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A Western tale turned on its ear and filled with strange characters and surreal situations.
One Armed Bandit is an action drama set in the future, in a world divided, where all traces of history have been lost. Where superhuman abilities are created by the wealthy, fueled by greed and their lust for power everlasting life. One man, Jayden Wright, fights to restore balance to the world, whilst others fight to destroy it. In the Genesis Arc, Jayden was one of many Arclights, training to become an Elite. Until all that was destroyed. Torn between justice or revenge, he is destined to face many challenges along his journey. But before Jayden can bring balance to the world, he will have to conquer the demons within - or be taken over by them. See which path Jayden will follow in One Armed Bandit. In this chapter, Jayden locks horns with public enemy number one, Deface, determined that he won’t escape justice once again...
International justice has become a crucial part of the ongoing political debates about the future of shattered societies like Bosnia, Kosovo, Rwanda, Cambodia, and Chile. Why do our governments sometimes display such striking idealism in the face of war crimes and atrocities abroad, and at other times cynically abandon the pursuit of international justice altogether? Why today does justice seem so slow to come for war crimes victims in the Balkans? In this book, Gary Bass offers an unprecedented look at the politics behind international war crimes tribunals, combining analysis with investigative reporting and a broad historical perspective. The Nuremberg trials powerfully demonstrated how effective war crimes tribunals can be. But there have been many other important tribunals that have not been as successful, and which have been largely left out of today's debates about international justice. This timely book brings them in, using primary documents to examine the aftermath of the Napoleonic Wars, World War I, the Armenian genocide, World War II, and the recent wars in the former Yugoslavia. Bass explains that bringing war criminals to justice can be a military ordeal, a source of endless legal frustration, as well as a diplomatic nightmare. The book takes readers behind the scenes to see vividly how leaders like David Lloyd George, Winston Churchill, Franklin Roosevelt, and Bill Clinton have wrestled with these agonizing moral dilemmas. The book asks how law and international politics interact, and how power can be made to serve the cause of justice. Bass brings new archival research to bear on such events as the prosecution of the Armenian genocide, presenting surprising episodes that add to the historical record. His sections on the former Yugoslavia tell--with important new discoveries--the secret story of the politicking behind the prosecution of war crimes in Bosnia, drawing on interviews with senior White House officials, key diplomats, and chief prosecutors at the war crimes tribunal for the former Yugoslavia. Bass concludes that despite the obstacles, legalistic justice for war criminals is nonetheless worth pursuing. His arguments will interest anyone concerned about human rights and the pursuit of idealism in international politics.
Elven Queen Vielissiar Farcarinon makes wrenching sacrifices to work unprecedented magics and bond with a dragon. Set in the same world as the Enduring Flame trilogy.
Embark on a thrilling adventure with Martin Conisby as he seeks vengeance on the high seas, encountering pirates and navigating the treacherous waters of the Spanish Main. Farnol weaves a tale of revenge, romance, and daring escapades. A swashbuckling journey of revenge and redemption. Set sail with Conisby as he confronts old enemies and discovers unexpected alliances.
Accused of murdering a prominent member of the Anglo-Saxon Mead Hall in eighth-century England, a young misfit must clear his name--or face the vengeance of the community.
You haven't read anything until you have read “Norman's Revenge” yet. Psycho touched on the subject of love and betrayal that resulted in murder, Bates Motel was too delicate. Norman is sitting on the bed watching his mother get undressed. No, Norman's Revenge goes much deeper than that. In Norman's Revenge Norman and his mother actually have sex. This is a story of lust, love, betrayal murder and revenge. The book starts out with Norma in the hospital having her baby boy. Norma's first pregnancy is as a result of rape. Norma's father raped Norma repeatedly ever since she was a little girl. After Norma's mother died from head wounds inflicted on her by Norma's father, Norma was the beneficiary of the abuse. When Norma got pregnant by her father, after being raped by her father for the umpteenth time, she had her first son she decided she wasn't going to take her father's crap any more. Norma knew her father didn't care anything about her and Norma just figured her father wouldn't care a thing about her son either. He used to care about the hotel but he didn't seem to care about that anymore. He just drank himself into a drunken stupor morning, noon and night. But just as expected when Norma comes home from the hospital after giving birth to Norman, her father rapes her again. As a result of this rape Norma is pregnant again. This has to stop, Norma thought. And it did. Norman grows up wanting to be left alone. He's quiet and soft spoken. Quite the opposite of his loud mouthed, demanding mother. Norman's little brother Nick is also quiet and minds his own business. After a series of incidents to Norman beyond Norman's control Norman lets people know he’s not a pushover anymore. Enough is enough. Now is the time for Norman to prove he is not what his mother turned out to be or tried to turn him into. Now is the time for Norman to get revenge on everybody and anybody who hurt, used and abused him, including his beloved mother.
How does Cajun literature, emerging in the 1980s, represent the dynamic processes of remembering in Cajun culture? Known for its hybrid constitution and deeply ingrained oral traditions, Cajun culture provides an ideal testing ground for investigating the collective memory of a group. In particular, francophone and anglophone Cajun texts by such writers as Jean Arceneaux, Tim Gautreaux, Jeanne Castille, Zachary Richard, Ron Thibodeaux, Darrell Bourque, and Kirby Jambon reveal not only a shift from an oral to a written tradition. They also show hybrid perspectives on the Cajun collective memory. Based on recurring references to place, the texts also reflect on the (Acadian) past and reveal the innate ability of the Cajuns to adapt through repeated intertextual references. The Cajun collective memory is thus defined by a transnational outlook, a transversality cutting across various ethnic heritages to establish and legitimize a collective identity both amid the linguistic and cultural diversity in Louisiana, and in the face of American mainstream culture. Cajun Literature and Cajun Collective Memory represents the first analysis of the mnemonic strategies Cajun writers use to explore and sustain the Cajun identity and collective memory.