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Seventeen and terrified, Silas Swann has led a privileged life and has never been forced to fight for anything. He doesn't recognize himself as he stands in a Confederate uniform and holds a loaded weapon, crouching in the overgrown field. He's waiting to fire his weapon at his target in hopes of a kill. But why? Silas can't quite pull the trigger, and he begins to realize it has more to do with what the war stands for than his fear of killing a person. He learns that his enemies are much bigger than a Union soldier. They are personal struggles and the biggest bully in his own company, Moses. As Silas struggles through the marsh in the South, he finds himself in search of forgiveness. Will he find the answer to the war On Jordan's Stormy Banks?
This book is about vision. More precisely, it is about helping a congregation capture a pastor's vision and struggling through the process of seeing that vision fulfilled. H. Beecher Hicks captures that experience through the image of the Old Testament tabernacle---God's spiritual instrument for leading Moses and the Israelites through their wilderness journey and manifesting his glorious presence among them. This book arises out of Dr. Hicks's experiences in recent years of coping with the need of his church for a larger facility in the face of opposition from the community surrounding the church. The book captures and expounds the spiritual qualities required for such changing times. It both teaches and inspires. It shows us how to deal with the ups and downs of defining a vision, confronting change, and dealing with the obstacles that stand in the way, from both inside and outside the church. 'The problem with visions,' Dr. Hicks writes, 'is that they don't come with 'how to' manuals or an 800 number to call for technical support.' Yet God shows his faithfulness in many ways, sometimes after grit and grimy work, sometimes through unexplainable miracles.
Trying to describe the religious folk music of the Southern mountains is a little like trying to organize the church itself — songs, like people, just will not line up quietly in neat rows. Still, there are patterns in this varied and vital tradition, and searching for them reveals, as well as anything can, the intensity of religious feeling that has always been part of mountain life. Religious singing in the mountains flourished with the wave of revivals that has swept the region in the last two hundred years. The emotional intensity of these movements combined with the strong musical traditions of the area to produce some of America's most powerful music. It is true folk music — home-made music that people use in their everyday lives to express their deepest feelings.
In the 1600s Colonial French settlers brought Christianity into the lands that are now the state of Mississippi. Throughout the period of French rule and the period of Spanish dominion that followed, Roman Catholicism remained the principal religion. By the time that statehood was achieved in 1817, Mississippi was attracting Methodists, Baptists, Presbyterians, and other Protestant evangelical faiths at a remarkable pace, and by the twentieth century, religion in Mississippi was dominantly Protestant and evangelical. In this book, Randy J. Sparks traces the roots of evangelical Christianity in the state and shows how the evangelicals became a force of cultural revolution. They embraced the poorer segments of society, welcomed high populations of both women and African Americans, and deeply influenced ritual and belief in the state's vision of Christianity. In the 1830s as the Mississippi economy boomed, so did evangelicalism. As Protestant faiths became wedded to patriarchal standards, slaveholding, and southern political tradition, seeds were sown for the war that would erupt three decades later. Until Reconstruction many Mississippi churches comprised biracial congregations and featured women in prominent roles, but as the Civil War and the racial split cooled the evangelicals' liberal fervor and drastically changed the democratic character of their religion into arch-conservatism, a strong but separate black church emerged. As dominance by Protestant conservatives solidified, Jews, Catholics, and Mormons struggled to retain their religious identities while conforming to standards set by white Protestant society. As Sparks explores the dissonance between the state's powerful evangelical voice and Mississippi's social and cultural mores, he reveals the striking irony of faith and society in conflict. By the time of the civil rights movement of the 1960s, religion, formerly a liberal force, had become one of the leading proponents of segregation, gender inequality, and ethnic animosity among whites in the Magnolia State. Among blacks, however, the churches were bastions of racial pride and resistance to the forces of oppression.
On Jordan's Stormy Banks is a social history of southern evangelicalism from the late eighteenth century to the end of Reconstruction. By focusing on the three largest evangelical denominations in a single state - Baptist, Methodist, and Presbyterian - Randy J. Sparks charts the rise of evangelicals on the southern frontier and their remarkable increase in numbers, wealth, and influence throughout the remainder of the period. Beginning as a rebellious movement of the plain folk, evangelicals set themselves up to challenge the social hierarchy and even welcomed slaves into their congregations on terms approaching equality. Although evangelicals had largely abandoned formal opposition to slavery by the time the movement reached Mississippi, their relationship to the institution was complex and conflicted. Sparks demonstrates that the typical evangelical church was biracial and that the African-American influence in ritual and practice left an indelible imprint on southern religion. The egalitarian nature of these early churches created unique opportunities for women and blacks, and Sparks pays close attention to the important role of the female majority of church members. Similarly, evangelical practice and rhetoric was consciously democratic, linking the movement with republican virtue. By the 1830s, the evangelicals in Mississippi had so prospered that their churches grew from sects to major denominations. This shift to the establishment divided the traditionalists from the modernists within each denomination. As the evangelicals began to have a marked influence on southern society, they sought to perfect rather than abolish slavery, and egalitarian biracialism gave way to separateworship services, a practice that fueled the development of independent African-American churches following the Civil War. The orderly society that evangelicals labored to create - one organized around the patriarchal household - unraveled at the end of the Civil War, says Sparks. For whites, evangelicalism became entwined with the Religion of the Lost Cause; for African Americans, the Confederate defeat came as an answered prayer as they began to carve out an autonomous religious life for themselves that would prove to be the bedrock of the African-American community. This separation of Mississippi's major denominations along racial lines dramatically marked the end of the evangelical movement's first century.
The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.