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Most histories of the Civil War era portray the struggle over slavery as a conflict that exclusively pitted North against South, free labor against slave labor, and black against white. In Freedom's Frontier, Stacey L. Smith examines the battle over slavery as it unfolded on the multiracial Pacific Coast. Despite its antislavery constitution, California was home to a dizzying array of bound and semibound labor systems: African American slavery, American Indian indenture, Latino and Chinese contract labor, and a brutal sex traffic in bound Indian and Chinese women. Using untapped legislative and court records, Smith reconstructs the lives of California's unfree workers and documents the political and legal struggles over their destiny as the nation moved through the Civil War, emancipation, and Reconstruction. Smith reveals that the state's anti-Chinese movement, forged in its struggle over unfree labor, reached eastward to transform federal Reconstruction policy and national race relations for decades to come. Throughout, she illuminates the startling ways in which the contest over slavery's fate included a western struggle that encompassed diverse labor systems and workers not easily classified as free or slave, black or white.
Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910–1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea. Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea's colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization.
On Freedom's Frontier offers a personal look at what it was like to live along Germany's East-West border during the Cold War. Over forty men and women who lived and worked along the Fulda Gap contributed their memories to paint a vivid picture of every day life during this interesting time in history. This is one of several anthologies compiled by the Museum of the American Military Family as part of its mission to show history from many perspectives. Proceeds from Freedom's Frontier will help the museum further its work and its writer-in-residence program. Freedom's Frontier was funded, in part, by a generous grant from Bernalillo County, New Mexico.
Nineteenth-century Cincinnati was northern in its geography, southern in its economy and politics, and western in its commercial aspirations. While those identities presented a crossroad of opportunity for native whites and immigrants, African Americans endured economic repression and a denial of civil rights, compounded by extreme and frequent mob violence. No other northern city rivaled Cincinnati's vicious mob spirit. Frontiers of Freedom follows the black community as it moved from alienation and vulnerability in the 1820s toward collective consciousness and, eventually, political self-respect and self-determination. As author Nikki M. Taylor points out, this was a community that at times supported all-black communities, armed self-defense, and separate, but independent, black schools. Black Cincinnati's strategies to gain equality and citizenship were as dynamic as they were effective. When the black community united in armed defense of its homes and property during an 1841 mob attack, it demonstrated that it was no longer willing to be exiled from the city as it had been in 1829. Frontiers of Freedom chronicles alternating moments of triumph and tribulation, of pride and pain; but more than anything, it chronicles the resilience of the black community in a particularly difficult urban context at a defining moment in American history.
The story of Free Frank is not only a testament to human courage and resourcefulness but affords new insight into the American frontier. Born a slave in the South Carolina piedmont in 1777, Frank died a free man in 1854 in a town he had founded in western Illinois. His accomplishments, creditable for any frontiersman, were for a black man extraordinary. We first learn details of Frank's life when in 1795 his owner moved to Pulaski County, Kentucky. We know that he married Lucy, a slave on a neighboring farm, in 1799. Later he was allowed to hire out his time, and when his owner moved to Tennessee, Frank was left in charge of the Kentucky farm. During the War of 1812, he set up his own saltpeter works, an enterprise he maintained until he left Kentucky. In 1817 he purchased his wife's freedom for $800; two years later he bought his own liberty for the same price. Now free, he expanded his activities, purchasing land and dealing in livestock. With his wife and four of his children, Free Frank left Kentucky in 1830 to settle on a new frontier. In Pike County, Illinois, he purchased a farm and later, in 1836, platted and successfully promoted the town of New Philadelphia. The desire for freedom was an obvious spur to his commercial efforts. Through his lifetime of work he purchased the liberty of sixteen members of his family at a cost of nearly $14,000. Goods and services commanded a premium in the life of the frontier. Free Frank's career shows what an exceptional man, through working against great odds, could accomplish through industry, acumen, and aggressiveness. His story suggests a great deal about business activity and legal practices, as well as racial conditions, on the frontier. Juliet Walker has performed a task of historical detection in recreating the life of Free Frank from family traditions, limited personal papers, public documents, and secondary sources. In doing so, she has added a significant chapter to the history of African Americans.
The powerful story of the brave men and women who helped build America. In New York's early days, settlers journeyed into the wilderness to build a new life. They faced hunger, disease and the biggest threat of all--mankind. Hostile Indians, French mercenaries and British loyalists were all daily threats to the lives and homesteads of the early pioneers. The frontiers of New York were critical to the success of the revolution and the founding of America. The empire of the Iroquois and the Five Nations was at the pinnacle of its power and influence. The French and the British wanted to use the land for their own profit. And the Americans wanted freedom. Never was the resourcefulness and courage of Americans more apparent than at the very edges of civilization in an untamed land. They cleared their own fields and built their own homes. When the men volunteered for militias and marched off to battle, to fight and perhaps die, pioneer women were left alone to guard their homes and children. From the first settlers in the 17th century through the American Revolution, Halsey shows how critical the New York frontier was to the founding of America--and the dramatic personal courage of those who lived there. This book was originally published under the title The Old New York Frontier.
The Two Faces of American Freedom boldly reinterprets the American political tradition from the colonial period to modern times, placing issues of race relations, immigration, and presidentialism in the context of shifting notions of empire and citizenship. Today, while the U.S. enjoys tremendous military and economic power, citizens are increasingly insulated from everyday decision-making. This was not always the case. America, Aziz Rana argues, began as a settler society grounded in an ideal of freedom as the exercise of continuous self-rule—one that joined direct political participation with economic independence. However, this vision of freedom was politically bound to the subordination of marginalized groups, especially slaves, Native Americans, and women. These practices of liberty and exclusion were not separate currents, but rather two sides of the same coin. However, at crucial moments, social movements sought to imagine freedom without either subordination or empire. By the mid-twentieth century, these efforts failed, resulting in the rise of hierarchical state and corporate institutions. This new framework presented national and economic security as society’s guiding commitments and nurtured a continual extension of America’s global reach. Rana envisions a democratic society that revives settler ideals, but combines them with meaningful inclusion for those currently at the margins of American life.
Between 1940 and 2010, the black population of the American West grew from 710,400 to 7 million. With that explosive growth has come a burgeoning interest in the history of the African American West—an interest reflected in the remarkable range and depth of the works collected in Freedom’s Racial Frontier. Editors Herbert G. Ruffin II and Dwayne A. Mack have gathered established and emerging scholars in the field to create an anthology that links past, current, and future generations of African American West scholarship. The volume’s sixteen chapters address the African American experience within the framework of the West as a multicultural frontier. The result is a fresh perspective on western-U.S. history, centered on the significance of African American life, culture, and social justice in almost every trans-Mississippi state. Examining and interpreting the twentieth century while mindful of events and developments since 2000, the contributors focus on community formation, cultural diversity, civil rights and black empowerment, and artistic creativity and identity. Reflecting the dynamic evolution of new approaches and new sites of knowledge in the field of western history, the authors consider its interconnections with fields such as cultural studies, literature, and sociology. Some essays deal with familiar places, while others look at understudied sites such as Albuquerque, Oahu, and Las Vegas, Nevada. By examining black suburbanization, the Information Age, and gentrification in the urban West, several authors conceive of a Third Great Migration of African Americans to and within the West. The West revealed in Freedom’s Racial Frontier is a place where black Americans have fought—and continue to fight—to make their idea of freedom live up to their expectations of equality; a place where freedom is still a frontier for most persons of African heritage.
From one of America's preeminent historians comes a magisterial study of the development of open societies focusing on the United States and New Zealand