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In the Fall of 1832 Washington Irving took part in what he called "a month foray beyond the outposts of human habitation, into the wilderness of the Far West." As was his habit, Irving kept a memorandum book, which he later expanded into A Tour on the Prairies, a real-life Western adventure in the third decade of the nineteenth century. His account is fresh and clear. He saw and makes his readers see the frontiersmen, the trappers, the Indians, and the troopers as they actually were in the 1830s.
Washington Irving remains one of the most recognized American authors of the 19th century, remembered for short stories like Rip van Winkle and The Legend of Sleepy Hollow. He also accomplished other writing feats, including penning George Washington's biography and other life stories. Throughout his life, Irving was at odds with socially-approved ways of "being a man." Irving purportedly saw himself and was seen by others as feminine, shy, and non-confrontational. Likely related to this, he chose to engage with other men's fortunes and adventures by writing, defining his male identity vicariously, through masculine archetypes both fictional and non-fictional. Sitting at the intersection of literary studies and masculinity studies, this reading reconstructs Irving's life-long struggle to somehow win a place among other men. Readers will recognize masculine themes in his tales from the Spanish period, his western adventures, as well as in historical biographies of Columbus, Mahomet, and Washington. In many writings by Irving, especially Sleepy Hollow, readers will observe themes dominated by masculinity. The book is the first of its kind to encompass and examine Irving's writings.
America’s first internationally acclaimed author, Washington Irving established his fame with tales of the Hudson Valley in the days of Dutch rule, and then spent seventeen years in Europe mining the Old World for stories. When he finally returned to the United States, he embarked on a trilogy of books on the American West that would prove decisive in molding his compatriots’ conception of the Great Plains, the Rocky Mountains, and the Pacific Northwest. The Library of America presents this Western trilogy in its third volume of Irving’s work. Irving’s own encounter with the West came in 1832 when he accompanied the Commissioner of Indian Affairs on a month-long journey to what is now eastern Oklahoma. His account of that trip, A Tour on the Prairies (1835), described wild landscape, rugged inhabitants, and dramatic chases and hunts with an eye for romantic sublimity and a keen appreciation of the frontiersman’s “secret of personal freedom.” After the success of his first western book, Irving undertook to write the history of John Jacob Astor’s ultimately failed attempt to establish a fur-trading empire in the Northwest. In Astoria (1836), he created a sweeping epic of exploration, commercial enterprise, and “contest for dominion on the shores of the Pacific,” drawing on Astor’s rich archive of materials and enlivening it with his flair for vigorous storytelling. In The Adventures of Captain Bonneville (1837), Irving focused on a single memorable figure—an army officer and fur trader who may also have been an American spy tracking British ambitions in the far country—to reveal the flavor of frontier life in the Rockies and beyond. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Exploration And Travel Series, Count de Pourtales' Records are an exciting find for frontier historians and for students of Washington Irving.
First published in 1961, Early Midwestern Travel Narratives records and describes first-person records of journeys in the frontier and early settlement periods which survive in both manuscript and print. Geographically, it deals with the states once part of the Old Northwest Territory-Ohio, Indiana, Michigan, Illinois, Wisconsin, and Minnesota-and with Missouri, Iowa, Kansas, and Nebraska. Robert Hubach arranged the narratives in chronological order and makes the distinction among diaries (private records, with contemporaneously dated entries), journals (non-private records with contemporaneously dated entries), and "accounts," which are of more literary, descriptive nature. Early Midwestern Travel Narratives remains to this day a unique comprehensive work that fills a long existing need for a bibliography, summary, and interpretation of these early Midwestern travel narratives.
Explores a beloved genre Even before the age of the Romantics, travel literature was a favorite genre of English and American writers and readers. After the War of 1812, Americans' passion for scenic beauty inspired them to take the picturesque tour of America as well as going to Europe for the requisite Grand Tour. The written American version of the popular British tour in various guidebooks helped shape the literature of the new nation as nearly every major writer of the first half of the 19th century contributed to it from Poe, who provided several comic pieces, and Irving to Thoreau, for whom the tour symbolized moral and spiritual growth, and Margaret Fuller. Offers new perspectives American writers adapted the picturesque to express their nationalistic sentiments; picturesque discourse offered a flexible series of conventions that enable writers to celebrate the places, people, and legends that set America apart. This volume demonstrates the vital role of this genre in the formation of national literary taste and national culture and offers fresh and exciting perspectives on the topic. Includes index. Also includes maps.
