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"I'd like to put my dear little pistol against her head and just pull the trigger". A cruise down the Nile on a river steamer sounds like the perfect way to get away from it all - a civilized retreat miles from civilization ! But the tranquil warm darkness of an Egyptian evening can change fast when the air is thick with hot passions and cold malice. Temperatures rise when the first passenger is shot, and Hercule Poirot must abandon the mysteries of ancient Egypt and focus on altogether deadlier matters...
First published in 1966, Naguib Mahfouz’s Adrift on the Nile is an atmospheric novel that dramatizes the rootlessness of Egypt’s cosmopolitan middle class. Anis Zani is a bored and drug-addicted civil servant who is barely holding on to his job. Every evening he hosts a gathering on a houseboat on the Nile, where he and a motley group of cynical and aimless friends share a water pipe full of kif, a mixture of tobacco and marijuana. When a young female journalist—an “alarmingly serious person”—joins them and begins secretly documenting their activities, the group’s harmony starts disintegrating, culminating in a midnight joyride that ends in tragedy.
"A gem. Armelagos and Van Gerven’s research on the skeletal biology of one region of the Nile Valley offers an engaging history of science as told through physical anthropology."--Alan C. Swedlund, coeditor of Plagues and Epidemics: Infected Spaces Past and Present "Captures the essence of the biocultural approach to anthropology and Nubian life in the past."--Margaret A. Judd, University of Pittsburgh "This truly enjoyable book and excellent research is a wonderful example of the collaborative investigations and advanced methodologies that characterize scholarship elucidating the lives of ancient Nubians."--Michele R. Buzon, Purdue University A monumental synthesis of a half century of research, this book investigates human remains from three communities from the ancient Nubian civilization of the Nile River Valley: Meinarti, Kulubnarti, and an unnamed shantytown of underclass laborers. The analyses of these surveys chart the evolution of the field of physical anthropology. During the first archaeological expeditions to Nubia in the early nineteenth century, anthropologists set out to identify the races of Nubian peoples during the rise and fall of their civilization, while the second wave of expeditions to Nubia in the 1930s caused a backlash against this racial determinism. The analyses at Wadi Halfa, part of the third-wave expeditions to Nubia sponsored by UNESCO in the 1960s, helped inspire the "biocultural approach" to human biology now used by anthropologists worldwide. Life and Death on the Nile, the life’s work of two highly accomplished anthropologists, exemplifies the very best of this perspective. George Armelagos and Dennis Van Gerven present studies of cranial morphology and evolution in Nubian populations. They look at patterns of physiological stress and disease, as well as growth and development, in infants and children. They study bone fractures and age-related bone loss in adults, and they discuss case studies of diseases such as cancers and congenital defects. Focusing on the link between human biology and the cultural and natural environment, they provide a holistic view of the lives of ancient Nubian peoples. George J. Armelagos (1936-2014) was the Goodrich C. White Professor of Anthropology at Emory University. One of the founders of the field of bioarchaeology, he was coeditor of Paleopathology at the Origins of Agriculture. Dennis P. Van Gerven is professor emeritus of anthropology at the University of Colorado Boulder.
Friendship, deceit, fear, and persecution at an elite boarding school for young women in Rwanda, fifteen years before the 1994 genocide of the Tutsi . . . “Mukasonga’s masterpiece” (Julian Lucas, NYRB) Scholastique Mukasonga drops us into an elite Catholic boarding school for young women perched on the edge of the Nile. Parents send their daughters to Our Lady of the Nile to be molded into respectable citizens and to escape the dangers of the outside world. Fifteen years prior to the 1994 Rwandan genocide, we watch as these girls try on their parents’ preconceptions and attitudes, transforming the lycée into a microcosm of the country’s mounting racial tensions and violence. In the midst of the interminable rainy season, everything unfolds behind the closed doors of the school: friendship, curiosity, fear, deceit, prejudice, and persecution. With masterful prose that is at once subtle and penetrating, Mukasonga captures a society hurtling towards horror.
Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.
