Download Free On Marx Revolutionary And Utopian Book in PDF and EPUB Free Download. You can read online On Marx Revolutionary And Utopian and write the review.

A lucid introduction to the philosophical complexities and the practical limits of the political thought of Karl Marx. When Karl Marx was buried at Highgate Cemetery in North London in 1883, his longtime friend and collaborator, Friedrich Engels, remarked that he was "above all a revolutionary." For Marx, the struggle to accurately describe or interpret the world in rational terms was not enough; the point of politics and philosophy was not to diagnose human society but to change it. According to Marx, history was defined by class conflict, with the state heretofore existing as a medium through which the ruling classes can exploit the labor of the productive classes. Only through revolution could true self-government be achieved with the ultimate goal of achieving a stateless, self-administering society free of coercive law, police, and military forces. Marx spent most of his adult life dedicated to uniting the radical working-class movements of Europe around this central idea. In On Marx, Alan Ryan examines Marx's political and economic philosophy within the Victorian context of Marx's own life and times as well as glancing forward to the uses and abuses of his ideas by his many successors. Tracing Marx's influences from Hegel to Feuerbach, from French socialism to British political economy, and documenting his ideological battles with his contemporaries, Ryan provides a sterling explication and critique of Marx’s theories of alienation, surplus value, class struggle, and revolution. Situating Marx into the framework of everyday politics is never easy, but this one volume provides the clearest, most accessible introduction to Marx's theories in recent years. On Marx: Revolutionary and Utopian features: • a chronology of Karl Marx's life • an introduction and text by Alan Ryan that provides crucial context and cogent analysis • key excerpts from: "Notes on James Mill," The German Ideology, "Theses on Feuerbach," The Communist Manifesto, Capital, The Civil War in France, and Critique of the Gotha Program
The revolutionary ideals of equality, communal living, proletarian morality, and technology worship, rooted in Russian utopianism, generated a range of social experiments which found expression, in the first decade of the Russian revolution, in festival, symbol, science fiction, city planning, and the arts. In this study, historian Richard Stites offers a vivid portrayal of revolutionary life and the cultural factors--myth, ritual, cult, and symbol--that sustained it, and describes the principal forms of utopian thinking and experimental impulse. Analyzing the inevitable clash between the authoritarian elements in the Bolshevik's vision and the libertarian behavior and aspirations of large segments of the population, Stites interprets the pathos of utopian fantasy as the key to the emotional force of the Bolshevik revolution which gave way in the early 1930s to bureaucratic state centralism and a theology of Stalinism.
A lucid introduction to the philosophical complexities and the practical limits of the political thought of Karl Marx. When Karl Marx was buried at Highgate Cemetery in North London in 1883, his longtime friend and collaborator, Friedrich Engels, remarked that he was "above all a revolutionary." For Marx, the struggle to accurately describe or interpret the world in rational terms was not enough; the point of politics and philosophy was not to diagnose human society but to change it. According to Marx, history was defined by class conflict, with the state heretofore existing as a medium through which the ruling classes can exploit the labor of the productive classes. Only through revolution could true self-government be achieved with the ultimate goal of achieving a stateless, self-administering society free of coercive law, police, and military forces. Marx spent most of his adult life dedicated to uniting the radical working-class movements of Europe around this central idea. In On Marx, Alan Ryan examines Marx's political and economic philosophy within the Victorian context of Marx's own life and times as well as glancing forward to the uses and abuses of his ideas by his many successors. Tracing Marx's influences from Hegel to Feuerbach, from French socialism to British political economy, and documenting his ideological battles with his contemporaries, Ryan provides a sterling explication and critique of Marx’s theories of alienation, surplus value, class struggle, and revolution. Situating Marx into the framework of everyday politics is never easy, but this one volume provides the clearest, most accessible introduction to Marx's theories in recent years. On Marx: Revolutionary and Utopian features: • a chronology of Karl Marx's life • an introduction and text by Alan Ryan that provides crucial context and cogent analysis • key excerpts from: "Notes on James Mill," The German Ideology, "Theses on Feuerbach," The Communist Manifesto, Capital, The Civil War in France, and Critique of the Gotha Program
This collection assembles some of Herbert Marcuse’s most important work and presents for the first time his responses to and development of classic Marxist approaches to revolution and utopia, as well as his own theoretical and political perspectives. This sixth and final volume of Marcuse's collected papers shows Marcuse’s rejection of the prevailing twentieth-century Marxist theory and socialist practice - which he saw as inadequate for a thorough critique of Western and Soviet bureaucracy - and the development of his revolutionary thought towards a critique of the consumer society. Marcuse's later philosophical perspectives on technology, ecology, and human emancipation sat at odds with many of the classic tenets of Marx’s materialist dialectic which placed the working class as the central agent of change in capitalist societies. As the material from this volume shows, Marcuse was not only a theorist of Marxist thought and practice in the twentieth century, but also proves to be an essential thinker for understanding the neoliberal phase of capitalism and resistance in the twenty-first century. A comprehensive introduction by Douglas Kellner and Clayton Pierce places Marcuse’s philosophy in the context of his engagement with the main currents of twentieth century philosophy while also providing important analyses of his anticipatory theorization of capitalist development through a neoliberal restructuring of society. The volume concludes with an afterword by Peter Marcuse.
