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One a penny, two a penny, hot cross buns. If you have no daughters, give them to your sons. In this, the first of The Number Mysteries, Doug Hammand is found filleted in the frozen flounder section of McCutty's Market with a coded message pinned to his one good suit and a cowberry necklace wound tightly about his throat. The deranged, love-sick killer challenges syndicated numerologist Samantha Blackwell to a duel of the minds before he fillets again. Bonus: Your personal cycle in the Addendum to One Deadly Rhyme. One Deadly Rhyme is an "...engaging first novel...Bunker mixes the puzzles and suspense with a healthy dose of humor." -Lynn Harnett, Book Reviewer, Sunday Herald "A Real Page-Turner. Sue Grafton move over! I loved this book. Sam is a believable character, with a passion for numerology, writing, and her family. An added bonus: a numerology lesson in the back of the book." -Catherine Ward ([email protected]) "Congratulations, Dusty. It's a winner! Dusty adds such life to her characters...especially Samantha. I loved this (book)." -Millicent Hart, romance novelist
In this book, Brian Boyd surveys Vladimir Nabokov's life, career, and legacy; his art, science, and thought; his subtle humor and puzzle-like storytelling; his complex psychological portraits; and his inheritance from, reworking of, and affinities with Shakespeare, Pushkin, Tolstoy, and Machado de Assis. Boyd also offers new ways of reading Lolita, Pale Fire, Ada or Ardor, and the unparalleled autobiography, Speak, Memory, disclosing otherwise unknown information about the author's world. Sharing his personal reflections as he recounts the adventures, hardships, and revelations of researching Nabokov's life? oeuvre?, he cautions against using Nabokov's metaphysics as the key to unlocking all of the enigmatic author's secrets. Assessing and appreciating Nabokov as novelist, memoirist, poet, translator, scientist, and individual, Boyd helps us understand more than ever Nabokov's multifaceted genius.
When fifty-year-old millionaire Henry Vandalay is found stabbed to death on the cement floor of his shop, and the Tarot Death card is found in the ancient Keltic layout spread neatly beside his cold body, Henry's beautiful young wife, Katherine, hires numerologist, Samantha Blackwell, to find her husband's killer. Katherine invites Sam to the Vandalay mansion for the weekend. During an elegant dinner at the mansion, Sam is visited by a vision of a floating dead man who supplicates her with decomposing arms. The tension mounts when she is awakened in the middle of the night by the sound of footsteps in the hallway. She peers out of her bedroom doorway to find an apparition moving down the grand staircase. The discovery of a hidden pagan altar lures Sam even deeper into the convoluted relationships in the drafty house, and into the business dealings of Henry Vandalay. The next day, as a small circle of people gather for the reading of the will, terrible secrets are revealed. Is Sam getting too close to the killer? Will she be next? Only her steely resolve propels her to unravel the mystery hidden in the Tarot layout, and reveal the identity of the true killer.
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Reproduction of the original.
The Discovery of Witchcraft is an exposé of the early modern witchcraft. Originally published in 1584, the book was written against the belief in witches, to show that witchcraft did not exist. Part of its content exposed how feats of magic were done, and the book is often deemed the first textbook on conjuring. Moreover, the book contains a small section which describes how the charlatans were able to fool the public and why the prosecutions of the accused were unwarranted for and un-Christian. The author also provocatively held the Roman church responsible to the prosecutions. The book became highly popular as an exhaustive encyclopaedia of contemporary beliefs about witchcraft, spirits, alchemy, magic, and legerdemain. William Shakespeare also drew from his study of Scot's book hints for his picture of the witches in Macbeth, and Thomas Middleton in his play of The Witch likewise was indebted to this source.