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The Roman Actor explores the balance between private and public moralities, effectively condemns tyranny, and defends plays, anatomizing both the theatre of power and the power of theatre. This new Revels Plays volume provides a modernized text with a thorough introduction that sets out Massinger's intervention in the political tensions of his own time and examines his clear-eyed portrayal of the pleasures and perils of performance. It also includes a detailed commentary on the play and an appendix discussing the play's textual history. It focuses on the play's theatrical life in its own time and ours, and gives a detailed stage history including an interview with Sir Antony Sher, who played the tyrannical Roman emperor, Domitian, in the Royal Shakespeare Company's acclaimed production in 2002.
Massinger's biting satire of social pretension, inspired by Shakespeare's Measure For Measure.
In Staging Spectatorship in the Plays of Philip Massinger, Joanne Rochester examines examples of on-stage spectatorship in three plays by Massinger, head playwright for the King's Men from 1625 to 1640. Focusing on the specific form of metatheatrical inset in each play-plays-within in The Roman Actor, masques-within in The City Madam, and the titular miniature portrait of The Picture - she analyzes Massinger's assumptions about interpretation, perception and spectator response.