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A Trilogy bringing together titles by John O’Meara that are also individually available from iUniverse. The Modern Debacle Containing close readings of work by Beckett, Hemingway, and T.S.Eliot; Tennessee Williams, Chekhov, Arthur Miller, and Brecht; Plath, Hughes, and Robert Graves, and W.B. Yeats. “beautifully and fluently written and ingenious in its combination of catastrophes” --Anthony Gash, Drama Head, The University of East Anglia Myth, Depravity, Impasse An in-depth study of Robert Graves, the modern theory of myth and Ted Hughes, with further reference to Shakespeare and to Keats. “I am very sympathetic to the cause of myth and especially in relation to literature” --Michael Bell , author of Literature, Modernism and Myth in a letter to John O’Meara This Life, This Death An extensive study of Wordsworth’s great life-crisis, with additional reference to S.T. Coleridge, and to P.B. Shelley. “Of this Wordsworth book, one recognizes its truth, its breadth of coverage and awareness, and above all its depth...” --Richard Ramsbotham, editor of Vernon Watkins, New Selected Poems, Carcanet Press.
A Trilogy bringing together titles by John OMeara that are also individually available from iUniverse. The Modern Debacle Containing close readings of work by Beckett, Hemingway, and T.S.Eliot; Tennessee Williams, Chekhov, Arthur Miller, and Brecht; Plath, Hughes, and Robert Graves, and W.B. Yeats. beautifully and fluently written and ingenious in its combination of catastrophes --Anthony Gash, Drama Head, The University of East Anglia Myth, Depravity, Impasse An in-depth study of Robert Graves, the modern theory of myth and Ted Hughes, with further reference to Shakespeare and to Keats. I am very sympathetic to the cause of myth and especially in relation to literature --Michael Bell, author of Literature, Modernism and Myth in a letter to John OMeara This Life, This Death An extensive study of Wordsworths great life-crisis, with additional reference to S.T. Coleridge, and to P.B. Shelley. Of this Wordsworth book, one recognizes its truth, its breadth of coverage and awareness, and above all its depth... --Richard Ramsbotham, editor of Vernon Watkins, New Selected Poems, Carcanet Press
Goddess as Nature makes a significant contribution to elucidating the meaning of a female and feminist deity at the beginning of the twenty-first century. Bridging the gap between the emergent religious discourse of thealogy - discourse about the Goddess - and a range of analytical concerns in the philosophy of religion, the author argues that thealogy is not as incoherent as many of its critics claim. By developing a close reading of the reality-claims embedded within a range of thealogical texts, one can discern an ecological and pantheistic concept of deity and reality that is metaphysically novel and in need of constructive philosophical, thealogical and scholarly engagement. Philosophical thealogy is, in an age concerned with re-conceiving nature in terms of agency, chaos, complexity, ecological networks and organicism, both an active possibility and a remarkably valuable academic, feminist and religious endeavour.
Beginning with the Paleolithic Age and drawing on ancient Greek, Chinese, Native American, and Near Eastern cultures, Adele Getty portrays the myriad historical and mythological perspectives of the female archetype. Illustrated.
Oracle decks have long been embraced as a tool for divination, self-reflection and creative inspiration. This Deck and Guidebook embraces all of these uses, while being centered on contemporary, feminist interpretations of myths. On each card, there is a message to help gain more clarity and perspective. Inclusive and diverse, the women portrayed offer their wisdom on the power of archetypes as a gift to others as they navigate their own lives.Goddess on Earth: ORACLE is a 45-card deck structured around the five elements; EARTH, WATER, AIR, FIRE and SPIRIT. The 144 page, soft covered, 6"x 6.5" Guidebook is a beautifully designed gem. The in-depth book offers readers deeper knowledge about the attributes of the myths, the perspectives of the women portrayed, and a specific action to reflect upon; an invaluable resource of wisdom. The cards are 3.5" x 5", printed on heavyweight 400gsm stock with rounded gold foiled edges, and a soft laminate varnish. The cards and book are packaged together in a deluxe, foil-stamped, magnetic closure box.
"This comprehensive text, highly acclaimed as the premier sourcebook on goddesses, introduces students of religion to the various manifestations and complex nature of the goddess. Often a stranger to contemporary devotees of monotheistic religions, the goddess forces the recognition of female power, which can transform deeply held beliefs. The recent renewed interest in goddesses and the rise of feminist scholarship are addressed in this well-chosen collection of essays, written by an international group of scholars. The book elucidates the diverse religious cultures and periods of history in which goddesses have played an important role by providing examples of ancient and modern goddesses in Eastern and Western religious traditions, in major world and tribal religions, and in living religions and those no longer practiced."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst. From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.
A spunky, feminist take on the myth of Gaia, the Greek goddess of the Earth Long before the age of the Olympian gods, Gaia created the world in all its beauty. But from Gaia also came the Titans, who ran wild and free through this world—until her husband Ouranos turned on Gaia and declared himself the ruler of all she’d created. Her son Cronus then rose to power, but soon he too became hungry for more power—so much so that he swallowed his own children. But Gaia managed to hide the youngest son, Zeus, from Cronus. Zeus grew up and defeated Cronus and saved his brothers and sisters. Gaia thought this would be the end of all the needless war, but Zeus was not satisfied—he swore to rid the world of anyone who challenged his power. Gaia was furious. She wanted no part in the world of Zeus. She would not fight his destruction with more destruction. It might be too late for Zeus, but it wasn’t too late for the mortals—or for the earth itself. Follow the goddess of earth through her struggles with gods and mortals as she discovers her strength and eventually finds the peace she has always longed for. Tales of Great Goddesses are graphic novels that bring the stories of some of the most powerful and fascinating mythical goddesses to life!
In the Name of the Goddess: A Biophilic Ethic explores a dynamic, holistic ethic of interconnections, ecological sustainability, and eco-justice through goddess worship and eco-feminism. Donna Giancola proposes principles to establish social harmony and ecological balance through moral, political, and spiritual values and practices that provide a comprehensive foundation for integrating wisdom and action in daily life, communities, and international policies.
First published in 1999. One of the most unexpected developments of the late twentieth century is the rebirth of the religion of the Goddess in western cultures. Though we were taught that the Gods and Goddesses died with the triumph of Christianity, the re-emergence of the Goddess is not as surprising as it might seem. This book explores the meaning of the Goddess, and the questions we ask as well as the ways we answer them.