Published: 2012
Total Pages: 0
Learn to use a one-light approach for recreating the look of beautiful, natural window light for portraiture!
At its best, natural light is magical for portraiture. The quality of natural light streaming through a window can be extraordinary—gorgeous, wrapping light that flatters your subject and can be used to create multiple looks. For years, photographer Sandra Coan exclusively used natural light in her portraiture work. And while the results could be magnificent, she also learned that she could not rely on it to build a business and create consistently great photographs. That’s because natural light is frustratingly unpredictable: sometimes it rains, sometimes the light is too harsh when your clients are available, and sometimes—depending on the time of year—it’s just too dark.
In order to grow her business with dependably great results and a high level of professionalism, Sandra finally decided to tackle artificial light. She spent years honing her ability to use artificial light to recreate the look of beautiful, natural light. And now, with a simple one-light approach, she produces “natural” light whenever and wherever she likes, creating great portraits in any situation, at any time of day or night. It’s an approach that has led to a successful career spanning two decades and a signature look to her work. Here, in Crafting the Natural Light Look, Sandra shares her knowledge and techniques so that you, too, can learn to quickly and dependably create the look of natural light in your own portraiture. Unlike other books that address artificial light, Sandra’s tone is conversational and easygoing, and she does not cover everything there is to know about artificial light. In fact, there are no two- or three-light setups here. Instead, Sandra’s method is straightforward and easily actionable. She covers:
Finally, in a series of case studies, she brings it all together and shares her thought process as she works through a number of real-world portrait shoots from start to finish. If you’re a “natural light photographer” who’s been either struggling with flash or reluctant to learn it at all, Crafting the Natural Light Look is exactly the book you need to improve the quality and consistency of your portraiture.
If your past attempts at learning flash have all ended in failure (not to mention tears and/or blind rage), then The Off-Camera Flash Handbook is about to change everything for you. For years, photographer Vanessa Joy has been using off-camera flash to create gorgeous portraits that look like they were shot in the most beautiful natural light at the perfect time of day. Well, guess what? That consistent look was not created thanks to the most amazing luck with the weather. No. It was created by a pro photographer who mastered her use of off-camera flash. And with her down-to-earth and practical explanations, that’s exactly what Vanessa teaches you in this book.
Vanessa breaks down off-camera flash into an easy-to-understand approach, and instead of focusing on the gear and the settings (which are also included, of course), she focuses on the kinds of shots you want to make. This book is about learning to use off-camera flash easily and quickly so that you can create beautiful, natural-looking light in any situation, at any time you need it…regardless of the weather or time of day.
The book is divided into three parts. Part One covers the fundamentals of off-camera flash, and it does so without blasting you with a firehose of information. Instead, Vanessa gives you the basics you need so that you can start shooting right away without becoming overwhelmed with technical jargon.
Once you’re set up and ready to go, Vanessa jumps right into Part Two with specific photo scenarios and real-world situations where you’ll learn key techniques for using your flash to create consistent, beautiful photographs. For each scenario, Vanessa provides the goal for the shoot, a gear list, the step-by-step shooting instructions, and images that show both the progress of the shoot and the behind-the-scenes shots or lighting diagrams of the setup. She also discusses problems you may encounter, variations on the shot, and additional practical scenarios for each situation.
Just a few examples include:
Finally, Part Three tackles the questions you’ll likely have once you’ve got the basics under your belt and you’re already creating great photos with your off-camera flash—things like high-speed sync, sync speed, a practical understanding of the inverse square law, etc. There is also a helpful FAQ section at the end of the book.
TABLE OF CONTENTS
PART 1: GETTING STARTED WITH OFF-CAMERA FLASH (OCF)
PART 2: Off-Camera Flash Techniques
PART 3: Features, Troubleshooting, and FAQS