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This study focusses on what the author calls Street Filmmaking - the production of audiovisual artists who work outside the state film industry - to examine the island's transformation and changing notions of Cuban identity.
The 1990s were a time of dramatic transformation for Cuba. With the collapse of its Cold War relationship with the Soviet Union, the island nation plummeted into an era of scarcity and uncertainty known as the Special Period, a time from which it emerged only slowly in the new century. On Location in Cuba views these pivotal decades through the lens of cinema. Ann Marie Stock conducted hundreds of interviews and conversations in Cuba to examine individual artists' lives and creative output--including film, video, and audiovisual art. She explores the impact of the Cold War's end, the economic crisis that ensued, and the decentralization of the state's political, economic, and cultural apparatus. Stock focuses on what she calls Street Filmmaking--the production of emerging audiovisual artists who work outside the state film industry--to examine the island's transformation and changing notions of Cuban identity. Employing entrepreneurial approaches to producing art and to negotiating the exigencies of globalization, this younger generation of filmmakers offers fresh perspectives on what it means to be Cuban in an increasingly complex and connected world.
A Jewish girl and the daughter of a Nazi have been best friends since they started school, but in 1938 the 13-year-olds find their close relationship difficult to maintain.
In Cuban Revelations, Marc Frank offers a first-hand account of daily life in Cuba at the turn of the twenty-first century, the start of a new and dramatic epoch for islanders and the Cuban diaspora. A U.S.-born journalist who has called Havana home for almost a quarter century, Frank observed in person the best days of the revolution, the fall of the Soviet Bloc, the great depression of the 1990s, the stepping aside of Fidel Castro, and the reforms now being devised by his brother. Examining the effects of U.S. policy toward Cuba, Frank analyzes why Cuba has entered an extraordinary, irreversible period of change and considers what the island's future holds. The enormous social engineering project taking place today under Raúl's leadership is fraught with many dangers, and Cuban Revelations follows the new leader's efforts to overcome bureaucratic resistance and the fears of a populace that stand in his way. In addition, Frank offers a colorful chronicle of his travels across the island's many and varied provinces, sharing candid interviews with people from all walks of life. He takes the reader outside the capital to reveal how ordinary Cubans live and what they are thinking and feeling as fifty-year-old social and economic taboos are broken. He shares his honest and unbiased observations on extraordinary positive developments in social matters, like healthcare and education, as well as on the inefficiencies in the Cuban economy.
Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities. This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book—including rumba, timba, eastern Cuban folklore, and son—are examples of the intersections between regional identity formation, racialized notions of place, and music-making.
Take a trip to the golden age of Havana in this gorgeously illustrated volume of vintage photographs, postcards, brochures, and other ephemera. Featuring hundreds of historic images and cultural artifacts, Havana Before Castro documents how the Cuban capital evolved from a Prohibition Era getaway destination to a heady blend of glittering nightclubs, outrageous cabarets, all-night bars, and backstreet brothels. Here, captured in one amazing book, is the drama, passion, intrigue, and opulence of a legendary city during its heyday—before the Castro regime took over and Americans were banned from travel to this tropical paradise. In chapters covering such topics as Cuban rum and cigars, the world-famous Tropicana Club, and Havana’s association with the mob, author Peter Moruzzi provides essential historical context for the many fascinating and evocative images.
Published to coincide with the 50th anniversary of the Cuban Revolution, this work takes a look at Cuban history seen through the collection of Ramiro Fernandez, the world's largest archive of Cuban photos and ephemera.
Havana is among the world’s leading cinematic locales. In films made beyond the island as well as those created by local cineastes, Havana is depicted as a vibrant Caribbean city. The quantity and quality of the works representing this tropical cityscape attest to the prominence of this film location and underscore the need for a book dedicated to it. World Film Locations: Havana situates Havana as a modern city in pre-Revolutionary times, noting the architectural and cultural shifts evident during the revolution, and comments on recent reconfigurations of the city and its inhabitants in the wake of global forces. Among the forty-six scene reviews chosen to show the city in all its multifaceted-glory, films such as Our Man in Havana, I Am Cuba, Hello Hemingway, Habana Blues and Chico and Rita are bookended by seven insightful essays. The essays look at the history of revolutionary cinema in Cuba and consider documentary films, from the Latin American Newsreel to avant-garde experimental work, including the island’s documentary tradition showcasing local faces and places that have paved the way for present-day media and audio-visual art. The essays also explore the multifaceted film culture of the capital, the cine club movement, historic cinemas and film venues around the city, the abundance of film festivals such as the International Festival of New Latin American Cinema and film-themed cafeterias, restaurants, bookstores and markets.
This book explores how young Cuban filmmakers have expanded the range of sexual subjectivities on screen. It analyzes cine joven (films made by young directors) from the late 1980s to the early 2020s, film reviews, articles, and materials from the Cinematheque of Cuba's archive to illustrate the confluence of sexuality, cinema, and discourses of youth. While sexual and cinematic cultures have their own unique relation to the public sphere, state institutions, and transnational flows, this book explores tensions, debates, and expressions that unite them. In an investigation of how young filmmakers employ queer strategies of self-making to bring sexual diversity to the screen, Margaret G. Frohlich shows us how cine joven takes part in the socialization of power in Cuba.
This award-winning book by the acclaimed travel photographer showcases the vibrant beauty of Cuba in stunning images captured over twenty-one years. In more than fifty trips to Cuba over twenty-one years, Travel Photographer of the Year Award-winner Lorne Resnick has sought to capture the experience of being in Cuba: moments filled with passion, desire, and laughter. Featuring two hundred sixty-six extraordinary color and black-and-white photos, this exceptional volume provides a stunning portrait of the vitality of Cuban culture, the beauty of the island, and the enduring spirit of the Cuban people. With a foreword by celebrated author Pico Iyer and an introduction by noted art critic Gerry Badger, this volume combines poignant stories and gorgeous visuals. Cuba: This moment, Exactly So has won several awards including a gold medal in the photography category from the Independent Publishers Book Awards; a Silver medal from the IBPA Benjamin Franklin Award for Art/Photography, 1st place for Books in the International Photography awards. It was also a Foreword Reviews’ 2015 INDIEFAB Book of the Year Award winner.