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First Published in 1989. One Hundred Indian Films attempts to bring together a representative selection from the first talkies to the present day. The book originated as a project under the National Film Heritage programme at the Centre for Development of Instructional Technology in Delhi, along with the efforts to build up a collection of Indian cinema at the United States Library of Congress.
Although the motion picture industry in India is one of the oldest and largest in the world—with literally thousands of productions released each year—films from that country have not been as well received as those from other countries. Known for their impressive musical numbers, melodramatic plots, and nationally beloved stars, Indian films have long been ignored by the West but are now at the forefront of cinema studies. With the prolific number of films available, it can be difficult to know what to watch. In 100 Essential Indian Films, Rohit K. Dasgupta and Sangeeta Datta identify and discuss significant works produced since the 1930s. Examining the output of different regional film industries throughout India, this volume offers a balance of box-office blockbusters, critical successes, and less-recognized cult classics. From early films by Satyajit Ray to contemporary classics such as Salaam Bombay and Lagaan, each entry includes comprehensive details about the film and situates the work in the context and history of the Indian canon.In addition to these notable productions, this book also examines key film directors and the work of major film stars in the industry. While many studies of Indian films focus on a single language’s contributions, this encyclopedia offers a comprehensive guide to productions from across the country in various languages, including Hindi, Bengali, Tamil, Malayalam, Assamese, Punjabi, Marathi, and English. 100 Essential Indian Films is an engaging volume that will appeal to both cinema scholars and those looking for an introduction to a vital component of world cinema.
From the movie-going public in India to its diaspora scattered across the world, Indian cinema finds space in the life and consciousness of anyone who engages with it, either for entertainment or out of academic interest. And, from Raja Harishchandra, the first full-length Indian feature film released in 1913, to the present, when Indian cinema is garnering global attention and appreciation, the Indian film industry itself has come a long way and has undergone seminal changes.100 Years of Jump-Cuts and Fade-Outs: Tracking Change in Indian Cinema traces the manner in which Indian films have evolved over the last century. Beginning with the era of silent films, Shoma A. Chatterji examines how adaptations of literary works have moved away from the original; debates the treatment of violence and political ideas in our movies; analyses the representation of sexual minorities in films: and explores the thorny issue of censorship versus creative license. She also profiles some of the regional avant-garde films of the country, as well as political and parallel cinema, and tracks the evolution of the item song.Dealing chiefly with mainstream Bollywood, the author demonstrates the change that is gradually sweeping the industry, in spite of the prevalence of formula-based films. In many cases, she shows how the formulae themselves are changing. Well-researched, insightful, and supporting each argument with sound, apt examples, 100 Years of Jump-Cuts and Fade-Outs presents a compelling account of one of our most important and prolific industries.
Bollywood film is the national cinema of India, describing movies made in Mumbai, distributed nationally across India and with their own production, distribution and exhibition networks worldwide. This informative screen guide reflects the work of key directors, major stars and important music directors and screenplay writers. Historically important films have been included along with certain cult movies and top box office successes. No guide to Hindi film would be complete without discussing: Mother India, the national epic of a peasant woman's struggle against nature and society to bring up her family; Sholay, a 'curry western' where the all-star cast sing and dance, romance and kill; Dilwale Dulhaniya le jayenge, the greatest of the diaspora films, in which two British Asians fall in love on a holiday in Europe before going to India where they show their elders how to incorporate love into family traditions; Junglee, showing how love transforms a 'savage' (junglee) who yells 'Yahoo!' before singing and dancing like Elvis, creating a new youth culture; Pyaasa, dramatically shot in black and white film with haunting songs as the romantic poet suffers for his art in the material world; Fans of Bollywood film can debate Rachel Dwyer's personal selection of these 101 titles while those new to the area will find this an invaluable introduction to the best of the genre.