Although Lenin and his fellow revolutionaries never called themselves Utopians—believing strictly in a science of revolution, they considered Utopians to be merely dreamers—they were enormously inspired by the grand humanitarian aims of the French Revolution of 1789. Taking up this French revolutionary agenda and reinforcing it with German philosophy, Russians formed a beautiful vision in which an imaginary theology blended with a premier role for art. Arc of Utopia offers a fresh look at these German philosophical origins of the Russian Revolution. In the book, Lesley Chamberlain explains how influential German philosophers like Kant, Schiller, and Hegel were dazzled by contemporary events in Paris, and how this led a century later to an explosion of art and philosophy in the Russian streets, with a long-repressed people reinventing liberty, equality, and fraternity in their own cultural image. Chamberlain examines how some of the greatest Russian names of the nineteenth-century—from Alexander Herzen to Mikhail Bakunin, Ivan Turgenev to Fyodor Dostoevsky—defined their visions for Russia in relationship to their views on German enthusiasm for revolutionary France. With the centenary of the Russian Revolution approaching, Arc of Utopia is an important and timely revisioning of this tumultuous moment in history.
I am. We are. That is enough. Now we have to start. These are the opening words of Ernst Bloch's first major work, The Spirit of Utopia, written mostly in 1915-16, published in its first version just after the First World War, republished five years later, 1923, in the version here presented for the first time in English translation. The Spirit of Utopia is one of the great historic books from the beginning of the century, but it is not an obsolete one. In its style of thinking, a peculiar amalgam of biblical, Marxist, and Expressionist turns, in its analytical skills deeply informed by Simmel, taking its information from both Hegel and Schopenhauer for the groundwork of its metaphysics of music but consistently interpreting the cultural legacy in the light of a certain Marxism, Bloch's Spirit of Utopia is a unique attempt to rethink the history of Western civilizations as a process of revolutionary disruptions and to reread the artworks, religions, and philosophies of this tradition as incentives to continue disrupting. The alliance between messianism and Marxism, which was proclaimed in this book for the first time with epic breadth, has met with more critique than acclaim. The expressive and baroque diction of the book was considered as offensive as its stubborn disregard for the limits of "disciplines." Yet there is hardly a "discipline" that didn't adopt, however unknowingly, some of Bloch's insights, and his provocative associations often proved more productive than the statistical account of social shifts. The first part of this philosophical meditation--which is also a narrative, an analysis, a rhapsody, and a manifesto--concerns a mode of "self-encounter" that presents itself in the history of music from Mozart through Mahler as an encounter with the problem of a community to come. This "we-problem" is worked out by Bloch in terms of a philosophy of the history of music. The "self-encounter," however, has to be conceived as "self-invention," as the active, affirmative fight for freedom and social justice, under the sign of Marx. The second part of the book is entitled "Karl Marx, Death and the Apocalypse." I am. We are. That's hardly anything. But enough to start.
Utopia has long been banished from political theory, framed as an impossible—and possibly dangerous—political ideal, a flawed social blueprint, or a thought experiment without any practical import. Even the "realistic utopias" of liberal theory strike many as wishful thinking. Can politics think utopia otherwise? Can utopian thinking contribute to the renewal of politics? In Political Uses of Utopia, an international cast of leading and emerging theorists agree that the uses of utopia for politics are multiple and nuanced and lie somewhere between—or, better yet, beyond—the mainstream caution against it and the conviction that another, better world ought to be possible. Representing a range of perspectives on the grand tradition of Western utopianism, which extends back half a millennium and perhaps as far as Plato, these essays are united in their interest in the relevance of utopianism to specific historical and contemporary political contexts. Featuring contributions from Miguel Abensour, Étienne Balibar, Raymond Geuss, and Jacques Rancière, among others, Political Uses of Utopia reopens the question of whether and how utopianism can inform political thinking and action today.
The central theoretical argument of this book is that Marx's philosophy of praxis - first formulated in the Thesis on Feuerbach - is at the same time the founding stone of a new world view, and the methodological basis for his theory of (proletarian) revolutionary self-emancipation.
In Radical Utopianism and Cultural Studies, John Storey looks at the concept of utopianism from a cultural studies perspective and argues that radical utopianism can awaken the political promise of cultural studies. Between the Preface and the Postscript, there are seven chapters that explore different aspects of radical utopianism. The book begins with a definition of what radical utopianism means, with its productive combination of defamiliarization and desire. From there, it considers Thomas More’s invention of the concept of utopia with its double articulation of what is and what could be, Herbert Marcuse’s utopian rereading of Sigmund Freud’s concept of repression, Gerrard Winstanley and the Diggers, the Paris Commune, and the Haight-Ashbury counterculture. In the final chapter, Storey examines two versions of utopian capitalism: retro and post. Although the main focus here is on Donald Trump’s presidential election campaign and Paul Mason’s recent bestseller Postcapitalism, the chaper begins with a brief discussion of Karl Marx on capitalism. Each chapter, in a different way, argues that radical utopianism defamiliarizes the manufactured naturalness of the here and now, making it conceivable to believe that another world is possible. This book provides an ideal introduction to utopianism for students of cultural studies as well as students within a number of related disciplines such as sociology, literature, history, politics, and media studies.