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Weaves together the stories of tiny elusive Spider Woman as she is mythologized by the Keresan Pueblo, Hopi and Navajo people. The myths in On the Trail of Spider Woman are those that were left in the petroglyphs and pictographs of the San Juan Basin, southeastern Utah, and northwestern New Mexico.
General readers and undergraduate students who are interested in archaeology are often put off by the mass of detail they find in any but the most introductory account. Therefore, Carmean (anthropology and archaeology, Eastern Kentucky U.) offers an account of archaeological work and findings on the Navajo Reservation in northern Arizona that discusses some difficult issues, but refers readers to other sources for the mass of underlying data. Annotation copyrighted by Book News, Inc., Portland, OR
This lively account of a pioneering anthropologist's experiences with a Navajo family grew out of the author's desire to learn to weave as a way of participating in Navajo culture rather than observing it from the outside. In 1930, when Gladys Reichard came to stay with the family of Red-Point, a well-known Navajo singer, it was unusual for an anthropologist to live with a family and become intimately connected with women's activities. First published in 1934 for a popular audience, Spider Woman is valued today not just for its information on Navajo culture but as an early example of the kind of personal, honest ethnography that presents actual experiences and conversations rather than generalizing the beliefs and behaviors of a whole culture. Readers interested in Navajo weaving will find it especially useful, but Spider Woman's picture of daily life goes far beyond rugs to describe trips to the trading post, tribal council meetings, curing ceremonies, and the deaths of family members.
Navajo rugs set the gold standard for handwoven textiles in the U.S. But what about the people who create these treasures? Spider Woman's Children is the inside story, told by two women who are both deeply embedded in their own culture and considered among the very most skillful and artistic of Navajo weavers today. Barbara Teller Ornelas and Lynda Teller Pete are fifth-generation weavers who grew up at the fabled Two Grey Hills trading post. Their family and clan connections give them rare insight, as this volume takes readers into traditional hogans, remote trading posts, reservation housing neighborhoods, and urban apartments to meet weavers who follow the paths of their ancestors, who innovate with new designs and techniques, and who uphold time-honored standards of excellence. Throughout the text are beautifully depicted examples of the finest, most mindful weaving this rich tradition has to offer.
Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+! NEW YORK TIMES BESTSELLER "Spider Woman’s Daughter is an intricately plotted, suspenseful, colorful, and unforgettable journey. Readers will fall in love with Bernie Manuelito and look forward to Anne Hillerman’s next effort in what should be a long, enjoyable, successful series. Her depiction of the Navajo Nation is spot on. I loved this book." — Jo-Ann Mapson, author of award-winning Solomon's Oak and Finding Casey Legendary tribal sleuths Leaphorn and Chee are back! The supremely talented daughter of New York Times bestselling author Tony Hillerman continues his popular series. It happened in an instant. After a breakfast with colleagues, Navajo Nation Police Officer Bernadette Manuelito sees a sedan careen into the parking lot and hears a crack of gunfire. When the dust clears, someone very close to her is lying on the asphalt in a pool of blood. With the victim in the hospital fighting for his life, every person in the squad and the local FBI office are hell-bent on catching the gunman. Bernie, too, wants in on the investigation, especially when her husband, Sergeant Jim Chee, is put in charge of finding the shooter. Bernie and Chee discover that a cold case involving Chee’s former boss and partner, retired lieutenant Joe Leaphorn, may hold the key to the shooting. Digging into the old investigation with fresh eyes and new urgency, husband and wife find themselves inching closer to the truth with every clue . . . and closer to a killer who will do anything to prevent justice from taking its course.
This book weaves together the stories of tiny elusive Spider Woman as she is mythologised by the Keresan Pueblo, Hopi and Navajo people. Each tribe sees this mythic figure differently, yet there is no need to depict her in a realistic form. Instead she is described in symbols that reflect her attributes. She is a metaphor for something small and invisible yet very powerful. She represents creativity, spirit, old age, and wisdom. The myths are those that were left in the petroglyphs and pictographs of the San Juan Basin, south-eastern Utah, and north-western New Mexico. Both the myths and the petroglyphs need to be understood from the perspective of the native people who made them. The petroglyphs refer to the myths and encapsulate definitions of the cosmos; they describe dreams, spirits and all the elements a person needed to survive. These are some of the many places where Spider Woman dwells. The petroglyphs and pictographs are a veil between the observer and other transcendental realms. They are a portal through which to enter the world of Spider Woman.
This epic chronicles the intriguing secret history of Jessica Drew and her journey from child experiment to Hydra agent to S.H.I.E.L.D. agent to super-hero to private eye to Avenger. This work features full-color visuals by the Luna brothers.
"This is a fine introduction to Hopi mythology and values. It recreates an authentic poetic spirit and makes the reader eager to read more Hopi tales." —New Mexico Humanities Review
Winner of the 2016 Scott O’Dell Award for Historical Fiction A 2016 Association of Jewish Libraries Sydney Taylor Award Winner Winner of the 2016 National Jewish Book Award for Children’s and Young Adult Literature Newbery Medalist Laura Amy Schlitz brings her delicious wit and keen eye to early twentieth-century America in a moving yet comedic tour de force. Fourteen-year-old Joan Skraggs, just like the heroines in her beloved novels, yearns for real life and true love. But what hope is there for adventure, beauty, or art on a hardscrabble farm in Pennsylvania where the work never ends? Over the summer of 1911, Joan pours her heart out into her diary as she seeks a new, better life for herself—because maybe, just maybe, a hired girl cleaning and cooking for six dollars a week can become what a farm girl could only dream of—a woman with a future. Newbery Medalist Laura Amy Schlitz relates Joan’s journey from the muck of the chicken coop to the comforts of a society household in Baltimore (Electricity! Carpet sweepers! Sending out the laundry!), taking readers on an exploration of feminism and housework; religion and literature; love and loyalty; cats, hats, and bunions.
From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings "An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breath­takingly daring and wholly in command of his craft.