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It all began with the closing behind her of the heavy Gothic doors of the East London grammar school, ending the final chapter of her schooldays; and the uplifting tune and lyrics of ‘I know where I’m going’ that strangely possessed her mind, enthusing her with intoxicating optimism. With newfound confidence, Lillian knew exactly where she was going. But did she? A surprise encounter was about to change the course of her life forever, and the bizarre events that followed completely turned the tide in a way that even she, in her wildest of dreams, could never have imagined.
There's a mantra that real writers know but wannabe writers don’t. And the secret phrase is this: NOBODY WANTS TO READ YOUR SH*T. Recognizing this painful truth is the first step in the writer's transformation from amateur to professional. From Chapter Four: “When you understand that nobody wants to read your shit, you develop empathy. You acquire the skill that is indispensable to all artists and entrepreneurs—the ability to switch back and forth in your imagination from your own point of view as writer/painter/seller to the point of view of your reader/gallery-goer/customer. You learn to ask yourself with ev­ery sentence and every phrase: Is this interesting? Is it fun or challenging or inventive? Am I giving the reader enough? Is she bored? Is she following where I want to lead her?
Bungalow, pyjamas, tiffin, rickshaw, veranda, curry, cheroot, chintz, calico, gingham, mango, junk and catamaran are all words which have crept into the English language from the days of Britain's colonial rule of the Indian sub-continent and the Malaysian Peninsular. Hobson-Jobson (derived from the Islamic cry at the celebration of Muhurram 'Ya Hasan, ya Hosain' is shorthand for the assimilation of foreign words to the sound pattern of the adopting language. This dictionary, compiled in the late-19th century, is an invaluable source which has never been superseded. It is an essential book for all who are interested in English etymology and the development of the language. AUTHORS: Arthur Cole Burnell (1840-1882) spent large parts of his life in India working for the civil service, and translated a considerable number of Sanskrit manuscripts. He co-operated with Sir Henry Yule to write 'Hobson-Jobson', and Anglo-Indian dictionary. Sir Henry Yule was a military man, serving in India and retiring as a colonel in 1862. In his leisure time, he wrote some well-received books on Asia, but he is best remembered for collaborating with Dr A.C. Burnell in writing the Anglo-Indian dictionary, 'Hobson-Jobson'.
Reprint of the second (1939) edition of the work that is still the standard source-book of the Anglo-Indian language.
The stunning prequel to the worldwide bestselling Black Magician Trilogy *Over 3 million Trudi Canavan copies sold worldwide* In the remote village of Mandryn, Tessia serves as assistant to her father, the village Healer - much to the frustration of her mother, who would rather she found a husband. But her life is about to take a very unexpected turn. When treating a patient at the residence of the local magician, Lord Dakon, Tessia is forced to fight off the advances of a visiting Sachakan mage - and instinctively uses magic. She now finds herself facing an entirely different future as Lord Dakon's apprentice. But along with the excitement and privilege, Tessia is about to discover that her magical gifts bring with them a great deal of responsibility. Events are brewing that will lead nations into war, rival magicians into conflict, and spark an act of sorcery so brutal that its effects will be felt for centuries . . . Praise for Trudi Canavan: 'Epic, vivid and believable' Guardian 'It's easy to see why Trudi Canavan's novels so often make the bestseller lists. Her easy, flowing style makes for effortless reading . . . Delightful worldbuilding . . . Vivid and enjoyable' SFX 'The world-building is tremendous. The magical system is sophisticated and fascinating' Striking Keys 'A suspenseful masterpiece . . . will have fans desperate for the sequel' RT Book Reviews 'Superb . . . an enthralling tapestry of a book that's hard to put down' Fantasy Faction *Have you tried Trudi Canavan's stunning new series, Millennium's Rule? It starts with the Sunday Times bestselling THIEF'S MAGIC*
