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Offering new insight into the pertinence of Simone Weil’s thought, this volume situates her in the Continental discourses which constituted her philosophical background, her milieu, and which frequently reflected her departures from her contemporaries.
George Grant's mystique as a public philosopher is due in part to the seemingly contradictory political stances he took through the years. His opposition to the Vietnam war and his linking of liberalism with technological progress and imperialism brought him favour among the political left during the 1960s. Then, in the following decade, his opposition to abortion earned him allies on the political right, despite his rejection of limitless capitalist growth and free trade with the US. This collection of original essays reveals the complex philosophic, artistic, and religious sources underlying Grant's public positions of nationalism, pacifism, and conservatism. The collection begins with Grant's previously unpublished writing on Céline. This is a bold and vigorous Grant, writing on a topic about which he is passionate and deeply informed. Grant's own work is followed by two pieces that explore his devotion to Céline, Nietzsche, Heidegger, Weil, and Strauss also receive special attention here. Many of the essays draw on manuscripts and notes left unpublished by Grant, thus contributing new perspectives to the ongoing discussion of his work. The focus of this book is the unknown George Grant, namely, the philosophic, religious, and artistic inspiration behind his well-known public positions. Here we discover the great modern thinkers who animated Grant, and whose writings occupied him for much of his life.
Whether our notions of ‘god’ are personal projections or inherited traditions, author and theologian Brad Jersak proposes a radical reassessment, arguing for A More Christlike God: a More Beautiful Gospel. If Christ is “the image of the invisible God, the radiance of God’s glory and exact representation of God’s likeness,” what if we conceived of God as completely Christlike—the perfect Incarnation of self-giving, radically forgiving, co-suffering love? What if God has always been and forever will be ‘cruciform’ (cross-shaped) in his character and actions? A More Christlike God suggests that such a God would be very good news indeed—a God who Jesus “unwrathed” from dead religion, a Love that is always toward us, and a Grace that pours into this suffering world through willing, human partners.
In this important new book from a distinguished scholar, Josephine Donovan develops a new aesthetics of care, which she establishes as the basis for a critical approach to the representation of animals in literature. The Aesthetics of Care begins with a guide to the relationship between ethics and aesthetics, leading to a reconceptualization of key literary critical terms such as mimesis and catharsis, before moving on to an applied section, with interpretations of the specific treatment of animals handled by a wide range of authors, including Willa Cather, Leo Tolstoy, George Sand, and J.M. Coetzee. The book closes with three concluding theoretical chapters. Clear, original, and provocative, The Aesthetics of Care introduces and makes new contributions to a number of burgeoning areas of study and debate: aesthetics and ethics, critical theory, animal ethics, and ecofeminist criticism.
The French philosopher Simone Weil (1909-1943), a contemporary of Simone de Beauvoir and Jean-Paul Sartre, remains in every way a thinker for our times. She was an outsider, in multiple senses, defying the usual religious categories: at once atheistic and religious; mystic and realist; sceptic and believer. She speaks therefore to the complex sensibilities of a rationalist age. Yet despite her continuing relevance, and the attention she attracts from philosophy, cultural studies, feminist studies, spirituality and beyond, Weil's reflections can still be difficult to grasp, since they were expressed in often inscrutable and fragmentary form. Lissa McCullough here offers a reliable guide to the key concepts of Weil's religious philosophy: good and evil, the void, gravity, grace, beauty, suffering and waiting for God. In addressing such distinctively contemporary concerns as depression, loneliness and isolation, and in writing hauntingly of God's voluntary 'nothingness', Weil's existential paradoxes continue to challenge and provoke. This is the first introductory book to show the essential coherence of her enigmatic but remarkable ideas about religion.