The Indian film industry stands above most other national cinemas due to its local focus yet enormous size. Although gaining more and more international popularity, the main audience for this cinematic titan resides within India, and while this may seem a restrictive quality, the fact that India is the second most populated country in the world, combined with the local focus of Indian cinemas (in 2012 foreign imports only filled 9% of the total film box office), Indian cinema has grown to become one of the largest film industries in the world. Although the film industry is widely known as 'Bollywood', this term actually only refers to the Hindi-language films produced through the studios in Mumbai (Bombay), only one part of the incredible spectrum of Indian films, albeit the largest.The origins of cinema can be traced back to the French Lumiere Brothers. Unveiling their first short films in 1895, these revolutionary filmmakers tempted the world with a new form of entertainment. In 1896, the brothers toured their works to India for the first time, hosting a screening in Mumbai Watson Hotel. Reported as the 'Miracle of the Century' by The Times of India, it was not long until converted film fanatics started to emerge in the then British governed India. Through experimenting with techniques and technologies, early filmmaker Hiralal Sen made the first Indian short film in 1898. 1912 then saw the first screened Indian silent film, Shree Pundalik, directed by Dadasaheb Torne. Outside help was used however, with the film shot by British cinematographers and the negatives sent to London to be processed. It was the next year, 1913, which saw the first truly authentic Indian film being screened: Dadasaheb Phalke's Raja Harishchandra, and thus Indian cinema was born. Since these early beginnings India's film industry has continued to flourish, growing in popularity, size and reach. There are many factors for this ongoing growth, one of them being the affordability of cinema in the country. From the early days onwards, India cinema venues have made films accessible to the wider public, providing cheap admission, with convenient extras being sold as buyable additions, not inbuilt in the price. With the vast economic gap that is found in India, this factor has allowed film to become an art form for the people, not just for the upper class. Interestingly, in the late 1920s the Britishgovernment tried to promote UK film in India in an attempt to overtake the growingAmerican cinema, and created the Indian Cinematograph Enquiry Committee. This programme failed with this aim however, with the committee favouring Indianproduced films; it seemed that nothing could stop the growth of this national movement. With technology advancements, sound and dialogue became more and more implemented in Indian films throughout the 1930s, leading to a surge of song and dance in films, such as in Indrasabha and Devi Devyani. This element would take a strong hold in Hindi cinema, and is a renowned quality found in many Bollywood films being made today. Another influential factor in Bollywood's growth was India's independence in 1947. Proud in becoming an autonomous country, national cinema experienced a Golden Era from the 1940s to the 1960s. This era saw directors such as Satyajit Ray, Guru Dutt, Raj Kapoor andVijay Bhatt create a wide range of classic films, further establishing and redefining Indian film. It was these influential filmmakers who paved the pathway for the future of Bollywood, and its present day position as one of the largest film industries in the world.
Indian film industry is the largest in the world. It releases 1000 plus movies annually. Most films are made in South Indian languages (viz., Telugu, Tamil and Malayalam). Nevertheless, Hindi films take the largest box office share. India has 12,000 plus cinema halls and this industry churns out 1000 plus films a year. This book gives a brief history of the world's most exciting industrial enterprise. It gives the details, facts and vital sets of data of Indian cinema with amazing finesse. Its simple style and low cost enable all reader genres to read it. Renu Saran has penned this book for the lovers of Indian cinema. She has given many good books to our valued readers. She has worked very hard to collect data and analyze information sets. That is why this book has become one of the best in its genre.
May 3, 1913-a historic day in the history of Indian Cinema. India's first indigenous silent film Raja Harishchandra was released at the Coronation Cinema in Mumbai. This lay the foundation of what, in time, would grow to become the largest film-producing industry in the world. Spanning a wide range of decades, genres, and style, the Bollywood film culture in all its glory is a wonderful thing. Of the hundreds of great hits it has given, some have attained an aura of unparalleled respectability because, overtime, they continue to draw viewers in multitudes for weeks, months, and even years. Bless You Bollywood is an endeavor to pay tribute to the tallest among movie makers, artistes, composers, lyricists, and scriptwriters down the decades for contributing their extraordinary caliber to Bollywood.
Contributed essays.
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.