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Percy the Park Keeper helps his animal friends in this popular story from highly regarded, bestselling author and illustrator Nick Butterworth.
Frank O'Connor (1903-1966) is known primarily for his short stories, and fine ones they are. There are seventeen of them in this Reader, and the best of them, in the words of Richard Ellmann "stir those facial muscles which, we are told, are the same for both laughing and weeping." Except for the masterpiece, "Guests of the Nation," the stories included here have been out of print for twenty years, and one story had been previously unpublished. But this is a Reader and it celebrates the creative diversity of one of this century's finest writers. Here one can also sample O'Connor's skillful translations of Irish poetry, including "The Lament for Art O'Leary." There are a number of self-portraits, including "Meet Frank O'Connor" and "Writing a Story-One Man's Way." The final section includes a number of O'Connor's finest essays, from pieces on Yeats, Joyce, and Mozart, to ones on English and Irish pubs and one simply titled, "Ireland": "No one who does not love the sense of the past should ever come near us; nobody who does, whatever our faults may be, should give us the hard word."
Originally published in 1977. The Travellers, from those living in bow-tents and horse-drawn caravans to those dwelling in motor caravans and permanent homes, are an important source of traditional music. Their society means that songs that have died out in more settled communities are preserved among them. Ewan MacColl and Peggy Seeger, widely known as two of the founding singers of the British and American folk revivals, here display a vast fund of folklore scholarship around the songs of British travelling people. Resulting from extensive collecting in southern and southeastern England and central and northeastern Scotland in the 1960s and 70s, this book contains 130 songs with music and comprehensive notes relating them to folkloristic and historical points of interest. It includes traditional ballads and ballads of broadside origin, bawdy, tragic and humorous songs about love, work and death. Most are in English or in Scots dialect with four in Anglo-Romani.
How to Write a Horror Movie is a close look at an always-popular (but often disrespected) genre. It focuses on the screenplay and acts as a guide to bringing scary ideas to cinematic life using examples from great (and some not-so-great) horror movies. Author Neal Bell examines how the basic tools of the scriptwriter’s trade - including structure, dialogue, humor, mood, characters, and pace – can work together to embody personal fears that will resonate strongly on screen. Screenplay examples include classic works such as 1943’s I Walked With A Zombie and recent terrifying films that have given the genre renewed attention like writer/director Jordan Peele’s critically acclaimed and financially successful Get Out. Since fear is universal, the book considers films from around the world including the ‘found-footage’ [REC] from Spain (2007), the Swedish vampire movie, Let The Right One In (2008) and the Persian-language film Under The Shadow (2016). The book provides insights into the economics of horror-movie making, and the possible future of this versatile genre. It is the ideal text for screenwriting students exploring genre and horror, and aspiring scriptwriters who have an interest in horror screenplays.
A new scholarly edition of an Ohio boy soldier’s revealing post-Civil War memoir. This annotated edition of Holliday’s recollections—known primarily among historians of the American West—re-contextualizes his memoir to include his boyhood in southern Ohio and the largely untold story of the hundreds of Buckeyes who crossed the Ohio River to serve their country in Virginia (later West Virginia) regiments, ultimately traveling across Kansas, Nebraska, Colorado, and Wyoming to safeguard mail and stage routes along the celebrated Oregon Trail during a pivotal time in American history. Glenn Longacre’s extensive research in federal, state, and local archives, manuscript collections, and period newspapers complements his correspondence with the living descendants of Holliday and other soldiers. His research integrates this story deservedly as part of Appalachian history before, during, and after the Civil War. From this perspective it addresses an entirely new audience of Appalachian studies scholars, Civil War and frontier history enthusiasts, students, and general readers.
When Arthur Guinness sunk his meager savings into a small brewery on the banks of the River Liffey in Dublin, he could not have foreseen the dynasty of brewers and bankers that would carry on his family name. But Guinness also produced another kind of spirit, an extraordinary line of missionary explorers, clerics, and pioneer social workers. More famous in his day than his brewing cousins, teetotaler Henry Grattan Guinness forsook his earthly inheritance to preach the gospel to thousands and witnessed true revival. His children and grandchildren ventured to unknown lands, risked disease and death, and fearlessly confronted Western governments about the mistreatment of natives in their colonies. They also introduced social and moral reforms to the poverty-stricken East End of London. The tension between God and Mammon is a recurrent theme in a family pulled in two directions by earthly wealth and heavenly reward. Spanning two hundred years and five generations of perhaps the most famous family in the world, this history chronicles the Guinness family’s meteoric rise to its bitterest tragedies, its fame and its reversals of fortune. Michele Guinness, with inside access to diaries, letters, and personal recollections, tells the story of the Guinness family from their inauspicious eighteenth-century beginnings down to the present day.