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This groundbreaking volume examines how the Mughal Empire used architecture to refashion its identity and stage authority in the 18th century, as it struggled to maintain political power against both regional challenges and the encroaching British Empire.
Coomaraswamy's contribution to the history of Architecture in India was limited but profound. In particular, his probing analysis of texts and sculpted reliefs in order to reconstruct the extraordinary wooden architecture of early India was an act of great scholarship. That three ofCoomaraswamy's essays were published in a journal, Eastern Art, that ceased publication after only three issues, and that an important fourth essay on 'Huts and Related Temple Types' survived only in manuscript have made access to Coomaraswamy's work in this area difficult to students and scholars.This volume for the first time brings together these four major essays along with Coomaraswamy's analysis of 'Indian Architectural Terms'. An introductory essay by Michael W Meister on 'The Language and Process of Early Indian Architecture' connects Coomaraswamy's foundational essays with morerecent scholarship on the origination of India's vast tradition of temple architecture. An Afterword, with Joseph Rykwert on 'Adam's House and Hermit Huts' presents a conversation with a major western architectural historian.
This text explores how systems of design and ideas about aesthetics have governed both the construction of buildings in India and their subsequent interpretation.
This book explores conceptions of Indian architecture and how the historical buildings of the subcontinent have been conceived and described. Investigating the design philosophies of architects and styles of analysis by architectural historians, the book explores how systems of design and ideas about aesthetics have governed both the construction of buildings in India and their subsequent interpretation. How did the political directives of the British colonial period shape the manner in which pioneer archaeologists wrote the histories of India's buildings? How might such accounts conflict with indigenous ones, or with historical aesthetics? How might paintings of buildings by British and Indian artists suggest different ways of understanding their subjects? In what ways must we revise our conceptions of space and time to understand the narrative art which adorns India's most ancient monuments? These are among the questions addressed by the contributors to the volume.