A coming-of-age story set in Angola in the period leading up to the colony’s independence, Saudade focuses on a Goan immigrant family caught between complicity in Portuguese rule, and their dependence on the Angolans who are their servants. The title (saudade means ‘melancholy’ in Portuguese) speaks to the longing for homeland that haunts its characters, and especially the young girl who is the book’s protagonist and narrator. Suneeta Peres da Costa’s novella captures with intense lyricism the difficult relationship between the daughter and her mother, and the ways in which their intimate world opens up questions about domestic violence, the legacies of Portuguese slavery, and the end of empire. The young woman’s intellectual awakening unfolds into a growing awareness of the lies of colonialism, and the violent political ruptures that ultimately lead to her father’s death, and their exile. ‘[Her] voice is unique: neither childlike nor grownup, but instead by turns gravely articulate, wildly poetic, and hilariously original…a haunting and magical vision of childhood.’ Austin Chronicle
With humor, intelligence, and masterly prose, Lavanya Sankaran’s debut novel brilliantly captures the vitality and danger of a newly industrialized city and how it shapes the dreams and aspirations of two very different families. Anand is a Bangalore success story: successful, well married, rich. At least, that’s how he appears. But if his little factory is to grow, he needs land and money, and, in the New India, neither of these is easy to find. Kamala, Anand’s family’s maid, lives perilously close to the edge of disaster. She and her clever teenage son have almost nothing, and their small hopes for self-betterment depend on the contentment of Anand’s wife: a woman to whom whims come easily. But Kamala’s son keeps bad company, and Anand’s marriage is in trouble. The murky world where crime and land and politics meet is a dangerous place for a good man, particularly one on whom the well-being of so many depends. Rich with irony and compassion, Lavanya Sankaran’s The Hope Factory affirms her gifts as a born storyteller with remarkable prowess, originality, and wisdom. Praise for Lavanya Sankaran’s The Red Carpet “By the end of [the] very first story, people half a world away have been transformed into complete human beings, full of frailties and fragile self-regard, achingly sympathetic. That’s why The Red Carpet reads like a revelation. . . . I recommend this book so highly!”—Carolyn See, The Washington Post “Throughout these fine, articulate stories, Lavanya Sankaran brings to life the new and old social worlds of Bangalore. More important, she uses the quiet dignity of her characters to reveal what’s universal in the wide rift between generations. It’s an unusually elegant and nuanced portrait.”—John Dalton, author of The Inverted Forest “It’s a pity there aren’t more stories to be told in Carpet. They’re so much fun.”—The Dallas Morning News “[An] animated debut . . . [These stories] are memorable for their subtle wit and convincing evocation of a dynamic world.”—Publishers Weekly
Ba slipped the gold bangles from my wrists. The gold ones were plain so I didn’t mind taking them off, but I loved wearing my milk-glass bangles and the lakkh bracelets. "A widow can't wear bangles,” she said. "They are signs of a woman's good fortune. When your husband dies it's over." "What if my good fortune comes back?" “It doesn’t.”/DIV Pretty as a peacock, twelve-year-old Leela had been spoiled all her life. She doesn't care for school and barely marks the growing unrest between the British colonists and her own countrymen. Why should she? Her future has been planned since her engagement at two and marriage at nine. DIVLeela's whole life changes, though, when her husband dies. She's now expected to behave like a proper widow: shaving her head and trading her jewel-toned saris for rough, earth-colored ones. Leela is considered unlucky now, and will have to stay confined to her house for a year—keep corner—in preparation for a life of mourning for a boy she barely knew. When her schoolteacher hears of her fate, she offers Leela lessons at home. For the first time, despite her confinement, Leela opens her eyes to the changing world around her. India is suffering from a severe drought, and farmers are unable to pay taxes to the British. She learns about a new leader of the people, a man named Gandhi, who starts a political movement and practices satyagraha—non-violent protest against the colonists as well as the caste system. The quiet strength ofsatyagraha may liberate her country. Could she use the same path to liberate herself?
Liam James, boy next door and total douchebag, is my brother’s best friend. I can’t stand him. Well, that’s not strictly true, at night I see a side of him that no one else does. Every night Liam becomes my safe haven, my protector, the one to chase the demons of my abusive childhood away and hold all the broken pieces of me together. He’s cocky, he’s arrogant, and he’s also some sort of playboy in training. With his ‘hit it and quit it’ mentality, he’s the last person you’d want to fall in love with. I only wish someone had told my heart that… The international bestselling novel, and finalist of the Goodreads choice awards YA fiction 2012.