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"This book discusses some of the family and environmental contributions that led to my change from liberal to conservative. It also discusses how Black Americans came from slavery to freedom [and] ... examines the 'Plantation mentality' that still plagues us today."--Preface, p. i.
This bold and precedent-setting study details numerous slave rebellions against white masters, drawn from planters' records, government petitions, newspapers, and other documents. The reactions of white slave owners are also documented. 15 halftones.
Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.
Documenting the difficult class relations between women slaveholders and slave women, this study shows how class and race as well as gender shaped women's experiences and determined their identities. Drawing upon massive research in diaries, letters, memoirs, and oral histories, the author argues that the lives of antebellum southern women, enslaved and free, differed fundamentally from those of northern women and that it is not possible to understand antebellum southern women by applying models derived from New England sources.
Richard Dunn reconstructs the lives of three generations of slaves on a sugar estate in Jamaica and a plantation in Virginia, to understand the starkly different forms slavery took. Deadly work regimens and rampant disease among Jamaican slaves contrast with population expansion in Virginia leading to the selling of slaves and breakup of families.
One by one, in cities across America, people of all ages are taken from their homes, their cars, their lives. But these aren't random kidnappings. They're crimes of passion, planned and researched several months in advance, then executed with a singular objective in mind. Revenge. Ariane Walker is one of the victims, dragged from her apartment with few clues to follow. The police said there's little they can do for her, but that isn't good enough for her boyfriend, Jonathon Payne. With the help of his best friend, Payne gives chase, hoping that a lead in New Orleans somehow pays off. Together, they uncover the mystery of Ariane's abduction and the truth behind the South's most violent secret. Praise for THE PLANTATION: James Patterson, #1 international bestselling author—“THE PLANTATION is a rip-roaring page-turner based on an ingenious idea. No reader will easily forget it.” Lee Child, #1 international bestselling author—“Excellent! High stakes, fast action, vibrant characters, and a very, very original plot concept. Not to be missed!” Nelson DeMille, #1 international bestselling author—“Wear your running shoes when you read THE PLANTATION. This is the most action-packed, swiftly paced, and tightly plotted novel I’ve read in a long time.” James Rollins, #1 international bestselling author—“Chris Kuzneski displays a remarkable sense of suspense and action in THE PLANTATION. A riveting ride from start to finish as an ex-Special Forces soldier searches for the kidnappers of his girlfriend, leading to an international manhunt that will leave readers breathless and up much too late. Don’t miss it!” Douglas Preston, #1 international bestselling author—“THE PLANTATION is a powerful read with a great plot twist. Right from the opening scenes the book takes off, and all I can say is, hang on for the ride.”
This pioneering study of the much-mythologized Southern belle offers the first serious look at the lives of white women and their harsh and restricted place in the slave society before the Civil War. Drawing on the diaries, letters, and memoirs of hundreds of planter wives and daughters, Clinton sets before us in vivid detail the daily life of the plantation mistress and her ambiguous intermediary position in the hierarchy between slave and master. "The Plantation Mistress challenges and reinterprets a host of issues related to the Old South. The result is a book that forces us to rethink some of our basic assumptions about two peculiar institutions -- the slave plantation and the nineteenth-century family. It approaches a familiar subject from a new angle, and as a result, permanently alters our understanding of the Old South and women's place in it.
Assessing a unique collection of more than eighty images, this innovative study of visual culture reveals the productive organization of plantation landscapes in the nineteenth-century Atlantic world. These landscapes—from cotton fields in the Lower Mississippi Valley to sugar plantations in western Cuba and coffee plantations in Brazil's Paraiba Valley—demonstrate how the restructuring of the capitalist world economy led to the formation of new zones of commodity production. By extension, these environments radically transformed slave labor and the role such labor played in the expansion of the global economy. Artists and mapmakers documented in surprising detail how the physical organization of the landscape itself made possible the increased exploitation of enslaved labor. Reading these images today, one sees how technologies combined with evolving conceptions of plantation management that reduced enslaved workers to black bodies. Planter control of enslaved people's lives and labor maximized the production of each crop in a calculated system of production. Nature, too, was affected: the massive increase in the scale of production and new systems of cultivation increased the land's output. Responding to world economic conditions, the replication of slave-based commodity production became integral to the creation of mass markets for cotton, sugar, and coffee, which remain at the center of contemporary life.