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This book provides a timely reappraisal of one of the most enduring subjects in the history of art – the naked body. Beginning with reflections on what denuding entails and means, the volume then shifts to a consideration of body politics in the context of Black political empowerment, disability, and queer and Indigenous politics of representation. Themes including the animal nude, the male nude, and nudity in childhood are also considered. The final section examines the nude from the perspective of the artist and the artist’s model. The book will be of interest to scholars working in art history, comparative literature, cultural studies, gender studies, queer studies, screen studies, and trans studies.
The nude has been interpreted through the vision of artists in countless ways -- the classical splendor of ancient Hellas, the innocence of Botticelli's Venus, the voluptuous women of Rubens, the magnificent sculptures of Michelangelo and Rodin, the modern nudes of Modigliani and Picasso, the famous Muybridge sequence photographs of the human figure in motion.
The Nude explores some of the principal ways that paintings of the nude function in the conflicted terrain of culture and society in Europe and America from the fifteenth through twentieth centuries, as set against questions about human sexuality that emerge around differences of class, gender, age, and race. Author Richard Leppert relates the visual history of how the naked body intersects with the foundational characteristics of what it is to be human, measured against a range of basic emotions (happiness, delight, and desire; fear, anxiety, and abjection) and read in the context of changing social and cultural realities. The bodies comprising the Western nude are variously pleasured or tormented, ecstatic or bored, pleased or horrified. In short, as this volume amply demonstrates, the nude in Western art is a terrain on whose surface is written a summation of Western history: its glory but also its degradation.
The nude figure was critical to the art of Edgar Degas throughout his life, and yet his expansive body of work on this subject has been overshadowed by his celebrated portraits and dancers. Degas and the Nude is the first book in a generation to explore the artist's treatment of the nude from his early years in the 1850s and 1860s, through his triumphs in the 1880s and 1890s, all the way to his last decades, when the theme dominated his artistic production in all media. With essays by leading critics, the book aims to provide a new interpretation of Degas's evolving conception of the nude and to situate it in the subject's broader context among his peers in 19th-century France. Among the scores of reproductions is one of the most important of Degas's early paintings, Scene of War in the Middle Ages, which exerted a lifelong influence on the artist's treatment of the female nude and includes poses poses repeated throughout his career. Also included are monotypes of the late 1870s, which illustrate Degas's most explicitly sexual depictions of women in Parisian brothels, and pictures portraying the daily life of women wherever they resided. Together these iterations range over more than a half-century of virtuoso achievement and manifest a groundbreaking look at the evolution of this master artist.
For over two decades, the art of the interview was very nearly the sole province of Rex Reed, the Master of the Celebrity Profile. While still in his twenties Rex Reed became a widely-syndicated film critic for The New York Daily News and from that vantage point began to interview everyone in the film and theater worlds who mattered. In Do You Sleep in the Nude?, the first of his four best-selling celebrity profile collections, he captures the ego and zany personality of soon-to-be-superstar Barbra Streisand, the elusive Warren Beatty just finishing Bonnie and Clyde, the last ever interview with legend Buster Keaton, and a classic and much reprinted portrait of Ava Gardner in her waning years. Writer Tom Wolfe has said about Reed: "Rex Reed...raised the celebrity interview to a new level through his frankness and his eye for social detail. He has also been a master at capturing a story line in the interview situation itself." Along with Wolfe, Truman Capote, Kenneth Tynan, and Harry Crews, Rex Reed achieved a literary reputation for a genre, the celebrity profile, once relegated to gossip journalists who as often as not wrote studio-approved fantasies of the lives of the stars. Devault Graves Books has reissued Rex Reed's quartet of best-selling profile anthologies in ebook form: Do You Sleep In the Nude?, Conversations in the Raw, Valentines & Vitriol, and People Are Crazy Here. Devault Graves Books has also released Do You Sleep in the Nude? in trade paperback. Virtually anyone who was anyone during the 1960s, '70s, and early '80s in the movie and theater world are captured for the ages in these books. When asked why he no longer writes celebrity profiles, Mr. Reed answered simply: "The movie stars of today are no longer interesting." But when they were, Rex Reed was there to file them away for history. It is to the reader's pleasure to rediscover them. Included in Do You Sleep in the Nude? are profiles of: Barbra Streisand, Warren Beatty, Carson McCullers, Lucille Ball, Ava Gardner, Lotte Lenya, Michaelangelo Antonioni, James Mason, Bill Cosby, Marlene Dietrich, and many more.
Surveys the history of the nude in American art, photography, and popular culture.
A first-of-its-kind survey of the human body as represented in graphic design. There have been many celebrated volumes published on the history of the nude in classical art, but this will be the first book to cover the nude form and its representation in non-traditional art forms. Coming from Steven Heller and Mirko Ilic, two stars of the design world, this book will be by turns humorous and illuminating, and will be of great interest to professional graphic designers as well as design fans. This curated survey of more than 600 images shows how graphic designers have pushed the classic traditions of nude figure painting and drawing in to new realms via magazine covers, film and theater posters, book jackets, advertisements, and other forms of media from around the world.
Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1967 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.