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A collection of stories and flash fiction by web-author, Tea. Stories range from being one sentence long, to several dozen pages. Some include fantastical elements, others are simple love stories. Tea's works are often read online, mostly by young adults.
A teenage girl finds unexpected sexual freedom on a trip to Amsterdam. A woman trapped at a dinner party comes up against an ugly obsession. The stories in Free Love are about desire, memory, sexual ambiguity and the imagination. In the harsh light of dislocation, the people in them still find connections, words blowing in the street, love in unexpected places. Ali Smith shows how things come together and how they break apart. She disconcerts and affirms with the lightest touch, to make us love and live differently.
Tibor Déry (1894-1977), winner of Hungary's highest artistic honor, the Kossuth Prize, in 1948, was first imprisoned in 1934 by the Horthy regime for translating André Gide's diary of his journey to Russia, and again, over twenty years later, for his writings and political activities during the Hungarian Revolt of 1956 against Soviet occupation. Around the world, Tibor Déry Committees formed: Picasso, Camus, Sartre, Bertrand Russel, E.M. Forster, and in the Indian Congress Committee were among the many involved. Today, Tibor Déry is venerated as one of the most important literary figures of Hungary and, like Chekhov, a master of the modern short story. Love and Other Stories presents some of Déry's finest work. In "Games of the Underworld," ordinary people in Budapest try to survive the winter of war in cramped cellars and encounter menacing Arrow-Cross men, a towering giant, a blind horse, a vinegar sponge; in "The Circus," a group of bored children transmogrifies into a grotesque spectacle; in "Love," a political prisoner is released after seven years and returns home to his wife and son. George Szirtes, the award-winning translator from the Hungarian and winner of the 2004 T.S. Eliot Prize for poetry, gives a brilliant introduction to this visionary collection that deals passionately with questions of responsibility and conscience, of social justice and renewal.
In the hard-edged tradition of Hubert Selby Jr., Daniel Woodrell, and Donald Ray Pollock, and with the fresh, complex humanity of Breaking Bad and Reservoir Dogs, a blistering debut collection that unsparingly confronts the extreme, brutal parts of the human heart. A man runs away from his grave and into a maelstrom of bullets and fire. A Hollywood fixer finds love over the corpse of a dead celebrity. A morbidly obese woman imagines a new life with the jewel thief who is scheming to rob the store where she works. A man earns the name “Mad Dog” and lives to regret it. Denizens of the shadows who live outside the law—from the desolate meth labs of the Ozark Mountains to the dog-fighting rings of Detroit to the lavish Los Angeles mansions of the rich and famous—the characters in Love and Other Wounds all thirst for something seemingly just beyond their reach. Some are on the run, pursued by the law or propelled relentlessly forward by a dangerous past that is disturbingly close. Others are searching for a semblance of peace and stability, and even love, in a fractured world defined by seething violence and ruthless desperation. All are bruised, pushed to their breaking point and beyond, driven to extremes they never imagined. Crackling with cinematic energy, raw and disquieting yet filled with pathos and a darkly vital humor, Love and Other Wounds is an unforgettable debut from an electrifying new voice.
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Passion engulfs all in these wildly imaginative stories filled with “a textured beauty” (Aimee Bender). Two lovers accidentally create a love potion while making a batch of Jell-O. An apartment is filled with water as an act of gravity-defying devotion to an acrobat. At turns blissful, absurd, sexy, and devastating, Marisa Matarazzo’s stories don’t just push the boundaries of love—they show how very boundless it is. These interconnected shorts take love to a new level—another world, where a sex fever can sweep a town and where sex acts are performed tied to the raised mast of a sailboat. Falling into love, swimming, and drowning in it, the characters often exist in places where land and water collide and morph. A girl without hands is rescued from the sea by an oil-rig worker. A boy transplants a fish into the body of a menacing neighbor. A woman on the rebound has an unexpected encounter with an otherworldly water engineer. Fusing magical realism and fantasy with the heart of the here and now, Matarazzo has established a singular style. As she shifts effortlessly among startling plotlines and peculiar characters, she celebrates the fluid sorcery of love—in its ardor, its ugliness, all of its uncanny and magnificent manifestations, proclaiming love the most wondrous magic of all.
Collection of short stories concerning the nature of love: love in its differing forms and vision; in its differing participants and their differing approaches.
Like the author of this remarkable collection of thirteen linked stories, the protagonist, Nadia, was born and raised in Egypt, educated in England, and immigrated to the United States. Samia Serageldin draws her characters out with subtlety and control, moving from the narrator’s grandmother’s garden house in Cairo to the suburbs of North Carolina, yielding powerful portraits of cultural dislocation, faith, and multigenerational conflicts. As the narratives shift in time and place, they unfold through memory. In "The Zawiya," Nadia reflects on the change in women’s space from the coiffeur’s salon to a religious pulpit as she revisits a childhood ritual. In the title story, Nadia offers a vivid sketch of her grandmother Nanou, "a force of nature" who, as an early widow, single-handedly raised six children and ran the household. At a time when few women experienced such independence, Nanou had a potent influence on the young narrator. Told with compassion and clarity, Serageldin’s stories reveal one woman’s exploration of identity, finding it in both the sweeping backdrop of Egyptian history and the quotidian exchanges with friends and family.
After a decade apart, childhood sweethearts reconnect by chance in New York Times bestselling author Christina Lauren’s touching, romantic novel Love and Other Words…how many words will it take for them to figure out where it all went wrong? The story of the heart can never be unwritten. Macy Sorensen is settling into an ambitious if emotionally tepid routine: work hard as a new pediatrics resident, plan her wedding to an older, financially secure man, keep her head down and heart tucked away. But when she runs into Elliot Petropoulos—the first and only love of her life—the careful bubble she’s constructed begins to dissolve. Once upon a time, Elliot was Macy’s entire world—growing from her gangly bookish friend into the man who coaxed her heart open again after the loss of her mother...only to break it on the very night he declared his love for her. Told in alternating timelines between Then and Now, teenage Elliot and Macy grow from friends to much more—spending weekends and lazy summers together in a house outside of San Francisco devouring books, sharing favorite words, and talking through their growing pains and triumphs. As adults, they have become strangers to one another until their chance reunion. Although their memories are obscured by the agony of what happened that night so many years ago, Elliot will come to understand the truth behind Macy’s decade-long silence, and will have to overcome the past and himself to revive her faith in the possibility of an all-consuming love.
"Love and Other Stories" is a collection of brief stories written by way of Anton Pavlovich Chekhov, one of the most celebrated Russian writers of the past due nineteenth and early 20th centuries. The stories show off Chekhov's mastery of the fast tale form and his eager perception into the human circumstance. The series encompasses quite a number topic, delving into the complexities of love, relationships, and the everyday lives of regular human beings. Chekhov's tales are characterized via a profound know-how of human nature, capturing moments of joy, sorrow, and introspection with superb sensitivity. In "Love and Other Stories," Chekhov explores the nuances of romantic relationships, regularly highlighting the subtleties and intricacies of human feelings. The character's grapple with the challenges of affection, navigating the delicate balance between ardour and practicality. Chekhov's narrative style is marked by using a mix of realism and irony, reflecting the social and cultural milieu of past due 19th-century Russia. The tales are poignant and thought-provoking, providing readers a glimpse into the complexities of the human psyche. "Love and Other Stories" stands as a undying collection that maintains to resonate with readers, showcasing Chekhov's potential to seize the depth of human experience in concise and evocative narratives. The tales continue to be a testament to Chekhov's enduring legacy as a grasp storyteller.