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In this sobering collection of photographs, Joel Sternfeld looks at fifty places where violence has stained the American landscape. Arriving long after news photographers have gone, he presents us with the landscape that is left behind, the ordinary site that remains after the tragedy. Free of the sensationalism of contemporary reporting, these unadorned images, and the brief text that accompanies them, have a surprising power, allowing us to contemplate the meaning of what has taken place, and what has been lost. In this work, one of the most acclaimed photographers of our time extends the documentary tradition, finding a way to visualize our beleaguered national sense, shaken by decades of violence. This groundbreaking work asks that we broaden our conventional definition of violence to include the consequences of corporate irresponsibility and governmental indifference. These picture stand as a heartfelt memorial. They mark sites that have become an indelible part of the American landscape. They ask us to stand on that difficult threshold between what has happened and what little remains; between what we know and what cannot be understood. This, too, is the American landscape.
Dennis' goal is to preserve and create awareness of sacred, culturally significant, and historical Native American landscapes on Long Island, New York.By presenting the archeological research in the format of photography, it presents to the public a new understanding of communal awareness and cultural enlightenment, which leads to cultural critique, historical inquiry, and educational development.
How to find the locations used for movies and television shows, from the belltower in "Vertigo" to the baseball field in "Field of Dreams."
From Site to Sight is a foundational text for scholars and students of visual anthropology, illustrating the history, uses--and misuses--of photographic imagery in anthropology and archaeology. Long out of print, this classic publication is now available in an enhanced thirtieth anniversary edition with a new introductory essay by Ira Jacknis.
Future investigative reporter Sabrina, fourteen, researches a popular website where people post horror videos, hoping to prove they are not as real as they seem until her sister, a big fan of the site, disappears.
Any organization that has a searchable web site or intranet is sitting on top of hugely valuable and usually under-exploited data: logs that capture what users are searching for, how often each query was searched, and how many results each query retrieved. Search queries are gold: they are real data that show us exactly what users are searching for in their own words. This book shows you how to use search analytics to carry on a conversation with your customers: listen to and understand their needs, and improve your content, navigation and search performance to meet those needs.
This book takes its cue from a simple observation. During the last 30 years or so, the term style has all but disappeared from art critical or art historical terminology. For new art history it was an increasingly problematic term, associated with the taxonomist and historicist concerns of "old" art history, not to speak of its fixation on the figure of the great artist. For contemporary art criticism the term seemed simply irrelevant: Faced with artistic activities that challenged traditional ideas of the work of art and its relation to aesthetics itself, new critical paradigms had to be invented. As interventions in social reality, an art of actions and events, replaced preoccupations with visual style and shape, the politics of social sites replaced the language of forms. But while style has all but disappeared from art historical and art critical discourse, artistic practice since the 1960's onwards has seemed increasingly focused on the stylistics of the life-environment, the way in which everyday life itself is formed, designed or stylized. This development calls for a new reading of the relationship between art and the question of style, one that approaches the question of style itself not just as an art historical "tool" or method of explanation but as a social site in which relations between appearance, recognition and social identity is negotiated. The question or crisis of the contemporary style site is related to the significance of stylistic issues in contemporary politics and economics that capitalizes on life itself and that is perhaps best understood through its particular production of subjectivity. The works discussed in this book treat style as precisely such a site, and should therefore be discussed in extension of what is generally known as "site specific practices" in art. However, the style site works radically change the notion of the politics of this type of art, and may in the end also contribute to open the question of the life-art practices of the avant-garde to new interpretations. Ina Blom is an Associate Professor at the Department of Philosophy, Classics, History of Art and Ideas at the University of Oslo. She has written extensively on modern and contemporary art and is also active as an art critic.
They say his clothes blend into the background, no matter where he stands. They say a lot of things about the Schwa, but one thing’s for sure: no one ever noticed him. Except me. My name is Antsy Bonano, and I was the one who realized the Schwa was “functionally invisible” and used him to make some big bucks. But I was also the one who caused him more grief than a friend should. So if you all just shut up and listen, I’ll tell you everything there is to know about the Schwa, from how he got his name, to what really happened with his mom. I’ll spill everything. Unless, of course, “the Schwa Effect” wipes him out of my brain before I’m done….
In the world of web design, if one wants to create a successful web site, one needs an effective content strategy. Return on Engagement shows web designers and developers how to implement an effective content strategy and how to stay ahead in the rapidly changing industry of web design. It presents best practices in terms of web design through a marketing function: content strategy, SEO, social media marketing, and success measurement to help web designers implement a strategy that ensures success for the site they are building. Return on Engagement shows web designers and developers how to not just design an aesthetically pleasing, functional website. This book shows those professionals how to implement marketing strategies and analysis into their website, thus ensuring its success. Nearly 3 years since the previous edition published, new best practices have been formed. Tools in which web developers use to analyze website metrics have advanced. New social media networks and communities have cropped up. New research in how audiences read and receive content has been done, subsequently refining best digital marketing practices. Return on Engagement features a step-by-step breakdown of how to use new tools, techniques, and technologies. The new edition also includes updated case studies of industry leaders who implement best practices on projects. Return on Engagement also features a regularly updated companion site that offers readers sample content, easy sharing tools, and web-based resources to help measure marketing viability of web properties.
Author, activist, and TED speaker Ashton Applewhite has written a rousing manifesto calling for an end to discrimination and prejudice on the basis of age. In our youth obsessed culture, we’re bombarded by media images and messages about the despairs and declines of our later years. Beauty and pharmaceutical companies work overtime to convince people to purchase products that will retain their youthful appearance and vitality. Wrinkles are embarrassing. Gray hair should be colored and bald heads covered with implants. Older minds and bodies are too frail to keep up with the pace of the modern working world and olders should just step aside for the new generation. Ashton Applewhite once held these beliefs too until she realized where this prejudice comes from and the damage it does. Lively, funny, and deeply researched, This Chair Rocks traces her journey from apprehensive boomer to pro-aging radical, and in the process debunks myth after myth about late life. Explaining the roots of ageism in history and how it divides and debases, Applewhite examines how ageist stereotypes cripple the way our brains and bodies function, looks at ageism in the workplace and the bedroom, exposes the cost of the all-American myth of independence, critiques the portrayal of elders as burdens to society, describes what an all-age-friendly world would look like, and offers a rousing call to action. It’s time to create a world of age equality by making discrimination on the basis of age as unacceptable as any other kind of bias. Whether you’re older or hoping to get there, this book will shake you by the shoulders, cheer you up, make you mad, and change the way you see the rest of your life. Age pride! “Wow. This book totally rocks. It arrived on a day when I was in deep confusion and sadness about my age. Everything about it, from my invisibility to my neck. Within four or five wise, passionate pages, I had found insight, illumination, and inspiration. I never use the word empower, but this book has empowered me.” —Anne Lamott, New York Times bestselling author