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This Excellent Collection brings together Jack London's longer, major books and a fine selection of shorter pieces and Fiction Books. These Books created and collected in Jack London's Most important Works illuminate the life and work of one of the most individual writers of the XX century - a man who elevated political writing to an art. John Griffith London (born John Griffith Chaney; January 12, 1876 – November 22, 1916) was an American novelist, journalist, and social activist. A pioneer of commercial fiction and American magazines, he was one of the first American authors to become an international celebrity and earn a large fortune from writing. He was also an innovator in the genre that would later become known as science fiction. His most famous works include "The Call of the Wild" and "White Fang", both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". He also wrote about the South Pacific in stories such as "The Pearls of Parlay", and "The Heathen". London was part of the radical literary group "The Crowd" in San Francisco and a passionate advocate of unionization, workers' rights, socialism, and eugenics. He wrote several works dealing with these topics, such as his dystopian novel The Iron Heel, his non-fiction exposé "The People of the Abyss", "War of the Classes", and "Before Adam". This Collection included: 1. A Daughter of the Snows 2. The Call of the Wild 3. The Sea-Wolf 4. The Game 5. White Fang 6. The Iron Heel 7. Martin Eden 8. Burning Daylight 9. Adventure 10. The Scarlet Plague 11. A Son of the Sun 12. The Valley of the Moon 13. The Mutiny of the Elsinore 14. The Jacket (The Star-Rover) 15. The Little Lady of the Big House 16. Jerry of the Islands 17. Michael, Brother of Jerry 18. Before Adam 19. The Son of the Wolf 20. Children of the Frost 21. Tales of the Fish Patrol 22. Lost Face 23. South Sea Tales 24. The House of Pride and Other Tales of Hawaii 25. Smoke Bellew 26. The Turtles of Tasman 27. On the Makaloa Mat 28. The Road 29. John Barleycorn 30. When God Laughs and Other Stories 31. Dutch Courage and Other Stories 32. The Human Drift and Other Stories 33. The God of His Fathers: Tales of the Klondyke 34. Love of Life and Other Stories 35. The Red One 36. The Night-Born 37. War of the Classes 38. The Faith of Men 39. The Strength of the Strong 40. Moon-Face and Other Stories 41. A Thousand Deaths 42. Up The Slide 43. The Sundog Trail 44. The Acorn-Planter 45. Theft 46. The People of the Abyss 47. Revolution and Other Essays 48. The Cruise of the Snark
The best Hawaii stories, and among London's best stories overall, including "Shin Bones" and "The Water Baby."
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Jack London (1876-1916), known for his naturalistic and mythic tales, remains among the most popular and influential American writers in the world. Jack London's Racial Lives offers the first full study of the enormously important issue of race in London's life and diverse works, whether set in the Klondike, Hawaii, or the South Seas or during the Russo-Japanese War, the Jack Johnson world heavyweight bouts, or the Mexican Revolution. Jeanne Campbell Reesman explores his choices of genre by analyzing racial content and purpose and judges his literary artistry against a standard of racial tolerance. Although he promoted white superiority in novels and nonfiction, London sharply satirized racism and meaningfully portrayed racial others--most often as protagonists--in his short fiction. Why the disparity? For London, racial and class identity were intertwined: his formation as an artist began with the mixed "heritage" of his family. His mother taught him racism, but he learned something different from his African American foster mother, Virginia Prentiss. Childhood poverty, shifting racial allegiances, and a "psychology of want" helped construct the many "houses" of race and identity he imagined. Reesman also examines London's socialism, his study of Darwin and Jung, and the illnesses he suffered in the South Seas. With new readings of The Call of the Wild, Martin Eden, and many other works, such as the explosive Pacific stories, Reesman reveals that London employed many of the same literary tropes of race used by African American writers of his period: the slave narrative, double-consciousness, the tragic mulatto, and ethnic diaspora. Hawaii seemed to inspire his most memorable visions of a common humanity.
The writers and artists described in this book are joined by a desire to embrace 'Eastern' aesthetics as a means of redeeming 'Western' technoculture. The assumption they all share is that at the core of modern Western culture there lies an originary and all-encompassing philosophical error - and that Asian art offers a way out of that awful matrix. That desire, this book attempts to demonstrate, has informed Anglo- and even Asian-American debates about technology and art since the late nineteenth century and continues to skew our responses to our own technocultural environment.
Originally published in 1903, The Call of the Wild is London s best-known work. Marking the 100th anniversary of the novel, this New Riverside Edition is well timed to place London s work in a new and broader historical context. In addition, the volume will show how the critical reception of the work has changed over time. Due to a resurgence of interest in the study of Jack London during the past decade, a wealth of new material is available to further illuminate The Call of the Wild. Supplementary materials in this volume include other London fiction that predated his writing of this novel, letters he wrote about his intentions in writing it, early reviews of the work, and critical essays from past and present.