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On the Great Atlantic Railway is Kenneth's Koch's inspired collection of 32 years of work. Koch, David Lehman said in The American Poetry Review, is "a masterly innovator . . . who has used his extravagant powers of wit and invention to enlarge the sphere of the poetic . . . he has stretched our ideas of what it is possible to do in poetry."
Essays, interviews, parodies and cartoons by a distinguished poet and teacher
In this volume, the themes and variations of One Train May Hide Another, the poems by ships at sea, and the post-Apollinaire couplets of A Time Zone, for example, reveal Kenneth Koch's interest in new forms, directions and kinds of writing.
The story of the men who build the transcontinental railroad in the 1860's.
A compelling read for history buffs and railroad enthusiasts alike.
Kenneth Koch has been called “one of our greatest poets” by John Ashbery, and “a national treasure” in the 2000 National Book Award Finalist Citation. Now, for the first time, all of the poems in his ten collections–from Sun Out, poems of the 1950s, to Thank You, published in 1962, to A Possible World, published in 2002, the year of the poet’s death–are gathered in one volume. Celebrating the pleasures of friendship, art, and love, the poetry of Kenneth Koch has been dazzling readers for fifty years. Charter member–along with Frank O’Hara, John Ashbery, and James Schuyler–of the New York School of poets, avant-garde playwright and fiction writer, pioneer teacher of writing to children, Koch gave us some of the most exciting and aesthetically daring poems of his generation. These poems take sensuous delight in the life of the mind and the heart, often at the same time: “O what a physical effect it has on me / To dive forever into the light blue sea / Of your acquaintance!” (“In Love with You”). Here is Koch’s early work: love poems like “The Circus” and “To Marina” and such well-remembered comic masterpieces as “Fresh Air,” “Some General Instructions,” and “The Boiling Water” (“A serious moment for the water is when it boils”). And here are the brilliant later poems–“One Train May Hide Another,” the deliciously autobiographical address in New Addresses, and the stately elegy “Bel Canto”–poems that, beneath a surface of lightness and wit, speak with passion, depth, and seriousness to all the most important moments in one’s existence. Charles Simic wrote in The New York Review of Books that, for Koch, poetry “has to be constantly saved from itself. The idea is to do something with language that has never been done before.” In the ten exuberant, hilarious, and heartbreaking books of poems collected here, Kenneth Koch does exactly that.
Kenneth Koch, who has already considerably "stretched our ideas of what it is possible to do in poetry" (David Lehman), here takes on the classic poetic device of apostrophe, or direct address. His use of it gives him yet another chance to say things never said before in prose or in verse and, as well, to bring new life to a form in which Donne talked to Death, Shelley to the West Wind, Whitman to the Earth, Pound to his Songs, O'Hara to the Sun at Fire Island. Koch, in this new book, talks to things important in his life -- to Breath, to World War Two, to Orgasms, to the French Language, to Jewishness, to Psychoanalysis, to Sleep, to his Heart, to Friendship, to High Spirits, to his Twenties, to the Unknown. He makes of all these "new addresses" an exhilarating autobiography of a most surprising and unforeseeable kind.
SHORTLISTED FOR THE DUFF COOPER PRIZE 2022 A FINANCIAL TIMES BEST HISTORY BOOK OF 2022 _______________ 'Rigorous, deft and entertaining ... a sparkling read' - The Spectator 'The ride is thrilling ... a work of serious scholarship' - Sunday Telegraph _______________ For centuries, Ferdinand Magellan has been celebrated as a hero: a noble adventurer who circumnavigated the globe in an extraordinary feat of human bravery; a paragon of daring and chivalry. Now historian Felipe Fernández-Armesto draws on extensive and meticulous research to conduct a dazzling investigation into Magellan's life, his character and his ill-fated voyage. He reveals that Magellan did not attempt – much less accomplish – a journey around the globe, and that in his own lifetime, the explorer was abhorred as a traitor, reviled as a tyrant and dismissed as a failure. Fernández-Armesto probes the passions and tensions that drove Magellan to adventure and drew him to disaster: the pride that became arrogance, audacity that became recklessness, determination that became ruthlessness, romanticism that became irresponsibility, and superficial piety that became, in adversity, irrational exaltation. And as the real Magellan emerges, so too do his true ambitions, focused less on circumnavigating the world or cornering the global spice market than on exploiting Filipino gold. Offering up a stranger, darker and even more compelling narrative than the fictional version that has been glorified for half a millennium, Straits untangles the myths that made Magellan a hero. _______________
This book is specifically for high school students, though it is useful to college students and anyone interested in the art and craft of poetry. Koch and Farrell, experienced teachers as well as poets, write about poetry in such a way that students will find it accessible and interesting. The book includes selections of poetry by twenty-three poets, among them Dickinson, Hopkins, Pound, Williams and Eliot, as well as Ginsberg, O'Hara, Baraka and Ashbery. There is also the translated work of such modern European poets such as Lorca, Rilke, Rimbaud, Apollinaire and Mayakowsky.