First published in 1968, The Eastern Establishment and the Western Experience has become a classic in the field of American studies. G. Edward White traces the origins of “the West of the imagination” to the adolescent experiences of Frederic Remington, Theodore Roosevelt, and Owen Wister—three Easterners from upper-class backgrounds who went West in the 1880s in search of an alternative way of life. Each of the three men came to identify with a somewhat idealized “Wild West” that embodied the virtues of individualism, self-reliance, and rugged masculinity. When they returned East, they popularized this image of the West through art, literature, politics, and even their public personae. Moreover, these Western virtues soon became and have remained American virtues—a patriotic ideal that links Easterners with Westerners. With a multidisciplinary blend of history, biography, sociology, psychology, and literary criticism, The Eastern Establishment and the Western Experience will appeal to a wide audience. The author has written a new preface, offering additional perspectives on the mythology of the West and its effect on the American character.
The half-blood—half Indian, half white—is a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) served to symbolize many of the conflicting cultural values with which American society was then wrestling. In literature, as in real life the half-blood was a product of the frontier, embodying the conflict between wilderness and civilization that haunted and stirred the American imagination. What was his identity? Was he indeed "half Indian, half white, and half devil"—or a bright link between the races from which would emerge a new American prototype? In this important first study of the fictional half-blood, William J. Scheick examines works ranging from the enormously popular "dime novels" and the short fiction of such writers as Bret Harte to the more sophisticated works of Irving, Cooper, Poe, Hawthorne, and others. He discovers that ambivalence characterized nearly all who wrote of the half-blood. Some writers found racial mixing abhorrent, while others saw more benign possibilities. The use of a "half-blood in spirit"—a character of untainted blood who joined the virtues of the two races in his manner of life—was one ingenious literary strategy adopted by a number of writers, Scheick also compares the literary portrayal of the half-blood with the nineteenth-century view of the mulatto. This pioneering examination of an important symbol in popular literature of the last century opens up a previously unexplored repository of attitudes toward American civilization. An important book for all those concerned with the course of American culture and literature.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: SPEECH: NEW YORK, FEBRUARY 18, 1842 by Charles Dickens BIOGRAPHY OF WASHINGTON IRVING TALES OF THE ALHAMBRA ABBOTSFORD AND NEWSTEAD ABBY Abbotsford Newstead Abbey Arrival at the Abbey Abbey Garden Plough Monday Old Servants Superstitions of the Abbey Annesley Hall The Lake Robin Hood and Sherwood Forest Rook Cell Little White Lady A TOUR ON THE PRAIRIES TALES OF A TRAVELLER Part I: Strange Stories by a Nervous Gentleman The Great Unknown The Hunting Dinner The Adventure of My Uncle The Adventure of My Aunt The Bold Dragoon, or the Adventure of My Grandfather The Adventure of the German Student The Adventure of the Mysterious Picture The Adventure of the Mysterious Stranger The Story of the Young Italian Part II: Buckthorne and His Friends Literary Life A Literary Dinner The Club of Queer Fellows The Poor Devil Author Notoriety A Practical Philosopher Buckthorne, or the Young Man of Great Expectations Grave Reflections of a Disappointed Man The Booby Squire The Strolling Manager Part III: The Italian Banditti The Inn at Terracina The Adventure of the Little Antiquary The Belated Travellers The Adventure of the Popkins Family The Painter's Adventure The Story of the Bandit Chieftain The Story of the Young Robber The Adventure of the Englishman Part IV: The Money Diggers Hell Gate Kidd the PirateThe Devil and Tom Walker Wolfert Webber, or Golden Dreams The Adventure of the Black Fisherman... Washington Irving (1783-1859) was an American author, essayist, biographer, historian, and diplomat.
Washington Irving's 'The Complete Travel Sketches and Memoirs' is a comprehensive collection of his captivating tales and observations from his extensive travels. From the enchanting descriptions of Alhambra in Spain to the haunting landscapes of Abbotsford and Newstead Abbey in Scotland, Irving's literary style is characterized by vivid imagery and a deep appreciation for the places he visits. This compilation also includes 'A Tour on the Prairies' and 'Tales of a Traveler', showcasing Irving's ability to blend fiction and travelogue in a seamless manner. These works were influential in shaping American literature and setting the foundation for the genre of travel writing. Irving's intricate narratives and keen observations make this collection a valuable contribution to the study of travel literature. Washington Irving, known for his iconic works such as 'The Legend of Sleepy Hollow' and 'Rip Van Winkle', drew inspiration from his own journeys to create these immersive travel sketches. His keen eye for detail and knack for storytelling shine through in each tale, making this collection a must-read for lovers of travel narratives and American literature enthusiasts.