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Detached and ignored for most of her life, Brayla Sullivan is the awkward, ugly duckling destined for spinsterhood who's never been kissed, never gone anywhere beyond the small town she was born and raised in. When she starts corresponding with a man from a "Meet Exotic Singles" website and he suggests they meet, she drops everything to fly to him in a last-ditch effort to find her happily-ever-after. The only son in a family of daughters, Shaun Levi, Peaceful's Chief of Police, has never looked the part of a dashing hero. Whenever he'd opened his mouth, his sisters had spoken for him or over him, and now any attempts at conversation with the opposite sex lead him to either a loss for words or making a mess that's ensured he'll stay a bachelor for life. Brayla has been nothing more than a buddy he's known all his life. But, when a kiss between them on a particularly lonesome New Year's takes a turn for the what-have-we-done?, he sees a side to his old friend he never anticipated...and the consequences may just leave him without a friend or a prayer of convincing her they could share so much more. Brayla's poorly-conceived plan to meet Mr. Right veers from point A to Z to F and every-sad-where in-between, leaving her hopelessly lost and desperate for someone to rescue her. Everything she expects to happen falls through while the unexpected may turn into everything she's ever dreamed of...or all she's dreaded. On the rocky road to happily-ever-after, who knows what can happen?
This creative writing journal is filled with prompts every few pages. Each prompt is filled with different ways to kill a typical cliche. Fill these pages with your own brand of a cliché free story in this creative writing journal.
Detached and ignored for most of her life, Brayla Sullivan is the awkward, ugly duckling destined for spinsterhood who's never been kissed, never gone anywhere beyond the small town she was born and raised in. When she starts corresponding with a man from a ""Meet Exotic Singles"" website and he suggests they meet, she drops everything to fly to him in a last-ditch effort to find her happily-ever-after. The only son in a family of daughters, Shaun Levi, Peaceful's Chief of Police, has never looked the part of a dashing hero. Brayla has been nothing more than a buddy he's known all his life. But, when a kiss between them on New Year's takes a turn for the what-have-we-done?, he sees a side to his old friend he never anticipated?and the consequences may just leave him without a friend or a prayer of convincing her they could share so much more. What follows is a series of unfortunate events in which everything goes wrong?
From the New York Times–bestselling author of Business Adventures comes the chronicle of the stock market crash of 1929 and its aftermath Legend had it that anyone who passed through Golconda, a city in southern India, attained tremendous wealth. But Golconda, now in ruins, ran out of riches, and its glory vanished forever. Some have painted a similar picture of Wall Street between the two world wars. But there is more to the story of the bull market of the 1920s and the ensuing economic devastation that befell the United States. In fascinating detail, distinguished journalist John Brooks recounts the euphoric financial climb of the twenties as well as the vertiginous crash of 1929. From the heady days of economic prosperity to the sobering time after the collapse, Brooks’s rendering of this tale of vast fortune and then tragic misfortune is both dramatic and percipient. Profiling some of the era’s most famous—and infamous—bankers, traders, and hucksters, Brooks gives a stunning and colorful account of this period of boom and bust.
A collection of eighteen essays that represent Singer's fullest treatment of topics he engaged with throughout his life. Most of the selected essays were originally published in Yiddish or delivered as lectures but have never been published in English before
Few directors are characterized by both extraordinary film craft and the ironic reputation for lowbrow films. Despite his many achievements as a child of the Italian Cinecitta studios, however, Sergio Leone has been judged severely by writers who find his films lacking in ideas and moralists who find his films unduly cynical. Nevertheless, Leone's greatest cinematic achievement, Once Upon a Time in the West, served to refute these criticisms while exposing the director's unique romanticism and artistic ambition. As Leone's fourth successful American western film, Once Upon a Time in the West earned him acclaim for liberating the western genre, restoring it to a place of antique American simplicity. The principal goal of this book is to sharpen an appreciation for Sergio Leone and his most famous American western. The first two chapters deal with the relationship between Once Upon a Time in the West and the western films that preceded it, particularly those of John Ford. Subsequent chapters concentrate on the central characters of Once Upon a Time in the West, with special attention to Jill, Leone's first female protagonist and a surprisingly successful character, central to the plot and accorded a kind of existential strength usually reserved for men in Westerns. The sixth, seventh and eighth chapters address Leone's visual style, which represents a unique fusion of Hollywood classicism and modernism, and reveals the influences of Italian Surrealism and the French New Wave. The final chapters explore the rhythm, romanticism, and musical character of Once Upon a Time in the West, espousing the theory that Leone's approach to film is, above all, musical.
A film star begs Croft to find his missing wife and daughter Hollywood icon Roy Alonzo has just learned that in Los Angeles there is no such thing as a simple divorce. After years of bitterness and jealousy, his wife Melissa leaves him, taking most of his money, property, and five days a week with their only child. When Roy begins dating again, Melissa accuses him of sexually abusing their daughter, and disappears with her. Alonzo asks Santa Fe detective Joshua Croft to find them and prove his innocence, but there’s a problem: Croft thinks Alonzo is lying. Croft refuses to help the star—but a surprise visitor changes his mind. Norman Montoya, underworld kingpin of Santa Fe, is Alonzo’s uncle, and he convinces Croft that the fugitives are in jeopardy. The women have been swallowed by an international conspiracy, and it will take brute force—not star power—to bring them back.