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For better... or for bedding? Laurel Ferrara wouldn’t know a happy ending if she fell over it – of course her whirlwind wedding was always going to end in disaster. But it wasn’t as simple as just walking away. From the moment she is summoned back to Sicily the shivers of unease set in...
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Pediatric doctor, Tasha O'Hara, finds herself taking care of a roguish Mediterranean prince who broke her heart once before. Prince Alessandro may be all wrong for her, but being with him feels so right.
"After years lying neglected, the walls of Wolfe Manor tremble as Jacob Wolfe returns--the master is back! Gardener's daughter Mollie Parker has lived amidst the secret, overgrown garden in her little cottage--waiting ... for what, she wasn't sure ... until now. Reputation in tatters, Jacob licks his wounds alone in the shadows. Mollie knows his ferocious bark is worse than his bite and as she takes her tentative steps across the threshold, she brings with her the light missing from his darkened soul. The lone Wolfe will never be tamed--but she knows that once he loves, he loves for life"--Publisher.
Ruth Tucker recounts a harrowing story of abuse at the hands of her husband—a well-educated, charming preacher no less—in hope that her story would help other women caught in a cycle of domestic violence and offer a balanced biblical approach to counter such abuse for pastors and counselors. Weaving together her shocking story, stories of other women, and powerful stories of husbands who truly have demonstrated Christ’s love to their wives, with reflection on biblical, theological, historical, and contemporary issues surrounding domestic violence, she makes a compelling case for mutuality in marriage and helps women and men become more aware of potential dangers in a doctrine of male headship.
Nicole Brenez argues for Abel Ferrara’s place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. Rather than merely reworking genre film, Brenez understands Ferrara’s oeuvre as formulating new archetypes that depict the evil of the modern world. Focusing as much on the human figure as on elements of storytelling, she argues that films such as Bad Lieutenant express this evil through visionary characters struggling against the inadmissible (inadmissible behavior, morality, images, and narratives).