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This book is a compilation of essays written mostly to family members and friends in response to their questions and comments to my other books. These essays were written in over a period of two years and can be read singly, although I have grouped them to try to achieve a cumulative effect. Many people seem satisfied with the childhood information about the soul that they carry into adulthood. Some people just find the subject beyond them, even though the soul is their most intimate companion. Everyone agrees that proper feeding requires accurate information about the animal or person being fed, and yet the spiritual nurture of the soul is not examined with the same critical eye. Much that I have to say, therefore, has to do with the proper feeding of the soul based on a critical examination of the true nature of the soul. As in all my books, I am indebted to the methods of examination from the Buddhas spiritual technology toolkit.
Sometimes depressions feels like being possessed by something beyond your control. In the year 2021, the author was clinically diagnosed (medicated) for depression, anxiety, hallucinations and dementia, and was considered so ill as to require the services of a home hospice caretaker. None of these diagnoses proved themselves to be valid and true. This book is the author's progress towards what he believes is a more valid and true conclusion.
This collection of essays is intended to be a sequel to my previous book, On the True Nature of the Soul: Essays for the Seriously Curious. The basic themes are the illusory nature of time, its swift passing, and ways to make better use of it while we have it. The addendum at the end of each essay is meant to give the reader a way to practically apply the ideas in the essay. Everything I have written, including this book, is a development of two basic ideas: 1) we are here to see through the illusion of our separateness and 2) the soul is the potential to be one with all things. The subject matter of these essays can be succinctly stated as the timeless nature of the soul incarnate as it struggles to realize that nature in time.
Benjamin Tilghman has been a leading commentator on analytic philosophy for many years. This book brings together his most significant and influential work on aesthetics. Spanning a period of thirty years and covering topics in aesthetics from literature to painting, the collection traces the development of Tilghman's two principal themes; a rejection of philosophical theory as a way of resolving problems about our understanding and appreciation of art and the importance of the representation and presentation of the human and human concerns in art. Tilghman is profoundly influenced by the philosophy of Ludwig Wittgenstein and his work is informed throughout by his conception and practice of philosophy. Written with exceptional clarity and with many references to original work in both painting and literature, this collection will be an invaluable resource not only for professional philosophers but for those working in the arts generally, art historians, critics and literary theorists.
One of Germany's greatest poets, Johann Christian Friedrich Hölderlin (1770-1843) was also a prose writer of intense feeling, intelligence and perception. This new translation of selected letters and essays traces the life and thoughts of this extraordinary writer. Hölderlin's letters to friends and fellow writers such as Hegel, Schiller and Goethe describe his development as a poet, while those written to his family speak with great passion of his beliefs and aspirations, as well as revealing money worries and, finally, the tragic unravelling of his sanity. These works examine Hölderlin's great preoccupations - the unity of existence, the relationship between art and nature and, above all, the spirit of the writer.
Soon to be a DreamWorks movie, coming to theaters 9/27/24! Includes 8 pages of full color stills from the movie! Wall-E meets Hatchet in this #1 New York Times bestselling illustrated middle grade novel from Caldecott Honor winner Peter Brown Can a robot survive in the wilderness? When robot Roz opens her eyes for the first time, she discovers that she is all alone on a remote, wild island. She has no idea how she got there or what her purpose is--but she knows she needs to survive. After battling a violent storm and escaping a vicious bear attack, she realizes that her only hope for survival is to adapt to her surroundings and learn from the island's unwelcoming animal inhabitants. As Roz slowly befriends the animals, the island starts to feel like home--until, one day, the robot's mysterious past comes back to haunt her. From bestselling and award-winning author and illustrator Peter Brown comes a heartwarming and action-packed novel about what happens when nature and technology collide.
What do we mean when we speak about the soul? What are the arguments for the existence of the soul as distinct from the physical body? Do animals have souls? What is the difference between the mind and the soul? The Soul Hypothesis brings together experts from philosophy, linguistics and science to discuss the validity of these questions in the modern world. They contend that there is an aspect of the nature of human beings that is not reducible to the matter that makes up our bodies. This perspective is part of a family of views traditionally classified in philosophy as substance dualism, and has something serious in common with the ubiquitous human belief in the soul. The Soul Hypothesis presents views from a range of sciences and the resulting big picture shows, more clearly than could a single author with one area of expertise, that there is room for a soul hypothesis.
The essays in this volume are informed by a variety of theoretical assumptions and of critical methodologies, but they all share an interest in the intersections of word and image in a variety of media. This unifying rationale secures the present collection's central position in the current critical context, defined as it predominantly is by ways of reading that are based on a relational nexus. The intertextual, the intermedial, the intersemiotic are indeed foregrounded and combined in these essays, conceptually as much as in the critical practices favoured by the various contributions. Studies of literature in its relation to pictorial genres enjoy a relative prominence in the volume - but the range of media and of approaches considered is broad enough to include photography, film, video, television, comic strips, animated film, public art, material culture. The backgrounds of contributors are likewise diverse - culturally, academically, linguistically. The volume combines contributions by prominent scholars and critics with essays by younger scholars, from a variety of backgrounds. The resulting plurality of perspective is indeed a source of new insights into the relations between writing and seeing, and it contributes to making this collection an exciting new contribution to word and image studies.