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Finalist, 2022 Miller Williams Poetry Prize In a voice at times electrified by caustic cynicism, at other times stripped bare by grief, Casey Thayer’s Rational Anthem offers wry tribute to “the greatest country God could craft with the mules he had / on hand.” In seeking to tell the story of the ragged world around him, Thayer examines the links among flag-waving populism, religious fervor, and toxic masculinity. Here male intimacy—among childhood friends, between father and son, and in the tenuous bonds between young adults—generally finds acceptance only when expressed through a shared passion for guns and hunting: “I helped my father clean his hands with field grass, / convinced we had shared a moment / in rolling the internal organs out of the abdomen.” In “How-To,” the book’s closer—a mash-up of instructions from active-shooter trainings attended by the poet—Thayer grasps at strategies for surviving a world where we have come to see school shootings as routine: “Grab a textbook, they instructed my child, and hug it to your chest over your heart.” Formally deft and lyrically dense, Rational Anthem asks why we find it so hard to change the stories we keep repeating.
This study explores Heinrich Böll's 'aesthetic thinking', as it is expressed in the author's disparate and voluminous writings on literature. Böll's work in this field is situated in the multi-faceted context of social, political, and cultural developments in post-war Germany, and is shown to be an important adjunct to the novels and stories which were honoured with the Nobel Prize for Literature. An understanding of Heinrich Böll's 'aesthetic thinking' can illuminate the writer's fiction in an intriguing way. In particular, Böll's defence of the 'rationality of poetry' raises issues which reverberate in continuing debates on the social validity of literature.
Guido Cavalcanti, Dante’s intellectual mentor, is widely considered among the greatest Italian lyric poets; his famous and notoriously difficult philosophical canzone Donna me prega is often characterized as the most studied lyric poem in Italian literature. This book situates Cavalcanti’s poetry in the context of the Arabic Aristotelian rationalism that entered the Latin West in the 12th century—a tradition marked by questions concerning whether humans can ever transcend their animality. Cavalcanti’s poetry is a focal point where one can view, circa 1300 AD, Arabo-Islamic philosophy in the process of being assimilated and naturalized in Western Europe, eventually leading to values (associated with the Renaissance and the Enlightenment) that we now call modern and secular—in particular, to a notion of human reason as bound up with imagination and with ethical praxis rather than as a means for the attainment of knowledge concerning God and the cosmos. The book features a radically unprecedented interpretation of Donna me prega, starkly opposed to all previous accounts: far from treating love as a threat to reason that would best be eliminated, the canzone praises loving as the essential operation of rational human flourishing. This study of Cavalcanti serves as a prelude to the formulation of a new paradigm for understanding Dante’s Comedy.
A culturally influential sub-discipline within literary studies, literary theory has developed in parallel form in other arts and social science disciplines, so that one might refer to “cultural theory” or “social theory” as well, or even just to “theory.” It’s as familiar as the word “postmodern” and as tricky as “deconstruction.” What is it about? What is at stake? Theory is about rationality. This book’s title invites two different interpretations of what it might mean to say so. For many, the essence of literary theory is the unmasking and redescription of rationality in other terms. Put ironically, rationality is male; rationality is white; rationality is repression.... The book’s title, however, can also be read in a second way. On this reading, rationality itself is the essence of literary theory and central to literature, art, and society. Certain conceptions of what it entails can be problematic; the critique in the first way of reading the title remains relevant. Yet one can affirm rationality as integral to human flourishing, including the processes of producing, analyzing, and enjoying literature, art, and culture. This book provides readers with a clear overview of theory’s development and the abiding presence of its concern with the status of rationality across its forms.
Preface - Acknowledgements - The Poetry of Equipoise: Tradition in Modern Verse - William Wordsworth: Rational Sympathy - Thomas Hardy: Moments of Vision - John Betjeman: An Odeon Flashes Fire - Philip Larkin: Reasons for Attendance - Notes - Select Bibliography - Index
This book introduces and explores Rational Poetic Experimentalism (RPE). According to RPE, it makes sense to regard reason as poetic. Regarding reason this way is the result of experimenting with philosophical ideas. Such experimentation might lead to philosophical truths which might seem very difficult to discover.
This study explores Heinrich Böll's 'aesthetic thinking', as it is expressed in the author's disparate and voluminous writings on literature. Böll's work in this field is situated in the multi-faceted context of social, political, and cultural developments in post-war Germany, and is shown to be an important adjunct to the novels and stories which were honoured with the Nobel Prize for Literature. An understanding of Heinrich Böll's 'aesthetic thinking' can illuminate the writer's fiction in an intriguing way. In particular, Böll's defence of the 'rationality of poetry' raises issues which reverberate in continuing debates on the social validity of literature.
A culturally influential sub-discipline within literary studies, literary theory has developed in parallel form in other arts and social science disciplines, so that one might refer to "cultural theory" or "social theory" as well, or even just to "theory." It's as familiar as the word "postmodern" and as tricky as "deconstruction." What is it about? What is at stake? Theory is about rationality. This book's title invites two different interpretations of what it might mean to say so. For many, the essence of literary theory is the unmasking and redescription of rationality in other terms. Put ironically, rationality is male; rationality is white; rationality is repression.... The book's title, however, can also be read in a second way. On this reading, rationality itself is the essence of literary theory and central to literature, art, and society. Certain conceptions of what it entails can be problematic; the critique in the first way of reading the title remains relevant. Yet one can affirm rationality as integral to human flourishing, including the processes of producing, analyzing, and enjoying literature, art, and culture. This book provides readers with a clear overview of theory's development and the abiding presence of its concern with the status of rationality across its forms.
The poems in this book are chronologically arranged. They explore a variety of moods that often resonate with scenes in Seattle and the Pacific Northwest. Included as well are evocations of visual artists and their works, meditations on the authors past and present, glimpses of the American scene and commentaries on pop culture leavened with skewed humor.