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Winner at the 2013 Moonbeam Children's Book Awards. A magic ball has mysteriously appeared and will help to weave the most beautiful friendship between the animals of the forest. One morning, a hedgehog wakes up to find a mysterious ball of wool caught in his prickles. Why would he want a ball of wool?, he wonders in dismay. His friend the spider, who was an expert knitter, encouraged him to start knitting, teaching him all the keys and secrets to making a perfect sweater. Fascinated, all of the forest animals come to his house and the hedgehog happily knits something for each of his visitors. CLICKETY-CLICK, CLICKETY-CLICK... A stitch here, a stitch there... When the hedgehog stops knitting, he realizes something amazing—the ball of wool is magic! A charming tale of friendship, generosity and kindness that will bring out the best in young readers by encouraging them to help others.
An intimate and eye-opening account of Michelle Grattan’s travels through ‘the wool track’ of western New South Wales In Back On The Wool Track, Michelle Grattan traces the footsteps of pre- eminent journalist and war historian C.E.W Bean. In 1909, Bean was commissioned by the Sydney Morning Herald to write a series of articles on the wool industry in western New South Wales. The articles were later compiled into a book and published as On The Wool Track which went on to become an Australian classic. (Continually in print until 1966.) Now, almost 100 years later, Michelle Grattan traces Bean’s footsteps and paints a fascinating picture of the Far West in 21st century Australia. Like Bean, whose descriptions brought to life the characters who inhabited this harsh, arid region, Back on the Wool Track is about people. Grattan visits the wool country and tracks down descendants of people Bean met during his travels and she observes the modern shearers, doing an old job in a new world. As Bean brought the outback to his city readers in 1909, Grattan interprets the Western Division for contemporary Australians. Back On The Wool Track is a vivid and sensitive portrayal of ‘this delicate country that responds like a piano to whatever touches it’.