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A fifteen year old girl enters a convent during the mid-nineteen fifties, when nuns still wear traditional habits and are physically and emotionally removed from the rest of the world. Subjected to rigid programming that includes almost perpetual silence and nearly total social isolation from her fellow community members, the young nun believes that God has called her and stays there for nineteen years. She eventually finds liberation and clarity through an unexpected sexual awakening with another woman. The manner in which she resolves the conflict this causes between her spiritual and human needs leads her to a new future.
Now in paperback, internationally bestselling author Indu Sundaresan presents a poignant collection of contemporary short stories about the challenges and consequences faced by women in Indian life today. Like Jhumpa Lahiri’s Interpreter of Maladies, Indu Sundaresan’s In the Convent of Little Flowers gives readers an eloquent and illuminating collection of stories about contemporary Indian life, exploring the cutting-edge issues that surround the clash between ancient tradition and modernity. In the collection’s title story, a young woman adopted by an American family in Seattle receives a letter from Sister Mary Theresa, a nun at the Convent of Little Flowers in Chennai, where she stayed as a child. Unbeknownst to the Indian woman, the nun is her biological mother’s sister. In another story, the grandmother of an Indian journalist begs her grandson to intervene and stop a young widow from being burned alive. And when a teenaged daughter bears a child out of wedlock, her entire family is thrown into turmoil. With their lush prose, vividly rendered settings, and complex characters, these and the other stories in this elegant collection bring readers into the experience of Indian women at home and abroad, where modernity offers them lives their grandmothers could never dream of, while at the same time taking away parts of their history. With a delicate touch, Indu Sundaresan weaves the pieces of the conflict together, presenting a nuanced and unforgettable tapestry.
A true, never-before-told story—discovered in a secret Vatican archive—of sex, poison, and lesbian initiation rites in a nineteenth-century convent. In 1858, a German princess, recently inducted into the convent of Sant’Ambrogio in Rome, wrote a frantic letter to her cousin, a confidant of the Pope, claiming that she was being abused and feared for her life. What the subsequent investigation by the Church’s Inquisition uncovered were the extraordinary secrets of Sant’Ambrogio and the illicit behavior of the convent’s beautiful young mistress, Maria Luisa. Having convinced those under her charge that she was having regular visions and heavenly visitations, Maria Luisa began to lead and coerce her novices into lesbian initiation rites and heresies. She entered into a highly eroticized relationship with a young theologian known as Padre Peters—urging him to dispense upon her, in the privacy and sanctity of the confessional box, what the two of them referred to as the “special blessing.” What emerges through the fog of centuries is a sex scandal of ecclesiastical significance, skillfully brought to light and vividly reconstructed in scholarly detail. Offering a broad historical background on female mystics and the cult of the Virgin Mary, and drawing on written testimony and original documents, Professor Wolf—Germany’s leading scholar of the Catholic Church, and among the very first scholars to be granted access to the archives of the Congregation for the Doctrine of the Faith, formerly the office of the Inquisition—tells the incredible story of how one woman was able to perpetrate deception, heresy, seduction, and murder in the heart of the Church itself.
The new edition includes a new foreword that looks at the impact the original edition had on both the lesbian and the mainstream cultures. The authors have added individual afterwords, describing how their lives were changed when their book went mainstream.
Rebecca Reed and Maria Monk may not be well-known authors today, but these women were publishing sensations in nineteenth-century America. Their lurid tales of life in two North American convents, one in Charlestown, Massachusetts, and the other in Montreal, Canada, sold more than one-half million copies. Reed escaped from the Ursuline convent in Charlestown in 1832. Her dramatic renditions of Roman Catholic ritual practice helped spark a night of violence that resulted in the convent being burned to the ground by an angry mob. Reed's published narrative, Six Months in a Convent, appeared just as the trials of the rioters were ending in 1835, and became an instant literary success. Monk's supporters capitalized on the lucrative market in anti-Catholic literature, by bringing out the pseudo-pornographic Awful Disclosures of the Hotel Dieu Nunnery in 1836. Monk, who claimed her infant daughter had been fathered by a Catholic priest, was in fact a Montreal prostitute rather than a nun. She enjoyed the life of a literary star in New York before her hoax was uncovered. These two narratives are now available for the first time in a single paperback edition. Nancy Lusignan Schultz's introduction provides a fascinating glimpse into the history, development, and marketing of these phenomenal best-sellers. The convent tales by Reed and Monk are classics that must be read by those interested in American studies, popular culture, social and religious history, literature, and women's studies.