Flora, fauna, and famine in thirteenth-century Egypt A Physician on the Nile begins as a description of everyday life in Egypt at the turn of the seventh/thirteenth century, before becoming a harrowing account of famine and pestilence. Written by the polymath and physician ʿAbd al-Laṭīf al-Baghdādī, and intended for the Abbasid caliph al-Nāṣir, the first part of the book offers detailed descriptions of Egypt’s geography, plants, animals, and local cuisine, including a recipe for a giant picnic pie made with three entire roast lambs and dozens of chickens. ʿAbd al-Laṭīf’s text is also a pioneering work of ancient Egyptology, with detailed observations of Pharaonic monuments, sculptures, and mummies. An early and ardent champion of archaeological conservation, ʿAbd al-Laṭīf condemns the vandalism wrought by tomb-robbers and notes with distaste that Egyptian grocers price their goods with labels written on recycled mummy-wrappings. The book’s second half relates his horrific eyewitness account of the great famine that afflicted Egypt in the years 597–598/1200–1202. ʿAbd al-Laṭīf was a keen observer of humanity, and he offers vivid first-hand depictions of starvation, cannibalism, and a society in moral free-fall. A Physician on the Nile contains great diversity in a small compass, distinguished by the acute, humane, and ever-curious mind of its author. It is rare to be able to hear the voice of such a man responding so directly to novelty, beauty, and tragedy. A bilingual Arabic-English edition.
From Herodotus's day to the present political upheavals, the steady flow of the Nile has been Egypt's heartbeat. It has shaped its geography, controlled its economy and moulded its civilisation. The same stretch of water which conveyed Pharaonic battleships, Ptolemaic grain ships, Roman troop-carriers and Victorian steamers today carries modern-day tourists past bankside settlements in which rural life – fishing, farming, flooding – continues much as it has for millennia. At this most critical juncture in the country's history, foremost Egyptologist Toby Wilkinson takes us on a journey up the Nile, north from Lake Victoria, from Cataract to Cataract, past the Aswan Dam, to the delta. The country is a palimpsest, every age has left its trace: as we pass the Nilometer on the island of Elephantine which since the days of the Pharaohs has measured the height of Nile floodwaters to predict the following season's agricultural yield and set the parameters for the entire Egyptian economy, the wonders of Giza which bear the scars of assault by nineteenth-century archaeologists and the modern-day unbridled urban expansion of Cairo – and in Egypt's earliest art (prehistoric images of fish-traps carved into cliffs) and the Arab Spring (fought on the bridges of Cairo) – the Nile is our guide to understanding the past and present of this unique, chaotic, vital, conservative yet rapidly changing land.
The explorer and author of Walking the Americas and Walking the Himalayas delivers “a bold travelogue, illuminating great swathes of modern Africa” (Kirkus Reviews). Starting in November 2013 in a forest in Rwanda—where a modest spring spouts a trickle of clear, cold water—writer, photographer, and explorer Levison Wood set forth on foot, aiming to become the first person to walk the entire length of the fabled river. He followed the Nile for nine months, over 4,000 miles, through six nations—Rwanda, Tanzania, Uganda, South Sudan, the Republic of Sudan, and Egypt—to the Mediterranean coast. Like his predecessors, Wood camped in the wild, foraged for food, and trudged through rainforest, swamp, savannah, and desert, enduring life-threatening conditions at every turn. He traversed sandstorms, flash floods, minefields, and more, becoming a local celebrity in Uganda, where a popular rap song was written about him, and a potential enemy of the state in South Sudan, where he found himself caught in a civil war and detained by the secret police. As well as recounting his triumphs, like escaping a charging hippo and staving off wild crocodiles, Wood’s gripping account recalls the loss of Matthew Power, a journalist who died suddenly from heat exhaustion during their trek. As Wood walks on, often joined by local guides who help him to navigate foreign languages and customs, Walking the Nile maps out African history and contemporary life. “Woods emerges as a dutiful and brave guide.”—Los Angeles Times “Many have attempted this holy grail of an expedition—so I admire Lev’s determination and courage to pull this off.”—Bear Grylls “A brilliant book.”—Financial Times
“[We] can’t get enough of Christie’s plush and murderous thrills.” —Entertainment Weekly From the Queen of Mystery—this all-new collection of stories about love gone horribly wrong will get your heart racing. Love can propel us to our greatest heights . . . and darkest depths. In this new compendium of Agatha Christie short stories, witness the dark side of love—crimes of passion, games of the heart, and deadly deceits. This pulse-pounding compendium features beloved detectives Hercule Poirot and Miss Marple, master of charades Parker Pyne, the enigmatic Harley Quin, and the adventurous Tommy and Tuppence, all at the ready to solve tantalizing mysteries. In “The Face of Helen,” a night at the Royal Opera could reach a fatal crescendo for a woman caught in a dicey love triangle; “Finessing the King” delivers a curious ad in the personals that could mask sinister intentions; who’s in danger of getting stung in “Wasps’ Nest” depends on rounding up suspects and solving a murder—before it even happens. These are just a few of the tales in this collection featuring essential reading that Christie fans old and new will simply love to death.
Mohawks on the Nile explores the absorbing history of 60 Aboriginal men who participated in a military expedition on the Nile River.