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In Luigi Pirandello's thought-provoking novel, One, No One and One Hundred Thousand, the protagonist, Vitangelo Moscarda, undergoes a profound identity crisis after a casual remark from his wife. This sets him on a journey of self-discovery, questioning the nature of reality, identity, and the multifaceted perceptions others have of him. Through a series of philosophical musings and encounters with various characters, Moscarda grapples with the fragmented nature of the self and the illusions that shape our understanding of the world.
During the Second World War, the Japanese government stirred the people to support its war effort with the image of ‘One hundred million hearts beating as one human bullet to defeat the enemy.’ Kerri Sakamoto, winner of the Commonwealth Writers’ Prize and the Japan-Canada Literary Award for her first novel The Electrical Field, draws on this wartime propaganda in her second novel as she casts light on a fascinating figure from wartime Japan: the kamikaze pilot. These devout young men offered their lives to fly planes into enemy artillery; both human sacrifice and deadly weapon. A cherry blossom painted on the sides of the bomber symbolized the beauty and ephemerality of nature. Coming back alive from a sacred mission was shameful failure. To succeed meant transformation into an eternal flower — reincarnation — as the plane exploded like a fiery blossom in the sky. In One Hundred Million Hearts, Miyo is a young Canadian woman who has been cared for all her life by her uncommunicative but devoted Japanese-Canadian father. Her mother died soon after her birth, and a disfigurement prevented the left side of her body from developing the same way as the right, causing her to be reliant on her father’s help. One day, commuting to work by subway when he can no longer drive her around, she is accidentally caught in the train doors, and rescued by a man who quickly professes his love for her. The joy of this nurturing and joyful relationship removes her from the almost claustrophobic shelter of home, but as she grows distant from her father, his strength begins to fade; until one day she receives the terrible news of his death. It is only then that she discovers his secret past. The woman he always called his girlfriend was in fact his wife; they had a daughter in Japan, but gave her up for adoption. Now the daughter, Hana, is an artist in Tokyo. Amazed that she has a half-sister, Miyo travels there to meet her. Hana is bitter about being abandoned by her father, and has thrown herself into her work with almost destructive intensity. Through Hana, Miyo learns more of their father’s hidden past. Though born in Canada, he was sent to university in Japan; in 1943, Japan was losing the war and the army began conscripting even students. He volunteered as a kamikaze pilot; yet he survived. Hana’s obsession with their father’s wartime history takes the shape of huge paintings of flowers adorned with the faces of kamikaze pilots and the red threads that one thousand schoolgirls sewed onto the white sash of every pilot that made this suicidal mission. “If only he had not hoarded his secrets,” thinks Miyo as she struggles to understand modern Japan and her father’s past. Why did he not fulfill his ultimate sacrifice, but live to care for her? The reader is drawn into the daily struggles of each of the characters and their rich interior lives through a lyrical portrait of Japanese life that has been compared to David Guterson’s Snow Falling on Cedars and Arthur Golden’s Memoirs of a Geisha. The Montreal Gazette said Kerri Sakamoto has created in Miyo “a marvelously complex, compelling character who is transformed…to a woman who runs and dances and loves, not in innocence, but in full, terrifying knowledge.”
The dream of America flowered from an idea that was irrational and audacious—a man from LaMancha “impossible dream”. Every American must know what dreams people were arguing about 100 years ago. It all began with an intellectual disagreement of abstract ideas that eventually turned cities and towns into debris and humans into animals! This is the story of the most eventful human struggle in thousands of years. They were among the most advanced people in history and enjoyed the gift of the first global economy; then they got into an argument and 100 million people died. At the outset of WWI Europe’s wealth creating global economy and democracies quickly succumbed to tyranny. Now here at home many of us stand jaws agape as millions of Americans passively submit to illegal edicts spewing from wooden bureaucrats in governments and cyberpunks in Silicon Valley. We are smarter than the Europeans, you say. Only in one important way can we be smarter, if we learn from their mistake. If you feel a lack of clarity about the big questions of society you can avoid years immersed in philosophical clutter. Here you will find the five immovable requirements of a free and moral society. We have now glimpsed what oligarchical tyranny looks like. Who can save America? Our best hope is the common man, the producer, but ultimately the future of America lies in the hands of our young people. Today our youth see growing disintegration of our civilizing institutions. The cords of church and family may be broken. Students may look to academia for orderly guidance but they are often lost in a roiling sea of little ideas. Many students are bored by the minutiae or threatened by the exclusive jargon of experts. It is widely known that many young people crave powerful principles clearly presented. For this reason this book will enjoy a target audience willing to turn its pages. No student should leave college without the little book One Hundred Million Deaths.
