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Sisters in the Brotherhoods is an oral-history-based study of women who have, against considerable odds, broken the gender barrier to blue-collar employment in various trades in New York City beginning in the 1970s. It is a story of the fight against deeply ingrained cultural assumptions about what constitutes women's work, the middle-class bias of feminism, the daily grinding sexism of male co-workers, and the institutionalised discrimination of employers and unions. It is also the story of some gutsy women who, seeking the material rewards and personal satisfactions of skilled manual labour, have struggled to make a place for themselves among New York City's construction workers, stationary engineers, firefighters, electronic technicians, plumbers, and transit workers. Each story contributes to an important unifying theme: the way women confronted the enormous sexism embedded in union culture and developed new organisational forms to support their struggles, including and especially the United Tradeswomen.
This is a book about the grace of God and His singular purpose for everyone's life. Using his life as an example, the author signals how we are born into certain families, have certain unique talents, have various life experiences, learn important life lessons, get off track and have to be bounced around a bit, and perhaps have to hit a horrible bottom before we surrender to this ordained purpose from our Creator. The book is colorful, fast moving, and covers a multitude of areas including alcoholism, the 12 step program, psychology and the field of mental health, theology, New Age journeys, custody battles, male-female relations, many travel and adventure experiences, and various other topics as sampled by the author. Mostly, the book is about the futility of our personal resources in serving our God ordained purpose without a surrender to this power greater than ourselves and the grace that follows.
Beginning in 1924, Proceedings are incorporated into the Apr. no.
The waning years of the Russian Empire witnessed the development of a rich tradition of trumpet playing. Noted trumpet scholar and performer Edward Tarr's latest book illuminates this tradition, which is little known in the West. Tarr's extensive research in hitherto inaccessible Russian archives has uncovered many documents that illuminate the careers of noted performers. These documents are reproduced here for the first time. A concise chronological summary of Russian political and musical developments provides an effective backdrop for this inventory of trumpeters. The author ably demonstrates how profoundly Russian trumpet-playing and pedagogy were influenced by emigrées, particularly from Germany (Wilhelm Wurm, Willy Brandt, Oskar Böhme), and how Russian-born trumpeters like Vladimir Drucker subsequently influenced the American musical scene. In his Lexicon of Trumpeters, both Russian and 'Foreign, ' Active in Russia, Tarr supplements his own research with information from valuable but obscure secondary sources in Russian. This lexicon carries the story into the late twentieth century, and includes modern legendary figures such as Timofey Dokshizer. Members of the International Trumpet Guild will receive a discount of 15% on purchases of this title.
An anniversary edition of a highly-regarded account of the world's most notorious tragedy at sea.