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Home of the most popular one-act plays for student actors, Playscripts, Inc. presents 15 of their very best short comedies. From a blind dating debacle to a silly Shakespeare spoof, from a fairy tale farce to a self-hating satire, this anthology contains hilarious large-cast plays that have delighted thousands of audiences around the world. Includes the plays The Audition by Don Zolidis, Law & Order: Fairy Tale Unit by Jonathan Rand, 13 Ways to Screw Up Your College Interview by Ian McWethy, Darcy's Cinematic Life by Christa Crewdson, The Whole Shebang by Rich Orloff, A Funny Thing Happened on the Way to Fifth Period by Jason Pizzarello, Small World by Tracey Scott Wilson, The Absolute Most Cliched Elevator Play in the History of the Entire Universe by Werner Trieschmann, The Seussification of Romeo and Juliet by Peter Bloedel, Show and Spell by Julia Brownell, Cut by Ed Monk, Check Please by Jonathan Rand, Aliens vs. Cheerleaders by Qui Nguyen, The Brothers Grimm Spectaculathon by Don Zolidis, 15 Reasons Not To Be in a Play by Alan Haehnel
No matter what you call it, the entire artistic process from concept to curtain up happens in a 24-hour period in front of a paying audience; the scripts have yet to be written. The concepts have yet to be conceived. 30 Actors, 6 Writers and 6 Directors meet for the first time thriving on nervous excitement. The proceedings take place in the foyer of the theatre, where, in 24 hours, these gathered artisans will perform their hearts out, on stage. To keep this event true to its name, minimal information is disseminated to the gathering. The Actors need to bring with them; 1 piece of costume and 1 prop; no rules or instruction of what to bring, keeping it random. The Writers bring their laptops and for good measure, a dictionary. The Directors are armed with their true grit and open mind. On the stroke of nineteen-hundred hours, 42 artisans are hushed in front of the Producers. The rules are simple; write a script, approximately 10-minutes in length and give each Actor equal stage weighting.
The world according to David Ives is a very add place, and his plays constitute a virtual stress test of the English language -- and of the audience's capacity for disorientation and delight. Ives's characters plunge into black holes called "Philadelphias," where the simplest desires are hilariously thwarted. Chimps named Milton, Swift, and Kafka are locked in a room and made to re-create Hamlet. And a con man peddles courses in a dubious language in which "hello" translates as "velcro" and "fraud" comes out as "freud." At once enchanting and perplexing, incisively intelligent and side-splittingly funny, this original paperback edition of Ives's plays includes "Sure Thing," "Words, Words, Words," "The Universal Language," "Variations on the Death of Trotsky," "The Philadelphia," "Long Ago and Far Away," "Foreplay, or The Art of the Fugue," "Seven Menus," "Mere Mortals," "English Made Simple," "A Singular Kinda Guy," "Speed-the-Play," "Ancient History," and "Philip Glass Buys a Loaf of Bread."
Drama. Poetry. A one-act play in which apologies must be made to Chekhov. A one-act play in which there is a blueprint, & that blueprint is ignored entirely. A one-act play in which a decision is made, but it is unclear by or for whom. A one-act play in which the wind has the smallest hands, no, even smaller than that. Over the course of 41 one-act plays--most of them starring the characters ME and YOU--Dalton Day investigates grief, love, anxiety, and loss in this stunning collection of dramatic poetry. "Ferlinghetti's 'wild surmises of the imagination' are on full display...throughout this collection...EXIT, PURSUED will appeal to those who enjoy absurd humor, those who find poetry in the everday irrational twists of language, and those waiting for the rebirth of Dada."--John Bradley, Rain Taxi
The one-act play stands apart as a distinct art form with some well known writers providing specialist material, among them Bernard Shaw, Tom Stoppard, Harold Pinter, Caryl Churchill. Alan Ayckbourn, Edward Albee and Tennesee Williams. There are also lesser-known writers with plenty of material to offer, yet sourcing one-act plays to perform is notoriously hard. This companion is the first book to survey the work of over 250 playwrights in an illuminating A-Z guide. Multiple styles, nationalities and periods are covered, offering a treasure trove of compelling moments of theatre waiting to be discovered. Guidance on performing and staging one-act plays is also covered as well as essential contact information and where to apply for performance rights. A chapter introducing the history of the one-act play rounds off the title as a definitive guide.
Filled with wry, dark humor, unparalleled imagination, unforgettable characters, and exquisitely crafted storytelling, Sam Shepard’s plays have earned him enormous acclaim over the past five decades. In these fifteen one-acts, we see him at his best, displaying his trademark ability to portray human relationships, love, and lust with rare authenticity. These fifteen furiously energetic plays confirm Shepard's status as our most audacious living playwright, unafraid to set genres and archetypes spinning with results that are utterly mesmerizing. Included in this volume: Ages of the Moon Evanescence; Shakespeare in the Alley Short Life of Trouble The Unseen Hand The Rock Garden Chicago Icarus’s Mother 4H Club Fourteen Hundred Thousand Red Cross Cowboys #2 Forensic & The Navigators The Holy Ghostly Back Bog Beast Bait Killer’s Head
(Applause Books). Lose yourself in a universe of forces familiar and frightening in the 21 plays presented in this exclusive volume. The playwrights included here succeed in pushing back the boundaries of conventional dramatic expression. Among them, Lanford Wilson dissects a survivor's anguish after his lover's death in A Poster of the Cosmos and Deborah Pryor spins an eerie tale of spellbinding romance in The Love Talker . Richard Greenberg plots a battle of wills between a young writer and his elusive muse, while Sheila Walsh examines the exchange of a woman's soul for her husband's fame in Molly and James . From the starkly realistic to the fantastic, these plays challenge their audiences to confront the universal from a new perspective.