"Perfectly captures how it feels to be an outsider. I loved it." Tamsin Winter Fifteen year old Sander wishes he was like everyone else. But he has Silver-Russell syndrome, a condition that affects one in a hundred thousand. It means he is smaller than all the other kids in school, a place where the biggest and the loudest get all the attention. Like Niklas. Everyone thinks Niklas is cool and good-looking - except Sander. He doesn't like the way Niklas brags, behaves like a jerk and lies. Niklas is one of life's tall people and next to him, Sander always ends up feeling small. But Sander is different in more ways than one. He notices things other people miss, and he's noticed something about Niklas... A moving coming-of-age classic, about fitting in, standing out and the power of friendship. "Exceptional" The Times on Linni Ingemundsen
After her mother's mysterious death, a young woman is summoned to the floating city of Sky in order to claim a royal inheritance she never knew existed in the first book in this award-winning fantasy trilogy from the NYT bestselling author of The Fifth Season. Yeine Darr is an outcast from the barbarian north. But when her mother dies under mysterious circumstances, she is summoned to the majestic city of Sky. There, to her shock, Yeine is named an heiress to the king. But the throne of the Hundred Thousand Kingdoms is not easily won, and Yeine is thrust into a vicious power struggle with cousins she never knew she had. As she fights for her life, she draws ever closer to the secrets of her mother's death and her family's bloody history. With the fate of the world hanging in the balance, Yeine will learn how perilous it can be when love and hate -- and gods and mortals -- are bound inseparably together.
The recent focus on the one percent, a group that has come to be associated with wealth and power, obscures where the real source of capital and power lies today. Seventy seven per cent of discretionary spending--the engine that drives the American economy--comes from just 46 percent of the population. This largely undetected group is responsible for those parts of the American economy that are thriving despite the toughest conditions in living memory. We call them NEOs, short for the New Economic Order, as their spending adds up to an economy within an economy wherever they are. So far, they have remained undetected by businesses and government. If you're in business, you need to know who they are and what they really value. But more importantly, their discovery points to blueprint for building a sustainable economic engine, capable of powering America out of its current crisis and through the next century. The NEO Economy exists, but its potential has barely been tapped.
"One, None and a Hundred-thousand" is a philosophical novel by the Italian writer Luigi Pirandello. It examines the oft-asked question of how other people perceive us. The main character Vitangelo Moscarda discovers, by way of a completely irrelevant question, that his wife poses to him that everyone he knows, everyone he has ever met, has constructed a Vitangelo persona in their own imagination and that none of these personas corresponds to the image of Vitangelo that he himself has constructed and believes himself to be. The novel was Pirandello's last novel and it took him more than 15 years to write.
After the devastation of World War II, journalists, scholars, and citizens came together to foster a new culture of democracy in Japan. Adam Bronson explores this effort in a path-breaking study of the Institute for the Science of Thought, one of the most influential associations to emerge in the early postwar years. The institute's founders believed that the estrangement of intellectuals from the general public had contributed to the rise of fascism. To address this, they sought to develop a "science of thought" that would reconnect the world of ideas with everyday experience and thus reimagine Japan as a democratic nation, home to one hundred million philosophers. To tell the story of Science of Thought and postwar democracy, Bronson weaves together several strands of Japan's modern history that are often treated separately: the revival of interest in the social sciences and Marxism after the war, the appearance of new social movements that challenged traditional class and gender hierarchies, and the ascendance of a mass middle-class culture. This story is transnational in both connective and comparative senses. Most of the Science of Thought founders were educated in America, and they drew upon a network of American thinkers and institutions for support. They also derived inspiration from other efforts to promote a culture of democracy, ranging from thought reform campaigns in the People's Republic of China to the Mass Observation study of the British working classes. By tracing these sources of inspiration around the world, Bronson reveals the contours of a transnational intellectual milieu. Science of Thought embodied a vision of democratic experimentation that had to be re-articulated repeatedly in response to challenges that arose in connection with geopolitical events and social change, prompting the group's evolution from a small research circle in the 1940s into the standard-bearer for citizen activism in the 1960s. Through this history, Bronson argues that the significance of Science of Thought lay in the way it exemplified democracy in practice. The practical experience of the intellectuals and citizens associated with the group remains relevant to those who continue to grapple with the dilemmas of democracy today.