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Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have got away with murder. . . . SHARON TATE—She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.
In this riveting, fast-paced account of the flip side of the Hollywood dream, investigative reporter Rod Lurie gives readers the keenest direction to date of the Hollyburbs, the seedy environs of Glitter City where small-time predators and prey dream of being players, only to find that they have been fleeced.
Mark Parascandola documents the nearly forgotten legacy of moviemaking in the desert landscapes of Spain.
Steve McQueen is one of America’s legendary movie stars best known for his hugely successful film career in classics such as The Magnificent Seven, The Great Escape, The Thomas Crown Affair, Bullitt, and The Towering Inferno as well as for his turbulent life off-screen and impeccable style. His unforgettable physical beauty, his soft-spoken manner, his tough but tender roughness, and his aching vulnerability had women swooning and men wanting to be just like him. Today—nearly thirty years after he lost his battle against cancer at the age of fifty—McQueen remains “The King of Cool.” Yet, few know the truth of what bubbled beneath his composed exterior and shaped his career, his passions, and his private life. Now, in Steve McQueen, New York Times bestselling author, acclaimed biographer, and film historian, Marc Eliot captures the complexity of this Hollywood screen legend. Chronicling McQueen’s tumultuous life both on and off the screen, from his hardscrabble childhood to his rise to Hollywood superstar status, to his struggles with alcohol and drugs and his fervor for racing fast cars and motorcycles, Eliot discloses intimate details of McQueen’s three marriages, including his tumultuous relationships with Neile Adams and Ali MacGraw, as well as his numerous affairs. He also paints a full portrait of this incredible yet often perplexing career that ranged from great films to embarrassing misfires. Steve McQueen, adored by millions, was obsessed by Paul Newman, and it is the nature of that obsession that reveals so much about who McQueen really was. Perhaps his greatest talent was to be able to convince audiences that he was who he really wasn’t, even as he tried to prove to himself that he wasn’t who he really was. With original material, rare photos, and new interviews, Eliot presents a fascinating and complete picture of McQueen’s life.
"Once Upon a Time in the West was the movie that made me consider filmmaking."-Quentin Tarantino Sergio Leone's film Once Upon a Time in the Westset out to be the ultimate Western--a celebration of the power of classic Hollywood cinema, a meditation on the making of America and a lament for the decline of one of the most cherished film genres in the form of a "dance of death." With this film, Leone said a fond farewell to the noisy and flamboyant world of the Italian Western, which he had created with A Fistful of Dollars and sequels, and aimed for something much more ambitious--an exploration of the relationship between myth ("Once Upon a Time..."), history ("...in the West") and his own autobiography as an avid film-goer. This would be a horse opera in which the arias aren't sung, they are stared. Once Upon a Time has since inspired several generations of filmmakers worldwide. Its combination of "film about film" with an angry historical epic, told with great style, has resonated for half a century, and its reputation has steadily grown. This book, by the world-renowned authority on Sergio Leone, Christopher Frayling, includes revealing personal interviews with all the key players involved in the movie (in front of the camera and behind it) a wealth of never-before-published documents, designs and photographs, and the latest research into the making of a masterpiece, shot by shot. It is introduced with a foreword by Quentin Tarantino. This year is the 50th anniversary of Once Upon a Time in the West and this richly illustrated book is a suitably spectacular birthday tribute.
Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski, and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."
When sound arrived in Hollywood in the late 1920s, Canadians were already holding some of the most important roles in the motion picture industry. Louis B. Mayer, from New Brunswick, was boss at MGM; Jack Warner, from Ontario, was head of Warner Bros. Studio; and Mack Sennett, from Quebec, was still King of Comedy. Canadians like Mary Pickford, Marie Dressler, and Norma Shearer moved easily from silents to talkies - this illustrious trio won the first three Academy Awards for Best Actress. Canadians arriving in sunny California in the 1930s and 1940s were principally actors, including Yvonne de Carlo, Walter Pidgeon, Ruby Keeler, and many others. You will be amazed at the Canadian influence on Hollywood’s Golden Age.
“Is there anybody that Hawk Koch hasn’t worked with? Magic Time should be required reading for three types of people. One, those starting in show business, two, those that have been in show business for a long time, and three, everyone else. Like every movie Hawk has made, Magic Time is a fascinating journey of self-identity. I love this book.” —Mike Myers, Actor, Writer, and Director “Magic Time recounts what I remember about Hawk: someone who never took an opportunity for granted and worked hard to achieve success in his own right. Plus, he was a lot of the fun, and, as the book reflects, we had some memorable adventures.”—Robert Redford, Oscar-winning Actor & Director, Founder of the Sundance Institute & Film Festival “Hawk Koch is without a doubt one of the great Hollywood storytellers I’ve ever known. His adventures in the movie business are so funny and so incredible that I re-tell stories from his career more than ones from my own. And his own personal journey is as heartfelt as it gets.” —Edward Norton, Actor, Writer, and Director “I can personally relate to this moving journey of a man learning to step out from under a father’s shadow. But Magic Time is also filled with fun, surprising stories that only a deep insider could tell.”—Jane Fonda, Oscar-winning Actress, Bestselling Author “I found the book profoundly moving, and insightful about not only the entertainment industry, but human nature. Bravo and congratulations!”—Gale Anne Hurd, Producer, Terminator and The Walking Dead “This book is more than just a great Hollywood memoir. Hawk Koch shares his story with us in a funny, touching, and vulnerable way in contrast to the glitz and glamor of the show business life he leads. If you want to hear a story about what Hollywood is really like read this book. It’s a winner.”—Mark Gordon, Producer of Saving Private Ryan, Grey’s Anatomy, and Criminal Minds
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
"In recognition of the significance of Walt Disney's contribtions to film and 20th century art, the organizers of the exhibit sought to present the sources that inspired Disney and his artists, and to present monder and contemporary works that reveal the ongoing influence of the Disney iconography."--Page 2 of cover.