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In between the covers of An Uncharted Journey Into the Abyss, are eighteen short stories that don’t always end up with fairy tale endings. In fact, quite a few of them rip at our emotions and pause us to think about life, and how it doesn’t always end up the way we planned. From an Indian tribe on the brink of slaughter, to a hard nosed veteran policeman tracking a serial killer, we find ourselves drawn deep within the psyche of the main characters. Can a poor young Mexican boy save his family and farm from a vicious predator eating their livestock? Will a cocky self-assured man from back East have his ego shattered by a native American cashier in the West? Or will you be soaring above the crashing seas as a ptarmigan looking for an escape? An Uncharted Journey Into the Abyss will walk you along high mountain trails with a curmudgeonly old prospector, haunt a family as a Civil War ghost, and even visit a planet on a search and reconnaissance mission. And within each story, embedded deep within each of them, is a kernel of truth. Whether you, as the reader, decide to decipher its meaning is completely up to you.
Jason and Christina follow many synchronicities, forced and unforced into the unknown in "Journey Into The Abyss." One abduction leads to another, which leads to Jerusalem and the heart of a thousand year old conflict. Old enemies, new friends, humorous respites and many unexpected experiences that peer into the soul of who we are, make Jason and Christina's synchronistic mission very relatable. This latest chapter in the "Search For Truth" series is sure to raise many questions that we've been avoiding for some time, but whose answers are extremely easy to understand if we've finally allowed ourselves to listen.
These fascinating, never-before-published early diaries of Count Harry Kessler—patron, museum director, publisher, cultural critic, soldier, secret agent, and diplomat—present a sweeping panorama of the arts and politics of Belle Époque Europe, a glittering world poised to be changed irrevocably by the Great War. Kessler’s immersion in the new art and literature of Paris, London, and Berlin unfolds in the first part of the diaries. This refined world gives way to vivid descriptions of the horrific fighting on the Eastern and Western fronts of World War I, the intriguing private discussions among the German political and military elite about the progress of the war, as well as Kessler’s account of his role as a diplomat with a secret mission in Switzerland. Profoundly modern and often prescient, Kessler was an erudite cultural impresario and catalyst who as a cofounder of the avant-garde journal Pan met and contributed articles about many of the leading artists and writers of the day. In 1903 he became director of the Grand Ducal Museum of Arts and Crafts in Weimar, determined to make it a center of aesthetic modernism together with his friend the architect Henry van de Velde, whose school of design would eventually become the Bauhaus. When a public scandal forced his resignation in 1906, Kessler turned to other projects, including collaborating with the Austrian writer Hugo von Hofmannsthal and the German composer Richard Strauss on the opera Der Rosenkavalier and the ballet The Legend of Joseph, which was performed in 1914 by the Ballets Russes in London and Paris. In 1913 he founded the Cranach-Presse in Weimar, one of the most important private presses of the twentieth century. The diaries present brilliant, sharply etched, and often richly comical descriptions of his encounters, conversations, and creative collaborations with some of the most celebrated people of his time: Otto von Bismarck, Paul von Hindenburg, Hugo von Hofmannsthal, Richard Strauss, Igor Stravinsky, Sergei Diaghilev, Vaslav Nijinsky, Isadora Duncan, Ruth St. Denis, Sarah Bernhardt, Friedrich Nietzsche, Rainer Marie Rilke, Paul Verlaine, Gordon Craig, George Bernard Shaw, Harley Granville-Barker, Max Klinger, Arnold Böcklin, Max Beckmann, Aristide Maillol, Auguste Rodin, Edgar Degas, Éduard Vuillard, Claude Monet, Edvard Munch, Ida Rubinstein, Gabriele D’Annunzio, Pierre Bonnard, and Walther Rathenau, among others. Remarkably insightful, poignant, and cinematic in their scope, Kessler’s diaries are an invaluable record of one of the most volatile and seminal moments in modern Western history.
"When I interrogate a serial killer I dive into the blackness of his soul. I am familiar with his feelings of emptiness, loneliness, depression, death, omnipotence and fear. I dive deeply to get a grip on his torment..." A profiler who wants to understand the mind of the serial killer must have been prepared by life experiences before he or she can dare to venture into the abyss. A person who has led a protected life will not survive.
