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“Strange and clever . . . Some inspired thinking about real issues like the slippery nature of the Internet and relationships between artists and their fans” (Flagpole). Centered around the hypothetical death of a real-life musician and performance artist—Amanda Palmer of Dresden Dolls fame—this book imagines the fallout of her demise. Upon hearing news of Amanda’s death, her fans began posting their own writing, artwork, and thoughts onto the Internet, eventually creating their own genre called the Palmeresque. By collecting a selection of these submissions in one place and providing commentary, On the Many Deaths of Amanda Palmer explores issues of authorship, celebrity, popular culture, marketing strategies, the corruption of art, and the essential questions of modern media. “A postmodern Russian nesting doll of realities, complete with poems, charts, and censored text, this book is successful on many levels: creepy and fun when accepted at face value; tantalizing when looked at as evidence in a murder mystery; insightful in its commentary on modern celebrity and culture . . . Coy, engaging, and delightfully imagined.” —Publishers Weekly (starred review)
Black Studies is a hugely important, and yet undervalued, academic field of enquiry that is marked by its disciplinary absence and omission from academic curricula in Britain. There is a long and rich history of research on Blackness and Black populations in Britain. However Blackness in Britain has too often been framed through the lens of racialised deficits, constructed as both marginal and pathological. Blackness in Britain attends to and grapples with the absence of Black Studies in Britain and the parallel crisis of Black marginality in British society. It begins to map the field of Black Studies scholarship from a British context, by collating new and established voices from scholars writing about Blackness in Britain. Split into five parts, it examines: Black studies and the challenge of the Black British intellectual; Revolution, resistance and state violence; Blackness and belonging; exclusion and inequality in education; experiences of Black women and the gendering of Blackness in Britain. This interdisciplinary collection represents a landmark in building Black Studies in British academia, presenting key debates about Black experiences in relation to Britain, Black Europe and the wider Black diaspora. With contributions from across various disciplines including sociology, human geography, medical sociology, cultural studies, education studies, post-colonial English literature, history, and criminology, the book will be essential reading for scholars and students of the multi- and inter-disciplinary area of Black Studies.
Vince Gilligan's Breaking Bad is a central work in the recent renaissance in television-making. The visionary scope and complexity of the series demand rigorous critical analysis. This collection of new essays focuses on a variety of themes. Walter White is discussed as father, psychopath and scientist and as an example of masculinity. The essayists examine the series in terms of gender, neo-liberal politics and health care reform, as well as the more traditional aesthetic categories of narrative construction, experimentation, allusion and genre. With television the dominant artistic medium of early 21st century America, Breaking Bad should be viewed as a superbly designed work reflecting widespread cultural concerns.
Vitamin A deficiency affects some 127 million preschool children globally, putting them at increased risk of sickness and death. But supplementation is cost-effective and has proven potential to reduce the yearly number of preventable child deaths. This report tracks the progress of supplementation programming following 10 years of global advocacy. It is a 'scorecard' for countries and the international community on progress in scaling up one of the most effective child survival interventions available - a prerequisite for achieving MDG 4.
From its origins in the Elizabethan Protestant Reformation, to its final extinction amidst the guns of the First World War, the art of Funerary Violin was characterised by many unique and frequently misunderstood qualities that set it apart from all other forms of music. Despite its enormous influence on classical music generally and on the Romantic Movement in particular, this music has almost entirely vanished. In a series of 'funerary purges', the art of funerary violin was condemned as 'the music of the devil' and the Guild of Funerary Violinists driven into silence or clandestine activity. This is the music that, despite all attempts at suppression, has haunted Europe's collective unconscious for more than a century. Now Rohan Kriwaczek reveals its incredible history. Painstakingly pieced together from a handful of fragments and unsubstantiated and often unspoken rumours, and making use of a number of extraordinary recent discoveries, An Incomplete History of the Art of Funerary Violin celebrates a unique musical tradition that refuses to die.
From the pages of Newbery Medal winner Neil Gaiman's THE SANDMAN comes the young, pale, perky, fan-favorite character Death in a new Absolute Edition collecting her solo adventures! Featuring the miniseries DEATH: THE HIGH COST OF LIVING #1-3 in which Death befriends a teenager and helps a 250-year old homeless woman find her missing heart. THE ABSOLUTE DEATH collects the miniseries DEATH: THE HIGH COST OF LIVING and DEATH: THE TIME OF YOUR LIFE together with "The Sound of Her Wings" and "Façade" from THE SANDMAN #8 and #20, the P. Craig Russell-illustrated "Death and Venice" from THE SANDMAN: ENDLESS NIGHTS, and the never-before reprinted stories "A Winter's Tale" and "The Wheel." This deluxe volume also features an introduction by The Dresden Dolls' Amanda Palmer as well as extensive galleries of Death portraits and retail products, sketches by artist Chris Bachalo, and the complete original script by Gaiman for THE SANDMAN #8.
"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.