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In a collection of nonfiction writings, the British novelist addresses his childhood, his experiences in Malaysia and Monaco, his own work and its critics, and the work of his contemporaries
One man band is a one stop music reference book. This book covers Guitar, bass, music theory, industry & marketing, harmonica, home recording & Songwriting.
From first grade runaway to college professor, from ditch digger and janitor to airline pilot and business consultant, from crippling illness to healing, from troubled past to a life fully and passionately lived. See and discover the events, experiences, and triumphs that lead to one man's story of seeing the world, finding success, and fulfillment. Share the inside view of the military, aviation, business, education, radio and television, and family entanglements. You know that every man has a story to tell. Sometimes funny, sometimes somber, always absorbing, this passionate narrative captures one life that few can duplicate but with which all can relate. It may even stimulate you to share your story as well!
People were on the move---more than six million over a period of 50 or 60 years. Four children, the oldest just 12 years old, were on a train heading north. They had what looked like a shoe box with them that probably held their food, and several small, rather old and worn looking suitcases. They were quiet, looking out the window, and occasionally glancing at each other as if to say, "what are we doing here?" What was the reason for this journey? Where were they going? Where were their parents? How would this journey affect their lives---particularly the life of the older boy?
A wise, witty, and humane autobiography filled with a passionate curiosity about the people--and meaning--of America. One Man's America is at once a stirring account of a young immigrant becoming an American, a personal history of the major milestones of the late twentieth century, a fascinating insider's view of the most widely read news magazine in the world, and a warm and loving family saga. Here also is the remarkable success story of a boy driven from his native Vienna by the Nazis and returning years later as an ambassador; of a copy boy who rose to become editor of Time magazine. During his long and distinguished career in journalism, Grunwald knew, befriended, and feuded with some of the greatest figures on the world stage, from Whitaker Chambers and Marilyn Monroe to John F. Kennedy and Henry Kissinger to Ronald Reagan and Fidel Castro. But the immense power his position allowed him was tempered by a fierce desire to know everything he could about the mores and folkways of the whole United States, Main Street bankers and student radicals alike, through whom he sought to understand the heart of his adopted country. One Man's America is, above all, a hymn to the ever-turbulent, ever-changing land of America.
Looks at choruses not only as a source of music, but as organizations that come together for aesthetic, social, political, and religious purposes. This volume discusses groups, including an East African chorus; groups from 19th century England, Germany, and America; early twentieth-century Russian Menonites; Soviet workers' clubs; and more.
One of today's best young novelists, Ray Robertson is also one of its ablest critics. Mental Hygiene is a collection of his most entertaining, insightful, controversial, and funniest reviews and essays written over the last five years. Believing that ''writers have a responsibility to help maintain the mental hygiene of their time, '' Robertson, following in the footsteps of Mordecai Richler and other novelist-critics such as Anthony Burgess, Kingsley and Martin Amis and John Updike, is at the front line of contemporary literary debate. Whether castigating the bland cabal he refers to as McCanlit, poking fun at the trendy ephemera of intellectual fashion or arguing for his own unique fictional aesthetic, Robertson pulls no punches and suffers no fools
CHORUS is the anthem of a new generation of poets unified by the desire to transcend the identity politics of the day and begin to be seen as one. One hundred voices woven through testimony and new testament. It is the cry of the unheard. The occupation of the page itself. It embodies the “speak-up” spirit of the moment, the confidence propagated through hip-hop, and the defiant “WTF?” of the now. It is the voice that comes after the rebellious voice that once cried, “I want my MTV!” branded back to where punk was, slammed up and beyond it. A combination of trash, heart, and craft. An anthology in rant. CHORUS is what all modern-day losers chant.