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Recounts the events surrounding the dramatic post-Civil War trial of a young African American sawmill hand who was accused of ax murdering a white woman on her Virginia farmyard and who implicated three other women in the crime.
A historical romp through the fascinating subject of murder jurisprudence in the United States from the colonial period to the present, showing how changing social mores have influenced the application of murder law.
Describing an outstanding example of the use of forensic art therapy in a criminal case, David Gussak, contracted by the defence to analyse the evidence in this instance, recounts his findings and presentation in court, as well as the future implications of his work for criminal proceedings.
The new prosecutor faces an old controversy -- An unlikely setting for murder -- Did Sam murder Marilyn? -- Putting the pieces of the puzzle together -- Final trial preparation : the emergence of the prosecutor's strategy -- Opening statements : setting the stage -- The Sheppard team presents its case -- The prosecutors speak -- Closing arguments and a verdict : the end of a legal era.
Most people could probably tell you that Lizzie Borden “took an axe and gave her mother forty whacks,” but few could say that, when tried, Lizzie Borden was acquitted, and fewer still, why. In Joseph A. Conforti’s engrossing retelling, the case of Lizzie Borden, sensational in itself, also opens a window on a time and place in American history and culture. Surprising for how much it reveals about a legend so ostensibly familiar, Conforti’s account is also fascinating for what it tells us about the world that Lizzie Borden inhabited. As Conforti—himself a native of Fall River, the site of the infamous murders—introduces us to Lizzie and her father and step-mother, he shows us why who they were matters almost as much to the trial’s outcome as the actual events of August 4, 1892. Lizzie, for instance, was an unmarried woman of some privilege, a prominent religious woman who fit the profile of what some characterized as a “Protestant nun.” She was also part of a class of moneyed women emerging in the late 19th century who had the means but did not marry, choosing instead to pursue good works and at times careers in the helping professions. Many of her contemporaries, we learn, particularly those of her class, found it impossible to believe that a woman of her background could commit such a gruesome murder. As he relates the details, known and presumed, of the murder and the subsequent trial, Conforti also fills in that background. His vividly written account creates a complete picture of the Fall River of the time, as Yankee families like the Bordens, made wealthy by textile factories, began to feel the economic and cultural pressures of the teeming population of native and foreign-born who worked at the spindles and bobbins. Conforti situates Lizzie’s austere household, uneasily balanced between the well-to-do and the poor, within this social and cultural milieu—laying the groundwork for the murder and the trial, as well as the outsize reaction that reverberates to our day. As Peter C. Hoffer remarks in his preface, there are many popular and fictional accounts of this still-controversial case, “but none so readable or so well-balanced as this.”
How to Try a Murder Case covers the preparation from the very beginning -- even before the crime was committed -- and progresses through the investigation to searches, arrest, and interrogation. This book explains the law, provides examples, and gives advice by offering the reader vicarious experience in trying a murder case.
The compelling real-life story of the criminal investigation, indictment, and trial of Edgar Ray Killen, the preacher and former Ku Klux Klansman finally convicted in June 2005 for the deaths of three civil rights workers--forty-one years after their brutal murders. A stunning final chapter to the case immortalized in the movie Mississippi Burning.
On New Year's Eve, 1939, Elmer Rogers and his wife, Marie, were preparing for bed when a shotgun blast sent buckshot deep into Elmer's rib cage. When Marie ran from the room, screaming for help, a second gunshot erupted. The eldest Rogers child grabbed his baby brother and ran while the middle child clung to the bed frame, paralyzed with terror. The intruders poured coal oil around the house and set fire to the front door before escaping. Within a matter of days, investigators identified several suspects: convicts who had been at a craps game with Rogers the night before. Also at the craps game was a young black farmer named W. D. Lyons. As anger at authorities grew, political pressure mounted to find a villain. The governor's representative settled on Lyons, who was arrested, tortured into signing a confession, and tried for the murder. The NAACP's new Legal Defense and Education Fund sent its young chief counsel, Thurgood Marshall, to take part in the trial. The NAACP desperately needed money, and Marshall was convinced that the Lyons case could be a fundraising boon for both the state and national organizations. It was. The case went on to the US Supreme Court, and the NAACP raised much-needed money from the publicity. Conviction is the story of Lyons v. Oklahoma, the oft-forgotten case that set Marshall and the NAACP on the path that led ultimately to victory in Brown v. Board of Education and the accompanying social revolution in the United States.
The Depression-era murder trial of George Crawford in Northern Virginia helped end the exclusion of African Americans from juries. Nearly forgotten today, the murders, ensuing manhunt, extradition battle and sensational trial enthralled the nation. Before it was over, the U.S. House of Representatives threatened to impeach a federal judge, the age-old states rights debate was renewed, and a rift nearly split the fledgling NAACP. In the end, the story's hero--Howard University Law School dean Charles Hamilton Houston--was the subject of public ridicule from critics who had little understanding of the inner workings of the case. This book puts the Crawford murder trial in its fullest context, side by side with relevant events of the time.