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Early in his career, Marcel Proust, who greatly admired John Ruskin, published translations of two works by the English critic - La Bible d'Amiens (1900) and Sesame et les Lys (1906). He wrote a substantial preface to each book and provided discursive notes that were themselves often small essays. Rare now, even in their French versions, the preface to La Bible d'Amiens and the notes to both books have never before been available in English. In bringing them together with the preface to Sesame et les Lys, this new book completes the translation into English of the important critical writings of Proust. "Expertly edited and translated and . . . introduced by a brilliant forty-page essay and a fascinating bibliographical note by Richard Macksey. It is an event for celebration. . . . Proust emerges from these essays and notes as one of the truly great critics."--Gabriel Josipovici, Times Literary Supplement "A welcome addition to English-language Proust texts and, I think, one long overdue."--Germain Bree, Kenan Professor Emerita, Wake Forest University
John Ruskin's critical commentary on culture and society, transformative in his own time, established him as a leading critic of the 19th century. His prescient thinking resonates powerfully with today’s issues in cultural heritage conservation. This volume presents his ideas in context, key extracts from his works and future directions for his foundational ideas. Ruskin’s passionate responses to the environmental and social changes of his day chime with contemporary ideas on themes like sustainability, ethical production and environmentalism. Though widely recognised as a key figure in preservation history, his heritage work is rarely appreciated in full context and breadth. This volume presents six stimulating essays on Ruskin’s readership and reception, his transformative perceptions of heritage futures and provocative writing on cultural landscapes and the arts and crafts. Extracts from both well-known and lesser-known works accompany each chapter to reflect the distinctive vocality of his texts, from his writing on architecture and buildings, to landscape and cultural heritage. The volume offers a richer description of cultural context and meaning than usually afforded to Ruskin’s work in conservation and critical heritage studies finding its resonance and relevance. Written for an academic and professional audience in heritage studies and historic building conservation and particularly relevant for cultural heritage management, this is a core text and reference work for undergraduate and postgraduate students in history of art and architecture, heritage studies and architectural/building conservation, also central to interests of cultural historians and scholars of nineteenth-century/Victorian history and literature.