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“On the Face of the Waters - A Tale of Mutiny” is a 1896 historical novel by Flora Annie Steel set in 1850s India during the Sepoy Rebellion, which resulted in the dissolution of the British East India Company. Flora Annie Steel (1847 – 1929) was an English writer who notably lived in British India for 22 years. She is best remembered for her books set or related to the sub-continent. Other notable works by this author include: “Tales of the Punjab” (1894), “The Flower of Forgiveness” (1894), and “The Potter's Thumb” (1894). Contents include: “Thistledown And Gossamer”, “The Blowing Of The Bubble”, “From Dusk To Dawn”, “Such Stuff As Dreams Are Made Of”, and “There Arose A Man”. This fantastic novel will appeal to those with an interest in India, especially India under British rule and what effects that had on its society and history. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with the original text and artwork.
"On the Face of the Waters" is a historical novel set in 1850s India during the Sepoy Rebellion, which led to the dissolution of the British East India Company. It tells an absorbing story of a British woman in a loveless marriage hiding with a man and child in an Indian apartment during the Mutiny.
A review and record of current literature.
Camps are emblems of the modern world, but they first appeared under the imperial tutelage of Victorian Britain. Comparative and transnational in scope, Barbed-Wire Imperialism situates the concentration and refugee camps of the Anglo-Boer War (1899-1902) within longer traditions of controlling the urban poor in metropolitan Britain and managing "suspect" populations in the empire. Workhouses and prisons, along with criminal tribe settlements and enclosures for the millions of Indians displaced by famine and plague in the late nineteenth century, offered early prototypes for mass encampment. Venues of great human suffering, British camps were artifacts of liberal empire that inspired and legitimized the practices of future regimes.
This rich cultural history set in Punjab examines a little-studied body of popular literature to illustrate both the durability of a vernacular literary tradition and the limits of colonial dominance in British India. Farina Mir asks how qisse, a vibrant genre of epics and romances, flourished in colonial Punjab despite British efforts to marginalize the Punjabi language. She explores topics including Punjabi linguistic practices, print and performance, and the symbolic content of qisse. She finds that although the British denied Punjabi language and literature almost all forms of state patronage, the resilience of this popular genre came from its old but dynamic corpus of stories, their representations of place, and the moral sensibility that suffused them. Her multidisciplinary study reframes inquiry into cultural formations in late-colonial north India away from a focus on religious communal identities and nationalist politics and toward a widespread, ecumenical, and place-centered poetics of belonging in the region.
"Flora Annie Steel was a contemporary of Rudyard Kipling and she rivaled his popularity as a writer of her times, but gender-biased politics made her gradually fade in readers' minds. This collection is the first to focus entirely on this "unconventional memsahib" and her contribution to turn-of-the-century Anglo-Indian literature. The eight essays draw attention to Steel's multifaceted work--ranging from fiction and journalism to letter writing, from housekeeping manuals to philanthropic activities. These essays, by recognized experts on Steel's life and work, will appeal to interdisciplinary scholars and readers in the fields of Women's Studies, British India, Colonial and Postcolonial Studies, Cultural Studies, and Victorian writing."--
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
The Life of Margaret Alice Murray: A Woman’s Work in Archaeology is the first book-length biography of Margaret Alice Murray (1863–1963), one of the first women to practice archeology. Despite Murray’s numerous professional successes, her career has received little attention because she has been overshadowed by her mentor, Sir Flinders Petrie. This oversight has obscured the significance of her career including her fieldwork, the students she trained, her administration of the pioneering Egyptology Department at University College London (UCL), and her published works. Rather than focusing on Murray’s involvement in Petrie’s archaeological program, Kathleen L. Sheppard treats Murray as a practicing scientist with theories, ideas, and accomplishments of her own. This book analyzes the life and career of Margaret Alice Murray as a teacher, excavator, scholar, and popularizer of Egyptology, archaeology, anthropology, linguistics, and more. Sheppard also analyzes areas outside of Murray’s archaeology career, including her involvement in the suffrage movement, her work in folklore and witchcraft studies, and her life after her official retirement from UCL.
Deirdre David here explores women's role in the literature of the colonial and imperial British nation, both as writers and as subjects of representation. David's inquiry juxtaposes the parliamentary speeches of Thomas Macaulay and the private letters of Emily Eden, a trial in Calcutta and the missionary literature of Victorian women, writing about thuggee and emigration to Australia. David shows how, in these texts and in novels such as Charlotte Brontë's Jane Eyre, Charles Dickens's Dombey and Son, Wilkie Collins's Moonstone, and H. Rider Haggard's She, the historical and symbolic roles of Victorian women were linked to the British enterprise abroad. Rule Britannia traces this connection from the early nineteenth-century nostalgia for masculine adventure to later patriarchal anxieties about female cultural assertiveness. Missionary, governess, and moral ideal, promoting sacrifice for the good of the empire—such figures come into sharp relief as David discusses debates over English education in India, class conflicts sparked by colonization, and patriarchal responses to fears about feminism and race degeneration. In conclusion, she reveals how Victorian women, as writers and symbols of colonization, served as critics of empire.