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Poetry. I began writing these poems in an empty moment when I thought maybe I'd run out and had no more to do. Snap. I found lines coming to me on waking in the morning, insisting I follow them into odd short poems, strange to see, indicating what I knew not. Eventually I began writing them while watching movies (from Hopalong Cassidy Enters to Last Year At Marienbad) on satellite TV, a practice reminding me of DeKooning drawing with his left hand, Guston pen in hand watching the Watergate coverage, and of course Kerouac scribing his Blues. The point? Freedom. An overcoming of the obstacles erected by any conceptions of the poem. A glee here I hadn't felt since writing the first poems of my own (1965). A casting off into the day's winds, feeling light and lit, knowing I still have a long way to go, a lot more to lose (Preface).
Poetry. A reprint of this 1982 book of prose poetry by the nearly legendary avant-garde stalwart Clark Coolidge still exudes freshness. "A long-time master of the jazzy long work, Clark Coolidge has this time turned the long poem in prose into a non-fiction novel or tomb full of buried things taken with you of the new existence of old logic and present looking, all sung by a free man wortking alone and trapped as one is in cave with finite supply of oxygen, food, breath & luck"--Bernadette Mayer on MINE. Coolidge's many other titles available from SPD include ALIEN TATTERS, WAY OUT WEST, ON THE NAMEWAYS, and ON THE NAMEWAYS VOL. 2.
Presents an alphabetical reference guide detailing the lives and works of poets associated with the New York Schools of the early twentieth century.
A marathon dance mix consisting of thousands of mashed up text and image samples, In the House of the Hangman tries to give a taste of what life is like there, where it is impolite to speak of the noose. It is the third part of the life project Zeitgeist Spam. If you can't afford a copy ask me for a pdf.
By tracing the impulses of punk rock, trash film, and camp through poetry, Drew Gardner sheds light on a literary tendency that has been part of poetry's DNA all along: uncovering the poetic values hidden in unpoetic things. This unique anthology introduces readers to collage-driven poetry that embodies the sensibilities of punk, trash, and camp in a line of writing that cuts through received taxonomies of movements, influences, and styles. Moving through the twentieth century, the poetry focuses on the unexpected, the anarchic, the demotic, the absurd, the irreverent, the coarse, the rude, and the deliriously playful. It marks an alternative strain of modernism that stretches from one side of the century to the other and includes such diverse voices as Baroness Elsa von Freytag-Loringhoven, Gertrude Stein, William Carlos Williams, Mina Loy, Russell Atkins, Sun Ra, and Bernadette Mayer, along with many other well-known and lesser-known poets. Readers of Ingenious Pleasures will delight in experiencing poetry as they never have before.
An analysis of the sustaining vitality behind contemporary American poetry from 1975 to the 2003, these 12 essays examine both exemplary innovators and the social context in which innovation is resisted, acclaimed, or taken for granted.
“Conjunctions offers a showplace for some of the most exciting and demanding writers now at work.” —The Washington Post With work from the seventy-five poets who are the game-changing, bar-setting voices of our time first published in this volume, Conjunctions: 35, American Poetry is the definitive collection for the contemporary poetic landscape. Includes astonishing uncollected work from masters of the form, as well as breathtaking new ventures from risk takers such as Juliana Spahr and Kevin Young. Contributors include John Ashbery, Susan Wheeler, and James Tate.
Perspectives on Latter-day Saint Names and Naming approaches cultural, historical, and doctrinal dimensions of The Church of Jesus Christ of Latter-day Saints through a fresh lens that explores how these dimensions intersect with names and naming. Featuring a collection of chapters from multiple authors, its bipartite structure examines fascinating topics in relation to the Church, looking first at cultural and historical perspectives before analyzing doctrinal and scriptural perspectives. The book discusses such matters as how contemporary naming practices of Latter-day Saints compare to those outside the faith, how code names were used in one of the faith’s books of scripture to protect Church leaders from persecution, and how names and naming relate to the covenant identity of Church members. Through its fresh approach to understanding religious identity and belief in relation to The Church of Jesus Christ of Latter-day Saints, this book is an invaluable resource for scholars and students of Mormon studies and will also be of interest to people with a fascination with names and naming issues as those occur in a variety of settings, including religious ones.