Follow the amateur sleuth, Wolflock F. Felen, as he leaves his hometown of Plugh after an unspeakable disgrace. To try and save face he begins his travels to Mystentine University, where he thinks he'll study to be the best investigator in all of Puinteyle. But every step of the way is fraught with mysteries and mischief. Each thrilling case threatens to forestall his journey and he must use all his deductive skills to solve them before the Winter frost freezes his path, or return home in shame. Find the clues, decode the letters, and solve the puzzles in each adventure and solve the darker mysteries that lurk in Wolflock's shadow before it's too late.
Only four men survived the plane crash: The pilot, A politician, A cop . . . And the criminal he was shackled to. On a freezing October night in 1984, a Canadian commuter plane smashed headlong into a high ridge of remote, rugged forest. Among the survivors was a small-time criminal named Paul Archimbault, now free of his handcuffs and the only one to escape the crash uninjured. The only one capable of keeping the other three survivors alive -- should he choose to...
An “intriguing collection of biographies of six extraordinary women . . . Fascinating proof that being a writer’s wife is a profession in itself” (Kirkus Reviews). “Behind every good man is a good woman” is a common saying, but when it comes to literature, the relationship between spouses is even that much more complex. F. Scott Fitzgerald, James Joyce, and D. H. Lawrence used their marriages for literary inspiration and material, sometime at the expense of their spouses’ sanity. Thomas Carlyle wanted his wife to assist him, but Jane Carlyle became increasingly bitter and resentful in her new role, putting additional strain on their relationship. In Russian literary marriages, however, the wives of some of the most famous authors of all time did not resent taking a “secondary position,” although to call their position secondary does not do justice to the vital role these women played in the creation of some of the greatest literary works in history. From Sophia Tolstoy to Véra Nabokov, Elena Bulgakov, Nadezdha Mandelstam, Anna Dostevsky, and Natalya Solzhenitsyn, these women ranged from stenographers and typists to editors, researchers, translators, and even publishers. Living under restrictive regimes, many of these women battled censorship and preserved the writers’ illicit archives, often risking their own lives to do so. They established a tradition all their own, unmatched in the West. Many of these women were the writers’ intellectual companions and made invaluable contributions to the creative process. And their husbands knew it. Leo Tolstoy made no secret of Sofia’s involvement in War and Peace in his letters, and Vladimir Nabokov referred to Véra as his own “single shadow.”
William S. Burroughs, Metaphysical Detective is a genre-defying exploration of the metaphysical, blending elements of detective mystery, science fiction, and surrealist fantasy. The narrative is a kaleidoscope of cosmic mysteries, where the line between reality and the fantastical blurs, and the protagonist's journey becomes a metaphorical dance in the cosmic symphony of existence. In the imaginary city of Interzone, where the neon-lit streets pulse with enigmatic energies, Detective William S. Burroughs embarks on a surreal mystery through multidimensional realities populated with literary outlaws and strange beings. The narrative weaves a tale of satirical metaphors in electric imagery and wordplay that bends the boundaries of language and reality. The story unfolds across 25 chapters, each with a unique blend of hard-boiled detective noir, surreal science fiction, and mind-bending plot twists. Burroughs, armed with a golden gun and guided by the Language of the Dead, navigates the mysterious alleys, celestial gardens, and esoteric cathedrals of Interzone. As the detective delves deeper, he faces a series of cosmic challenges, from an esoteric cathedral to an ethereal gateway and a cosmic apex. The narrative takes unexpected turns, weaving in the cosmic symphony; a tapestry of temporal flux, celestial symbols, and occult mysteries. Burroughs' journey culminates in his rebirth as a cosmic guardian, tasked with safeguarding Interzone's eternal secrets. The beatniks, Lexicographers, and Nova accompany him in the ongoing dance of revelations, and the novel concludes with a cosmic resonance that echoes through the neon jungle that is the Naked City of Interzone.
Includes various narratives from de Maupassant, Voltaire, Pliny the Younger and others. Originally released in 1907.
This meticulously edited Allan Pinkerton collection is formatted for your eReader with a functional and detailed table of contents: The Expressman and the Detective The Somnambulist and the Detective The Murderer and the Fortune Teller The Spiritualists and the Detectives Mississippi Outlaws and the Detectives Don Pedro and the Detectives Poisoner and the Detectives Bucholz and the Detectives The Burglar's Fate and the Detectives The Spy of the Rebellion