she worked for the Works Progress Administration.
Forrest County, Mississippi, became a focal point of the civil rights movement when, in 1961, the United States Justice Department filed a lawsuit against its voting registrar Theron Lynd. While thirty percent of the county's residents were black, only twelve black persons were on its voting rolls. United States v. Lynd was the first trial that resulted in the conviction of a southern registrar for contempt of court. The case served as a model for other challenges to voter discrimination in the South, and was an important influence in shaping the Voting Rights Act of 1965. Count Them One by One is a comprehensive account of the groundbreaking case written by one of the Justice Department's trial attorneys. Gordon A. Martin, Jr., then a newly-minted lawyer, traveled to Hattiesburg from Washington to help shape the federal case against Lynd. He met with and prepared the government's sixteen black witnesses who had been refused registration, found white witnesses, and was one of the lawyers during the trial. Decades later, Martin returned to Mississippi and interviewed the still-living witnesses, their children, and friends. Martin intertwines these current reflections with commentary about the case itself. The result is an impassioned, cogent fusion of reportage, oral history, and memoir about a trial that fundamentally reshaped liberty and the South.
During Freedom Summer 1964, three young civil rights workers who were tasked with registering voters at Mt. Zion Methodist Church in Neshoba County, Mississippi were murdered there by law enforcement and Ku Klux Klansmen. The murders were hardly noticed in the area, so familiar had such violence become in the Magnolia State. For forty-one days the bodies of the three men lay undetected in a nearby dam, and for years afterward efforts to bring those responsible to justice were met only with silence. In One Mississippi, Two Mississippi, Carol V.R. George links the history of the Methodist Church (now the United Methodist Church), with newly-researched local history to show the role of this large denomination, important to both blacks and whites, in Mississippi's stumble toward racial justice. From 1930-1968, white Methodists throughout the church segregated their black co-religionists, silencing black ministers and many white ministers as well, locking their doors to all but their own members. Finally, the combination of civil rights activism and embarrassed Methodist morality persuaded the United Methodists to restore black people to full membership. As the county and church integrated, volunteers from all races began to agitate for a new trial for the chief conspirator of the murders. In 2005, forty-one years after the killings, the accused was found guilty, his fate determined by local jurors who deliberated in a city ringed with casinos, unrecognizable to the old Neshoba. In one sense a spiritual history, the book is a microhistory of Mt. Zion Methodist Church and its struggles with white Neshoba, as a community learned that reconciliation requires a willingness to confront the past fully and truthfully. George draws on interviews with county residents, black and white Methodist leaders, civil rights veterans, and those in civic groups, academia, and state government who are trying to carry the flag for reconciliation. George's sources--printed, oral, and material--offer a compelling account of the way in which residents of a place long reviled as "dark Neshoba" have taken up the task of truth-telling in a world uncomfortable with historical truth.
For use in schools and libraries only. Kamala Khan, a Pakistani American girl from Jersey City who lives a conservative Muslim lifestyle with her family, suddenly acquires superhuman powers and, despite the pressures of school and home, tries to use her abilities to help her community.
In 2014 paddling artist Ellen Kolbo McDonah packed her paints and pencils for the 2,552 mile creative odyssey of a lifetime; a solo source to sea descent of the Mississippi River in a kayak named Inspiration. Includes 42 color paintings, 69 drawings, Glossary.
This edited collection is the first book to offer a wide-ranging examination of the interface between American independent film and a converged television landscape that consists of terrestrial broadcasters, cable networks and streaming providers, in which independent film and television intersect in complex, multifaceted and creative ways. The book covers the long history of continuities and connections between the two sectors, as seen in the activities of PBS, HBO or Sundance. It considers the movement of filmmakers between indie film and TV such as Steven Soderbergh, Rian Johnson, the Duplass brothers, Joe Swanberg, Lynn Shelton and Gregg Araki; details the confluence of aesthetic and thematic elements seen in shows such as Girls, Breaking Bad, Master of None, or Glow; points to a shared interest in regional sensibilities evident in shows like One Mississippi or Fargo; and makes the case for documentaries and web series as significant entities in this domain. Collectively, the book builds a compelling picture of indie TV as a significant feature of US screen entertainment in the 21st Century. This interdisciplinary landmark volume will be a go-to reference for students and scholars of Television Studies, Film Studies and Media Studies.