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Do you ever wonder how the Bride of Christ will emerge as one? Well after much thought I came up with an explanation that not only blew me away, but I discovered how very important we are to one another. The Bride of Christ will come together like threads of fabric that have been woven together. The scriptures are consistent in the fact if we are to work effectively, we must act as one body. The church, although we have many members (individuals) will come together as one, thus to become the Bride of Christ.
This book is the one. The Wedding Dress: How to Make the Perfect One for You offers many indispensable tips - Advice on dresses to flatter every body shape All the information you will need on equipment Fabrics: selection and types Sewing techniques How to work from patterns How to alter patterns Say "Yes" to the dressmaker. Professional dressmaker Becky Drinan guides you through the entire process of making your own made-to-measure wedding dress Picture Perfect. 500 stunning, colorful and enlightening photographs and 45 illustrations will help you create the perfect gown. In addition to the three beautiful and elegant gown patterns, you will learn to sew: a lace bolero three veil styles Presenting 3 gorgeous gowns. These gowns embody the key styles featured in a number of the designs throughout the book. You can get to work right away: Three pull-out pattern sheets are enclosed in a clever pocket at the back of the book.
Originally published in hardcover in 2011.
In this New Studies in Biblical Theology volume, Barry Webb offers fresh and illuminating perspectives on the "festival garments" of love, kindness, suffering, vexation and deliverance through a study of The Song of Songs, Ruth, Lamentations, Ecclesiastes and Esther.
The best new research on medieval clothing and textiles, drawing from a range of disciplines. Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution. Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl
Important American periodical dating back to 1850.