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This catalogue of the Georgia Museum of Art's permanent collection is both a tribute to Alfred Heber Holbrook, the museum's founder, and a record of his legacy, which began in 1945 when he gave one hundred works of American art to the people of Georgia through its flagship university. These works formed the foundation of the museum's current collection of more than 8,000 art objects. Published to coincide with the museum's grand reopening in January 2011 after a 30,000-square-foot expansion, this catalogue features one hundred significant American paintings that, for the first time, will be on continual display in the building's new permanent-collection galleries. This publication is supported in part by a grant from the National Endowment for the Arts.
This clear, thorough, and reliable survey of American painting and sculpture from colonial times to the present day covers all the major artists and their works, outlines the social and cultural backgrounds of each period, and includes 409 illustrations integrated with the text. Although some determining factors in American art are considered, Matthew Baigell views the rich and diverse achievements of American art as the result of the efforts and talents of a pluralistic society rather than as fitting into a particular mold.This edition includes corrections and revisions to the text, an updated bibliography, and 13 new illustrations.
Barry Moser is generally and justly regarded as the most important book artist of the past quarter-century, a tradition begun in this country by N.C. Wyeth, extended by Rockwell Kent, and furthered by artists as diverse as Jim Dine and Leonard Baskin. Moser's watercolors, woodcuts, and wood engravings have informed and adorned more than a hundred books, many of them central to the English-speaking canon, by writers such as Melville, Shelley, Welty, and Twain. In all his efforts, it is his preoccupation with the character of the creator that is manifest and dominant. Here, in a selection of one hundred portraits, fifty of them created especially for this book, we see the full range of his genius in portrayals of writers (Dante, Dickens, O'Connor, Willard, Oates), musicians and composers (Chopin, Handel, Wagner), artists (Whistler, Rembrandt, Shahn), and even politicians (Lincoln, King, Webster).
Charles Fritz: 100 Paintings Illustrating the Journals of Lewis and Clark unites exquisite Western art with one of our nation's greatest epics. The result of a decade of comprehensive research and on-location painting, this expanded collection of 100 paintings depicts the triumphs and travails of the Corps of Discovery's two-and-a-half-year trek through unknown territory to the Pacific Ocean and back between 1804 and 1806. Although several members of the Corps of Discovery kept journals, an artist did not accompany the expedition. Unlike almost every expedition since, there had been no one to visually document the unique people, landscapes, animals, and plants never before seen by Americans living in the East. With artistry and a passion for historical accuracy, Charles Fritz, one of the nation's most respected Western artists, brings the Journals of Lewis and Clark to life, telling this remarkable American story visually-and for the first time allowing us to experience what the Corps saw on their historic journey.
100 Best Paintings in New York combines art history, commentary, and tourists’ guide to provide you with a deeper understanding and appreciation of New York’s greatest works of art. The descriptions draw attention to fascinating details in each work and look at why, where, or for what occasion they were painted. A biographical chronology of each artist accompanies the essays as well as a sample listing of works by other contemporary painters. From Jan van Eyck to Mark Rothko, from Diego Velazquez to Georgia O’Keefe, 100 Best Paintings in New York covers the complete spectrum of masterpieces in New York’s great galleries. 100 Best Paintings in New York will inform and amuse both visitors and residents who wish to make the most of what their city has to offer. This accessible—and occasionally irreverent—guide has been written with both novice and veteran museum-goers in mind. Contains descriptions of works displayed in: the Brooklyn Museum • the Cloisters • the Frick Collection • the Hispanic Society of America • Metropolitan Museum of Art • MOMA • Neue Gallerie • the Guggenheim Museum • Whitney Museum of American Art
Describes the transformation in American art as a vast group of American artists settled in Paris to study with the great French painters, and continued through the twentieth century as French artists began to leave Paris for New York.
Give the gift of art with this beautifully illustrated volume tracing the development of European painting over six centuries through one hundred pictures--each significant and by a different artist
Cent peintres autodidactes américains du vingtième siècle - incluant Victor Duena, la Soeur Gertrude Morgan, Henry Darger et Freddie Brice, avec 260 reproductions toutes en couleurs de leurs oeuvres.
In this distinguished work, which Hilton Kramer in The New York Times Book Review called "surely the best book ever written on the subject," Barbara Novak illuminates what is essentially American about American art. She highlights not only those aspects that appear indigenously in our art works, but also those features that consistently reappear over time. Novak examines the paintings of Washington Allston, Thomas Cole, Asher B. Durand, Fitz H. Lane, William Sidney Mount, Winslow Homer, Thomas Eakins, and Albert Pinkham Ryder. She draws provocative and original conclusions about the role in American art of spiritualism and mathematics, conceptualism and the object, and Transcendentalism and the fact. She analyzes not only the paintings but nineteenth-century aesthetics as well, achieving a unique synthesis of art and literature. Now available with a new preface and an updated bibliography, this lavishly illustrated volume--featuring more than one hundred black-and-white illustrations and sixteen full-color plates--remains one of the seminal works in American art history.