A spellbinding, major new novel from one of Britain's finest young writers. A taut, suspenseful tale of an unexpected arrival at a Spanish convent and the intrigue that ensues among the order. Those whom God wishes to destroy he first makes mad... The crumbling convent of Our Lady of Mercy stands alone in an uninhabited part of the Spanish sierra, hidden on a hill among dense pine forest. Its inhabitants are devoted to God, to solitude and silence; six women cut off from the world they've chosen to leave behind. This is all to change, on the day that Mother Superior Maria Ines discovers a suitcase punctured with air-holes at the entrance to the retreat. Soon she is to find the box and its contents are to have consequences beyond her imagining, and that even in her carefully protected sanctuary she is unable to keep the world, or her past, at bay. The Convent is storytelling at its very best: enthralling, highly readable and wonderfully atmospheric.
Monson retells the story of Vizzana and the nuns of Santa Cristina to elucidate the role that music played in the lives of these cloistered women. Monson explains how the sisters fought back with words and music, and when these proved futile, with bricks, roof tiles, and stones.
Witchcraft. Arson. Going AWOL. Some nuns in sixteenth- and seventeenth-century Italy strayed far from the paradigms of monastic life. Cloistered in convents, subjected to stifling hierarchy, repressed, and occasionally persecuted by their male superiors, these women circumvented authority in sometimes extraordinary ways. But tales of their transgressions have long been buried in the Vatican Secret Archive. That is, until now. In Nuns Behaving Badly, Craig A. Monson resurrects forgotten tales and restores to life the long-silent voices of these cloistered heroines. Here we meet nuns who dared speak out about physical assault and sexual impropriety (some real, some imagined). Others were only guilty of misjudgment or defacing valuable artwork that offended their sensibilities. But what unites the women and their stories is the challenges they faced: these were women trying to find their way within the Catholicism of their day and through the strict limits it imposed on them. Monson introduces us to women who were occasionally desperate to flee cloistered life, as when an entire community conspired to torch their convent and be set free. But more often, he shows us nuns just trying to live their lives. When they were crossed—by powerful priests who claimed to know what was best for them—bad behavior could escalate from mere troublemaking to open confrontation. In resurrecting these long-forgotten tales and trials, Monson also draws attention to the predicament of modern religious women, whose “misbehavior”—seeking ordination as priests or refusing to give up their endowments to pay for priestly wrongdoing in their own archdioceses—continues even today. The nuns of early modern Italy, Monson shows, set the standard for religious transgression in their own age—and beyond.
Like many Catholic girls prior to Vatican II, Mary wanted to be a nun. Ecstatic at her acceptance into a teaching order, she began the period of intense training called "formation," learning the virtues prescribed by a 19th-century, male-dominated Church: humility, self-abnegation, and childlike dependence on the will of her superiors. What happens to a normal 14-year-old girl, giggly and interested in boys, who adores her family yet feels compelled to commit herself to a life that will demand that she never again visit her parents' home? And what leads Mary, "formed" and on mission, to make the decision not to take her final vows? Here, the author invites the reader to enter the world of the young woman who made that journey, to wander the cloistered halls of the convent and experience from the inside the workings of cloistered minds and hearts. Mary Wong interviewed forty former nuns about the experience of convent life, interweaving their stories with hers in a candid, funny, deeply moving account of her training and adventures, and of the beliefs and doubts that persevere.--From publisher description.
In the fifteenth-century kingdom of Brittany, seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where she learns that the god of Death has blessed her with dangerous gifts--and a violent destiny.